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Campanella style is considered one of the harder ukulele techniques. Thus a lot of beginners has shyness before and fear needlessly. Therefore, in this book I edited thirty simple and well-known songs. This book contains only six tones melodic etudes (d, e, f#, g, a, b). The task of this book is to help beginners get the necessary equipment and self-confidence to not be afraid to play harder songs in the style of Campanella. Includes: All the Good Times Are Past Gone; Amcha Yisrael; Au clair de la Lune; Banks of the Ohio; Beautiful Brown Eyes; David Melech Yisrael; For He's a Jolly Good Fellow; Gimme Dat Ol'Time Religion; Go Tell Aunt Rhody; Hot Cross Buns I.; Hot Cross Buns II.; Iroquois Lullaby; Kum ba yah; London Bridge; Mary Had A Little Lamb; Michael, Row The boat Ashore; Oh, Freedom; Oh, When The Saints; Old MacDonald Had A Farm; Oranges and Lemons; Railroad Bill; Reuben's Train; Rock My Soul; Shema Yisrael;Steal Away; The Cruel War; This Old Man; Tom Dooley; Twinkle, Twinkle Little Star; Worried Man Blues. The are in the book songs without text. Check out samples from books: http: //osos.sweb.cz/preview-ukulele.pdf
34 beautiful Christmas songs that sound great with just two chords each! Now with ukulele tablature in campanella-style melodic solos! These songs have been hand-picked for greatness from over a hundred possible selections (and those found amid hundreds and hundreds more). There are no 'filler' songs here; each stands on it's own for solo or group singing. Many are lesser-known carols, but every one is a gem. So, whether you're a soloist, in a small group, or the leader of large community, you'll find some great songs to add to your Christmas caroling repertoire. CONTENTS: Apple Tree Wassail As Joseph Was A-Walking Behold that Star Carol of the Bagpipers, The Cherry Tree Carol, The Child of God Christ Child's Lullaby, The Christ Was Born on Christmas Day Christmas Eve is Here Cold is the Morning Come Running You Shepherds God Bless All Hail the Blest Morn! (Star in the East) Hear Them Bells Hey, Ho, Nobody Home Huron Indian Carol I Saw Three Ships I Saw Three Ships (alternate) Il Est Ne (He is Born) Mary Had a Baby O Christmas Tree O Leave Your Sheep O Little Town of Bethlehem (Forest Green) Patapan Quickly Now, O Shepherds Rise Up Shepherd and Follow Sleep of the Infant Jesus, The Still, Still, Still Tomorrow Shall Be My Dancing Day Truth from Above, The Wassail! Wassail all Over the Town! Welsh Carol What Shall We Give? Wondrous Love About the Author: M Ryan Taylor of UkulelePlay.com, picked up the ukulele after hearing Jake Shimabukuro play "While My Guitar Gently Weeps" on YouTube. Since then he has taught hundreds of other students to play the ukulele as well and become an ukulele festival organizer. He holds bachelor of music in vocal performance and a master of music in composition, and maintains that the ukulele is the natural choice for self-accompaniment; light, portable, fits in a suitcase, and is a whole lot of fun. COOL THINGS TO DO WITH THIS MUSIC Play the solos by themselves. The great thing about campanella-style playing is that even though you're only playing the melody, it sounds as if you're accompanying yourself. Get together with a friend. One of you can play the melody, while the other strums or fingerpicks on the chords. Use the instrumentals as an introduction before doing vocal renditions by yourself, with a friend or in a larger group. 2ND EDITION One might consider this book a second, expanded edition of my first book, The Two-Chord Christmas Songbook, only without the chord diagrams at the top of each page and added companella-style tablature. I have retained chord indications, melody line and lyrics for those interested in alternating strumming and singing with pure instrumental playing. For the most part I have retained the keys from the original edition, except where the melody went below the range of the ukulele, in which case I transposed it upward. I also included a second section, beginning on page 29, that just has the tablature solos in large,easy-to-read print. DIFFICULTY The melodic tablature solos seek to follow the companella style, an almost magical technique made possible by the ukuleles native re-entrant tuning that simulates the effect of playing a harp or set of bells (campanella means 'little bells'). The solos range from very easy to moderate in difficulty. I have endeavored to keep the solos as easy as possible in this style, but melodies that have a wider range do tend to be a little bit more difficult. Keys also effect the difficulty level. ENJOY! & MERRY CHRISTMAS! M. Ryan Taylor UkulelePlay.com
