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Dans la conférence prononcée comme récipiendaire de la médaille Symons en 2013, le très honorable Paul Martin, vingt-et-unième premier ministre du Canada, s’appuie sur tout le savoir et le vécu de sa remarquable carrière publique, afin d’expliquer le défi d’obtenir justice pour les peuples autochtones du Canada. Se penchant sur les racines historiques des enjeux actuels ainsi que les priorités contemporaines, monsieur Martin affirme que le progrès futur des peuples autochtones du Canada dépend de l’atteinte d’une forme de gouvernement autochtone autonome, accompagné d’un financement adéquat. Mais par-dessus tout, il lance un appel éloquent et urgent à l’action : les Canadiens et les Canadiennes doivent faire aujourd’hui preuve du même type d’imagination, de générosité et de courage qu’ont démontré les Pères de la Confédération lors de la Conférence de Charlottetown en 1864. Le Canada et le Canada Autochtone aujourd’hui. Changer le cours de l’histoire est une contribution vitale au débat canadien sur le rôle des peuples autochtones au Canada d’aujourd’hui et de demain. C’est une lecture incontournable pour tous ceux et celles qui veulent mieux connaître les racines historiques des défis actuels et réfléchir sur les questions de justice et d’égalité pour les Autochtones du Canada aujourd’hui. L’une des distinctions les plus prestigieuses au Canada, la médaille Symons est présentée chaque année par le Centre des arts de la Confédération, l’institution commémorative nationale établie en l’honneur des Pères de la Confédération, à un lauréat ayant contribué de façon exceptionnelle à la société canadienne. Ce livre est bilingue.
The early years of the twenty-first century have witnessed a proliferation of non-fiction, reality-based performance genres, including documentary and verbatim theatre, site-specific theatre, autobiographical theatre, and immersive theatre. Insecurity: Perils and Products of Theatres of the Real begins with the premise that although the inclusion of real objects and real words on the stage would ostensibly seem to increase the epistemological security and documentary truth-value of the presentation, in fact the opposite is the case. Contemporary audiences are caught between a desire for authenticity and immediacy of connection to a person, place, or experience, and the conditions of our postmodern world that render our lives insecure. The same conditions that underpin our yearning for authenticity thwart access to an impossible real. As a result of the instability of social reality, the audience, Jenn Stephenson explains, is unable to trust the mechanisms of theatricality. The by-product of theatres of the real in the age of post-reality is insecurity.
In the summer of 1990, the Oka Crisis—or the Kanehsatake Resistance—exposed a rupture in the relationships between settlers and Indigenous peoples in Canada. In the wake of the failure of the Meech Lake Accord, the conflict made visible a contemporary Indigenous presence that Canadian society had imagined was on the verge of disappearance. The 78-day standoff also reactivated a long history of Indigenous people’s resistance to colonial policies aimed at assimilation and land appropriation. The land dispute at the core of this conflict raises obvious political and judicial issues, but it is also part of a wider context that incites us to fully consider the ways in which histories are performed, called upon, staged, told, imagined, and interpreted. Stories of Oka: Land, Film, and Literature examines the standoff in relation to film and literary narratives, both Indigenous and non-Indigenous. This new English edition of St-Amand’s interdisciplinary, intercultural, and multi-perspective work offers a framework for thinking through the relationships that both unite and oppose settler societies and Indigenous peoples in Canada.
