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From the New York Times bestselling author of Redeeming Love and The Masterpiece—and “one of [Christian fiction’s] most honored and talented writers” (Library Journal)—comes a heart-wrenching but uplifting story about a highly controversial topic. Dynah Carey knew where her life was headed. Engaged to a wonderful man, the daughter of doting parents, a faithful child of God—she has it all. Then the unthinkable happens: Dynah’s perfect life is irrevocably changed by a rape that results in an unwanted pregnancy. Her family is torn apart and her seemingly rock-solid faith is pushed to the limits as she faces the most momentous choice of her life: to embrace or to end the life within her. This is ultimately a tale of three women, as Dynah’s plight forces both her mother and her grandmother to confront the choices they made. Written with balance and compassion, The Atonement Child brings a new perspective to a widely debated topic.
*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).
Blade McCormick is not a nice guy.He's pure adrenaline and smells like smoke and leather--the kind of guy you look at and know he's going to be a combination of nasty and irresistible. The moment I allowed myself to touch his hot skin and kiss his full lips, I. Was. Done.Like currency, I've become part of a transaction. Blade took me to pay off a debt. I try to tell myself, Eve, you should hate him. He's a bad guy. But then again, I'm not a good girl. Blade's the president of the Disciples, the notorious motorcycle club. I should be frightened, yet somehow, he doesn't scare me. If anything, I think I scare him.It takes a lot of work to become the club's Queen, but I'll stop at nothing to have the King!
“Enthralling . . . [a] sly, rich and swift novel of vengeance and rough justice.”—The Seattle Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LIBRARY JOURNAL Sebastião Raposa is only thirteen when his parents are unjustly imprisoned by the Inquisition, and he is forced to flee Portugal or face the same fate. But a decade in exile only whets his appetite for vengeance—transforming a once frightened boy into a dangerous man, determined to right unforgivable wrongs with unrelenting fury. Well schooled by his benefactor, bounty hunter Benjamin Weaver, in the use of wits and fists alike, Sebastião returns to Lisbon—in the guise of English businessman Sebastian Foxx—to stalk the ruthless Inquisitor priest Pedro Azinheiro. But in a city ruled by terror and treachery, no enemy can be underestimated, nor any ally trusted. As Foxx is drawn into the struggles of old friends, confronted by new foes, and forced to play a game of deception, he finds himself befriended, betrayed, tempted by desire, and tormented by personal turmoil. And when a twist of fate turns his plans to chaos, he must choose between surrendering to bloodlust or serving the cause of mercy. Praise for The Day of Atonement “One of the masters of the historical thriller, Liss is back with yet another highly entertaining novel. . . . [The Day of Atonement] paints a vivid picture of the waning days of the Inquisition, and of the truly evil religious leaders who led it. One of Liss’s best books.”—Minneapolis Star Tribune “Foxx is reminiscent of Lee Child’s Jack Reacher: a man with his own moral code who takes on multiple adversaries simultaneously. . . . Liss has the start of another solidly researched, action-packed historical series here.”—Booklist (starred review) “[An] action-packed novel.”—The Wall Street Journal “Snappy dialogue and convincing atmosphere . . . The plot moves swiftly to a shattering climax.”—The Washington Post “Another intriguing thriller set against historical events for Liss, who has a knack for period detail, breakneck plots and characters we want to root for.”—San Antonio Express-News “Fans of [David] Liss know well his mix of dark arts and historical detail.”—New York Daily News
In works of Western literature ranging from Homer’s Odyssey to Albee’s Who’s Afraid of Virginia Woolf? the giving and taking of hospitality is sometimes pleasurable, but more often perilous. Heffernan traces this leitmotiv through the history of our greatest writings, including Christ’s Last Supper, Macbeth’s murder of his royal guest, and Camus’s short story on French colonialism in Arab Algeria. By means of such examples and many more, this book considers what literary hosts, hostesses, and guests do to as well as for each other. In doing so, it shows how often treachery rends the fabric of trust that hospitality weaves.