I began listening to Celtic music in the early 90's when a friend introduced me to Fiona Ritchie's NPR radio program, The Thistle and Shamrock. I'd already become aware of some session tunes through the pennywhistle primer my father had given me in the 80's (when he was still a well, active musician and would play duets with me at family Christmas parties), but I had never before heard recordings of the masters of the whistle, fiddle, harp and uilleann pipes. Needless to say, it was a revelation. Shortly thereafter it seemed like the entire world was listening to the lilting jigs and high-stepping dance tunes in the wake of 1995's Riverdance phenomenon. I loved most everything I heard in that period, from the very traditional, but incredibly virtuosic playing of The Chieftains to the dreamy Celtic-inspired pop of Enya, to the amazing blend of the two extremes by artists like Loreena McKennitt. Fast forward to 2010s . . . Ever since I started writing and arranging for the ukulele I've been planning this book; one that combines my love of traditional Celtic music with my love of the reentrant ukulele (gCEA), which sounds fantastic on solo dance tunes played in the campanella-style (where you try to avoid playing two consecutive notes on the same string to give the sonic illusion of playing on a harp). I'd like to acknowledge Alistair Wood for introducing me to this style of playing as well as three other inspiring arrangers of Celtic tunes for uke: Jonathan Lewis, Rob MacKillop and Wilfried Welti (though I've avoided their books while working on this title to avoid any unintentional borrowing). If you love this style, please check out their work as well! How were the 'Top 25' Celtic session tunes chosen out of the thousands of tunes and variations that are available? Quite simply, I went to the top two sites for traditional tunes and chose to arrange the 25 most bookmarked tunes. Hardly scientific, but a good measure of tune popularity nonetheless. I hope you enjoy the results! Slainte mhaith (good health)! M. Ryan Taylor CONTENTS: There are no page numbers in this book. The contents are listed in alphabetical order, as follows. Although there are no 'easy' tunes in this volume, 10 of the 'easier' tunes are marked with an asterisk. Banish Misfortune Banshee* Blarney Pilgrim* Boys of Bluehill Butterfly Conaughtman's Rambles Cooley's Drowsy Maggie Gravel Walks* Harvest Home* Jimmy Ward's* Kesh Kid on the Mountain King of the Fairies Lilting Banshee* Maid Behind the Bar Mason's Apron Morrison's* Mountain Road Musical Priest* Out on the Ocean Rights of Man Silver Spear Tam Lin* Wind that Shakes the Barley* NOTES: * All of the tunes (except 'King of the Fairies') are arranged in the campanella-style. There are some places, however, where a repetition of a note on separate strings was not practical. * Slur marks have been used in the staff notation to indicate places you may wish to use a hammer-on, pull-off or slide. * A number of the arrangements go up to the 14th fret. I realize not all players have more than 12 frets, but I think enough do to warrant the inclusion. If your ukulele does not go above the 12th fret, experiment with taking these sections or phrases down an octave. * Although there are no 'easy' tunes in this volume, 10 of the 'easier' tunes are marked with an asterisk on the contents page."
Gaspar Sanz (1640 –1710) is the most famous baroque-period guitarist. His works are tuneful and memorable, with fiery cross-rhythms and cascading scale passages. He published three books of guitar music.The baroque guitar could be viewed as a close relative of the ukulele. Indeed, the two instruments have much in common. the smaller four-course guitar actually had the same tuning as the ukulele, for example, although it was largely double-strung.Sanz enjoyed playing scales in the campanella style, with the notes of a scale set out on different strings, sonically overlapping slightly in the style of little bells. This is a technique the ukulele excels at, and is used to good effect in these arrangements.Sanz' music for baroque guitar transfers exceptionally well to the uke, as these arrangements demonstrate. It is hoped that this repertoire will bring a refreshing addition to the repertoire of the ukulele, just as the little instrument can bring a freshness to these old but lively pieces.