Though Expo 67 looms large in our collective memory, it is often remembered nostalgically as a remote historical event. The conditions that made Expo an exceptional cultural moment are often forgotten: remarkable creative freedom was granted to artists, architects, filmmakers, and designers to experiment with technology and new forms, resulting in an incredible diversity of cultural production. Originating with the Musée d'art contemporain's 2017 exhibition, In Search of Expo 67 brings together original work from nineteen artists and new critical essays to explore the connections between archives and memory. Organized thematically, artists' words and works are put into dialogue with archival imagery that reconstructs key aspects of the original event. Works by Marie-Claire Blais and Pascal Grandmaison as well as Cheryl Sim explore the physicality of the artificially constructed Expo islands while texts and images rethink and remember key locales such as the Canada and Indians of Canada Pavilions. Expo influenced ideas about Indigenous Canadians at home and abroad at the advent of a new political and cultural conceptualization of Indigeneity: Duane Linklater's art reimagines Norval Morrisseau's seminal Expo mural Earth Mother and Her Children, while Krista Belle Stewart reconstructs a single frame of a short NFB documentary about Indigenous life in vinyl over a "classic colonial grid" of sixteen window panes. Artworks employ contemporary digital media and tools to explore key elements and experiences of particular pavilions. Janine Marchessault provides a history of film at Expo and its archival difficulties. The book also documents six original multi-screen large-format films from Expo 67. Contemporary work in film by Jacqueline Hoàng Nguy?n, Geronimo Inutiq, and Philip Hoffman and Eva Kolcze interrogates the official memory and narratives of Expo 67. The result is a critical rethinking and creative reimagining of Expo that shows how vital it remains over fifty years after it occurred, and the role of both research and creation in questioning and sustaining cultural memory. Brilliantly illustrated with original artworks and archival documents and images, In Search of Expo 67 revitalizes this utopian moment in Montreal's history as a site of unexpected tensions and immense creativity.
In October 2015, the federal Liberals came to power with sweeping plans to revamp Canada's democratic and federal institutions - a modernizing agenda intended to revitalize Canada's democratic architecture. The centrepiece of the agenda was the replacement of Canada's first-past-the-post electoral system, but they also promised to revitalize relations with the provinces, bring Indigenous Peoples into the intergovernmental fold, and to change the ways in which senators and Supreme Court justices are appointed. How has the reform agenda faired? Has it resulted in a more effective and democratic set of political and federal institutions? Or has it largely failed to deliver on these objectives? What, more broadly, is the state of Canada's democratic and federal institutions? The Queen's Institute of Intergovernmental Relations used the occasion of Canada's 150th birthday to examine these pressing issues. The 2017 volume in the State of the Federation series focuses on enduring questions about the functioning of federalism and intergovernmental relations in Canada, including how we should evaluate the quality of Canada's institutions and practices in light of our federal structure, and how current institutional arrangements and their possible alternatives fare according to these criteria.
Like any other subject, the study of religion is a child of its time. Shaped and forged over the course of the twentieth century, it has reflected the interests and political situation of the world at the time. As the twenty-first century unfolds, it is undergoing a major transition along with religion itself. This volume showcases new work and new approaches to religion which work across boundaries of religious tradition, academic discipline and region. The influence of globalizing processes has been evident in social and cultural networking by way of new media like the internet, in the extensive power of global capitalism and in the increasing influence of international bodies and legal instruments. Religion has been changing and adapting too. This handbook offers fresh insights on the dynamic reality of religion in global societies today by underscoring transformations in eight key areas: Market and Branding; Contemporary Ethics and Virtues; Intimate Identities; Transnational Movements; Diasporic Communities; Responses to Diversity; National Tensions; and Reflections on ‘Religion’. These themes demonstrate the handbook’s new topics and approaches that move beyond existing agendas. Bringing together scholars of all ages and stages of career from around the world, the handbook showcases the dynamism of religion in global societies. It is an accessible introduction to new ways of approaching the study of religion practically, theoretically and geographically.
The essays collected here illustrate aspects of recent research conducted by graduate students in Canadian studies at various European universities. The methodological diversity displayed points to the very essence of the culture the contributors explore - what has been commonly termed the Canadian mosaic or, more recently, the Canadian kaleidoscope (Janice Kulyk-Keefer). In analysing the many facets of this mosaic, the numerous images of this kaleidoscope, the contributors offer fresh and youthful reappraisals of traditional visions of Canadianness.
What's Your Story? A Canada 2017 Yearbook is a timely collection of profiles and portraits from Canadians in every region of the country—a snapshot of the diverse people, places, things, and events that tell a fascinating story of the country now and where it is headed. The Yearbook pays tribute to Canadian people and landscapes with stunning visuals from across the nation, framing the big and small moments of this important year. CBC/Radio-Canada asked citizens from coast to coast to coast to share the personal stories and memories that explore what it means to be Canadian in this historical moment. Their memories and narratives, supplemented with spectacular photo spreads, recollect the conversations, celebrations, and ceremonies that took place across the country in 2017.