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Drawing on a wide range of major literary voices, including Richard Wright, Ralph Ellison, and Toni Morrison, as well as lesser-known writers such as William Attaway (Blood on the Forge) and Dorothy West (The Living Is Easy), Rodgers conducts a kind of literary archaeology of the Great Migration. He mines the writers' biographical connections to migration and teases apart the ways in which individual novels relate to one another, to the historical situation of black America, and to African-American literature as a whole. In reading migration novels in relation to African-American literary texts such as slave narratives, folk tales, and urban fiction, Rodgers affirms the southern folk roots of African-American culture and argues for a need to stem the erosion of southern memory.
An important book of epic scope on America's first racially integrated, religiously inspired movement for change The civil war brought to a climax the country's bitter division. But the beginnings of slavery's denouement can be traced to a courageous band of ordinary Americans, black and white, slave and free, who joined forces to create what would come to be known as the Underground Railroad, a movement that occupies as romantic a place in the nation's imagination as the Lewis and Clark expedition. The true story of the Underground Railroad is much more morally complex and politically divisive than even the myths suggest. Against a backdrop of the country's westward expansion arose a fierce clash of values that was nothing less than a war for the country's soul. Not since the American Revolution had the country engaged in an act of such vast and profound civil disobedience that not only challenged prevailing mores but also subverted federal law. Bound for Canaan tells the stories of men and women like David Ruggles, who invented the black underground in New York City; bold Quakers like Isaac Hopper and Levi Coffin, who risked their lives to build the Underground Railroad; and the inimitable Harriet Tubman. Interweaving thrilling personal stories with the politics of slavery and abolition, Bound for Canaan shows how the Underground Railroad gave birth to this country's first racially integrated, religiously inspired movement for social change.
When we leave our destiny in the hands of others and live our life in the past, we immediately destroy our future. Scientists in the human genome industry have proved that all humans are 99.9 percent the same. Why then are some ethnicities progressive and others nonprogressive? Our current problems are not with the slave or colonial masters. We Are Becoming the Problem Now! Had we continued in the legacy of our ancestors simply known as slaves, we ought to have been the pride and joy of the whole world. They went through unimaginable pain, sorrow, hardship, and torment. They survived and even succeeded by leaving a godly legacy behind in the Negro spiritual songs and in arts, education, industry, and every conceivable field. Our current major problems as blacks in Africa and all over the world simply put are leadership and disunity. We do the dirty work by self-destroying ourselves and each other. Only few illiterate Caucasian would engage in overt discrimination. The majority of us have been trained in the art and act of covert self-destruction and in the destruction of the whole. We have so much zeal but without knowledge. We must bear in mind that zeal without knowledge is dead, so also knowledge without zeal is equally lifeless (Romans 10:2). Not until we harness our zeal and knowledge comprehensively can we live a progressive life. It has been said that if the West is to stand still and halt all development and progress, Africa would never catch up. Yet we have PhDs in every conceivable field. Do we blame that on the ancestors of the slave or colonial masters? No! We are to be blamed. We Are Becoming the Problem Now! Those who have ears to hear, let them hear because time is of the essence.
From Flannery O'Connor and James Baldwin to the post-9/11 writings of Don DeLillo, imaginative writers have often been the most insightful chroniclers of the USA's changing religious life since the end of World War II. Exploring a wide range of writers from Protestant, Catholic, Jewish and secular faiths, this book is an in-depth study of contemporary fiction's engagement with religious belief, identity and practice. Through readings of major writers of our time like Saul Bellow, E. L. Doctorow, Philip Roth, Marilynne Robinson and John Updike, Mark Eaton discovers a more nuanced picture of the varieties of American religious experience: that they are more commonplace than cultural ideas of progressive secularisation or faith-based polarization might suggest.
While his father works in the city over the winter, a young boy thinks of some good times they've shared and looks forward to his return to their South African home in the spring.
In Black City Cinema, Paula Massood shows how popular films reflected the massive social changes that resulted from the Great Migration of African Americans from the rural South to cities in the North, West, and Mid-West during the first three decades of the twentieth century. By the onset of the Depression, the Black population had become primarily urban, transforming individual lives as well as urban experience and culture.Massood probes into the relationship of place and time, showing how urban settings became an intrinsic element of African American film as Black people became more firmly rooted in urban spaces and more visible as historical and political subjects. Illuminating the intersections of film, history, politics, and urban discourse, she considers the chief genres of African American and Hollywood narrative film: the black cast musicals of the 1920s and the "race" films of the early sound era to blaxploitation and hood films, as well as the work of Spike Lee toward the end of the century. As it examines such a wide range of films over much of the twentieth century, this book offers a unique map of Black representations in film.