Hoewel enorm invloedrijk in Duitstalig Europa, heeft de conceptuele geschiedschrijving (Begriffsgeschichte) tot nu toe weinig aandacht in het Engels gekregen. Dit genre van intellectuele geschiedschrijving verschilt van zowel de Franse geschiedschrijving van mentalités als de Engelstalige geschiedschrijving van verhandelingen door het concept. Aan de hand van practische voorbeelden in de geschiedschrijving wordt deze vorm toegelicht door Bram Kempers, Eddy de Jongh en Rolf Reichardt.
Brazilian Choro: A Method for Mandolin focuses on teaching bandolim technique for playing Choro. the combination of method book and CD offers a great opportunity to add performance practice to the black-and-white notes on the page. the book, presented in both English and Portuguese, is written for two different groups-Brazilians learning to play bandolim in the Choro tradition, and non-Brazilians who play other styles and want to learn Choro. Mr. Sá, a native Carioca who as played Choro since childhood, understands Choro intuitively and brings a Brazilian perspective to the project. Ms. Mair, a classical mandolinist who has spent much of the past four years refining her Choro technique in Rio, brings an outsider's viewpoint, recognizing the subtle distinctions that make Choro style unique. Together these renowned performers and university professors have created a pathway to help you play Choro with a true Carioca accent. Music presented in standard notation.
A collection of essays exploring the relations between music and the scientific culture of Galileo's time. It takes a broad historical approach towards understanding such topics as the role of music in Galileo's experiments and in the scientific revolution
Gateways to Understanding Music explores music in all the categories that constitute contemporary musical experience: European classical music, popular music, jazz, and world music. Covering the oldest forms of human music making to the newest, the chronological narrative considers music from a global rather than a Eurocentric perspective. Each of sixty modular "gateways" covers a particular genre, style, or period of music. Every gateway opens with a guided listening example that unlocks a world of music through careful study of its structural elements. Based on their listening experience, students are asked to consider how the piece came to be composed or performed, how the piece or performance responded to the social and cultural issues at the time and place of its creation, and what that music means today. Students learn to listen to, explain, understand, and ultimately value all the music they may encounter in their world. FEATURES Global scope—Presents all music as worthy of study, including classical, world, popular, and jazz. Historical narrative—Begins with small-scale forager societies up to the present, with a shifting focus from global to European to American influences. Modular framework—60 gateways in 14 chapters allow flexibility to organize chronologically or by the seven recurring themes: aesthetics, emotion, social life, links to culture, politics, economics, and technology. Listening-guided learning—Leads to understanding the emotion, meaning, significance, and history of music. Introduction of musical concepts—Defined as needed and compiled into a Glossary for reference. Consistent structure—With the same step-by-step format, students learn through repeated practice how to listen and how to think about music. In addition to streamed audio examples, the companion website hosts essential instructors’ resources.
This book is a unique collection of alternative Muslim voices, predominantly from Europe, who come from a variety of backgrounds - academia, theology, acting, activism - and who make a transformational contribution to the debate of the future of Islam and Muslims in the West.
(Ukulele). "Saddle up" with 50 cowboy songs arranged for ukulele: Abilene * Back in the Saddle Again * The Colorado Trail * Don't Take Your Guns to Town * Empty Saddles * Happy Trails * Home on the Range * I Want to Be a Cowboy's Sweetheart * Jesse James * Little Joe, the Wrangler * Mexicali Rose * Pecos Bill * The Red River Valley * Streets of Laredo (The Cowboy's Lament) * Twilight on the Trail * Wagon Wheels * The Yellow Rose of Texas * and more.