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Annotation Examining culture as social identity, this collection explores issues such as gender, technology, cultural ethnicity, and regionalism in four general areas: the media, individual and national identity, languages, and cultural dissent.
DigiCat Publishing presents to you this special edition of "The Habitant and Other French-Canadian Poems" by William Henry Drummond. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the "literary" - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.
'Canadian Melodies and Poems' is, as the title suggests, a collection of poems and ballads written by a Canadian author named George E. Merkley. Of more than a dozen titles featured, some of them bear the following titles: 'The Vigil', 'The Legend of a Dead Man's Lake', 'The Mystery of the Sea', 'The Sailor's Bride', and 'The Broken Mirror'. Here's an excerpt from 'The Vigil': "The Southern sun with his deep flood of light / Was slowly sinking, and the moated tide / Hung heavy o'er the dusky brow of night."
"Thirteen essays and addresses on Canadian writing, teaching, and society by one of the most influential critical thinkers of the century."
This book offers a comprehensive and lively introduction to major writers, genres and topics in Canadian literature. Addressing traditional assumptions and current issues, contributors pay attention to the social, political and economic developments that have informed literary events. Broad surveys of fiction, drama, and poetry are complemented by chapters on Aboriginal writing, autobiography, literary criticism, writing by women, and the emergence of urban writing in a country historically defined by its regions. Also discussed are genres that have a special place in Canadian literature, such as nature-writing, exploration and travel-writing, and short fiction. Athough the emphasis is on literature in English, a substantial chapter on francophone writing is included.
Winner of the Gabrielle Roy Prize in English and the Raymond Klibansky Prize, The Picturesque and the Sublime is a cultural history of two hundred years of nature writing in Canada, from eighteenth-century prospect poems to contemporary encounters with landscape. Arguing against the received wisdom (made popular by Northrop Frye and Margaret Atwood) that Canadian writers view nature as hostile, Susan Glickman places Canadian literature in the English and European traditions of the sublime and the picturesque. Glickman argues that early immigrants to Canada brought with them the expectation that nature would be grand, mysterious, awesome – even terrifying – and welcomed scenes that conformed to these notions of sublimity. She contends that to interpret their descriptions of nature as "negative," as so many critics have done, is a significant misunderstanding. Glickman provides close readings of several important works, including Susanna Moodie's "Enthusiasm," Charles G.D. Roberts's Ave, and Paulette Jiles's "Song to the Rising Sun," and explores the poems in the context of theories of nature and art. Instead of projecting backward from a modernist perspective, Glickman reads forward from the discovery of landscape as a legitimate artistic subject in seventeenth-century England and argues that picturesque modes of description, and a sublime aesthetic, have governed much of the representation of nature in this country. Susan Glickman is a poet living in Toronto. She is the author of Complicity, The Power to Move, Henry Moore's Sheep and Other Poems, and Hide and Seek.
DigiCat Publishing presents to you this special edition of "Highways of Canadian Literature" by John Daniel Logan, Donald G. French. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Relke (women's and gender studies, U. of Saskatchewan) divides her book into what she calls three chronological "moments in feminist ecocritical consciousness": poetic, ecological, and ecocritical. Essays included under poetic consciousness are preoccupied with woman's search for subjectivity in a literary universe that can't accommodate women poets of nature, examining, for example, Atwood's Journals of Susanna Moodie. To ecological consciousness, Relke assigns essays examining how Dorothy Livesay, Isabella Valancy Crawford and Daphne Marlatt understand the metaphor, woman = nature, and how they use it to address green concerns. Lastly, essays under ecocritical consciousness focus on the critical act itself and on the masculine construction of Canadian literary history. The book's constant theme, writes Relke, "concerns the struggle by women poets to make the best of a bad idea--namely, patriarchy." Canadian card order number: C99-910815-8. Distribute by Raincoast Distribution Services. Annotation copyrighted by Book News, Inc., Portland, OR.