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In writing this preface to Vol. III of "Canada in Flanders" I am saying good-bye to my task as author of the first two volumes. The increasing pressure of other duties has made it impossible for me to pay those prolonged visits to the Front which alone keep a writer in vivid touch with the constantly developing realities of modern war, or to spare the time for the proper study of the historical material. Under these circumstances it seemed better to retain the Editorship of "Canada in Flanders," but to hand over the story of the Somme to the practised pen of Major Charles G. D. Roberts, who was present with the Canadian Corps during that Autumn Campaign. But in doing this it is necessary to make good as far as possible the errors and slips which have come to light and been pointed out by the critics in the text of Vol. II.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
This book has been considered by academicians and scholars of great significance and value to literature. This book forms a part of the knowledge base for future generations. So that the book is never forgotten we have re-typed, re-formatted, and re-published the book in a very modern format. Hence every reader would get a new book but without losing its old charm and feel. We at Alpha Editions, work towards the restoration of old and rare books so that they are never forgotten and are always available for the future generations.
Sir Charles G. D. Roberts is known as the "Father of Canadian Poetry" for his masterful works of poetry and prose. He's still extremely popular today.
Canada In Flanders, (Volume Iii), has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Excerpt from Canada in Flanders, Vol. 3 But in doing this it is necessary to make good as far as possible the errors and slips which have come to light and been pointed out by the critics in the text of Vol. II. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.