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From Canada's global cities to its Arctic Circle - from the country's ongoing story of civil rights movements to languages under pressure - the writers in this issue upend the ways we imagine land, reconciliation, truth and belonging, revealing the histories of a nation's future. Margaret Atwood, Gary Barwin, Dionne Brand, Fanny Britt, Douglas Coupland, France Daigle, Alain Farah, Naomi Fontaine, Dominique Fortier, Krista Foss, Kim Fu, Rawi Hage, Anosh Irani, Falen Johnson, Benoit Jutras, Alex Leslie, Alexander MacLeod, Daphne Marlatt, Lisa Moore, Nadim Roberts, Armand Garnet Ruffo, Chlo Savoie-Bernard, Anakana Schofield, Paul Seesequasis, Johanna Skibsrud, Karen Solie, Souvankham Thammavongsa, Larry Tremblay. Guest-edited by Catherine Leroux and Madeleine Thein: Catherine Leroux is a novelist, translator and journalist. Le mur mitoyen won the 2014 France-Quebec Prize and its English translation, The Party Wall, was nominated for the Giller Prize in 2016. Madeleine Thien is the author of the story collection Simple Recipes, and three novels, including Certainty and Dogs at the Perimeter. Her most recent book, Do Not Say We Have Nothing, was shortlisted for the Man Booker Prize, won the Scotiabank Giller Prize and the Governor-General's Literary Award for Fiction.
`It's the liveliest, most cogently argued, most provocative and most infuriatingly self-satisfied work of literary criticism to be published in this country in at least the last decade.'
In Degrees of Nakedness, Lisa Moore's first story collection, the joys and distresses of love course through modern-day Newfoundland like an electric current. Lisa Moore's stories are bright, emotionally engaging, tangible. She marks out the precious moments of her characters' lives against deceptively commonplace backdrops -- a St. John's hospital cafeteria lit only by the lights in the snack machines; a half-built house "like a rib cage around a lungful of sky" -- and the results linger long in the memory. In Degrees of Nakedness Lisa Moore shows us that love, alongside desire, can sometimes come as a surprise, sometimes an ambush.
A much-anticipated debut collection from one of Canada’s most promising emerging poets Pebble Swing earns its title from the image of stones skipping their way across a body of water, or, in the author’s case, syllables and traces of her mother tongue bouncing back at her from the water’s reflective surface. This collection is about language and family histories. It is the author’s attempt to piece together the resonant aftermath of the Chinese Cultural Revolution, which stole the life of her paternal grandmother. As an immigrant whose grasp of Mandarin is fading, Wang explores absences in her caesuras and fragmentation—that which is unspoken, but endures. The poems in this collection also trace the experiences of a young poet who left home at seventeen to pursue writing; the result is a series of city poetry infused with memory, the small joys of Vancouver’s everyday, environmental politics, grief and notions of home. While the poetics of response are abundant in the collection—with poems written to Natalie Lim and Ashley Hynd—the last section of the book, "Thirteen Ghazals and Anti-Ghazals after Phyllis Webb," forges a continued response to Phyllis Webb on Salt Spring Island, and innovates within the possibilities of the experimental ghazal form.
A History of Canadian Fiction is the first one-volume history to chart its development from earliest times to the present day. Recounting the struggles and the glories of this burgeoning area of investigation, it explains Canada's literary growth alongside its remarkable history. Highlighting the people who have shaped and are shaping Canadian literary culture, the book examines such major figures as Mavis Gallant, Mordecai Richler, Alice Munro, Margaret Atwood, Michael Ondaatje, and Thomas King, concluding with young authors of today whose major successes reflect their indebtedness to their Canadian forbearers.
All life — whether on land or in the sea — depends on the oceans for two things: • Oxygen. Most of Earth’s oxygen is produced by phytoplankton in the sea. These humble, one-celled organisms, rather than the spectacular rain forests, are the true lungs of the planet. • Climate control. Our climate is regulated by the ocean’s currents, winds, and water-cycle activity. Sea Sick is the first book to examine the current state of the world’s oceans — the great unexamined ecological crisis of the planet — and the fact that we are altering everything about them; temperature, salinity, acidity, ice cover, volume, circulation, and, of course, the life within them. Alanna Mitchell joins the crews of leading scientists in nine of the global ocean’s hotspots to see firsthand what is really happening around the world. Whether it’s the impact of coral reef bleaching, the puzzle of the oxygen-less dead zones such as the one in the Gulf of Mexico, or the shocking implications of the changing Ph balance of the sea, Mitchell explains the science behind the story to create an engaging, accessible yet authoritative account.
In a floundering 1980s papermill town, awkward widower Floyd Hoffman holds a secret that draws contempt from his teenage son. As tensions rise, Floyd retreats into the past, reliving his tumultuous marriage to Bonnie, a manically-depressed first love whose passion drew him out of his reclusiveness. When his son dies suddenly from the same environmental cancer that claimed Bonnie, Floyd's life falls apart. He loses himself in the pursuit of justice against the reckless papermill responsible for his family's demise. In the midst of his grief, destitute teenager Tammy King appears on his doorstep along with her baby, the result of a clandestine affair with Floyd's son. While Floyd dreams of family redemption through his grandson, Tammy forges separate plans for an independent future. The Last Hoffman is a story about the reverberation of family secrets. It will renew your faith in second chances.