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Examining the memoirs and autobiographies of British soldiers during the Romantic period, Neil Ramsey explores the effect of these as cultural forms mediating warfare to the reading public during and immediately after the French Revolutionary and Napoleonic wars. Forming a distinct and commercially successful genre that in turn inspired the military and nautical novels that flourished in the 1830s, military memoirs profoundly shaped nineteenth-century British culture's understanding of war as Romantic adventure, establishing images of the nation's middle-class soldier heroes that would be of enduring significance through the nineteenth and twentieth centuries. As Ramsey shows, the military memoir achieved widespread acclaim and commercial success among the reading public of the late Romantic era. Ramsey assesses their influence in relation to Romantic culture's wider understanding of war writing, autobiography, and authorship and to the shifting relationships between the individual, the soldier, and the nation. The memoirs, Ramsey argues, participated in a sentimental response to the period's wars by transforming earlier, impersonal traditions of military memoirs into stories of the soldier's personal suffering. While the focus on suffering established in part a lasting strand of anti-war writing in memoirs by private soldiers, such stories also helped to foster a sympathetic bond between the soldier and the civilian that played an important role in developing ideas of a national war and functioned as a central component in a national commemoration of war.
So great is the weight of reading on the subject of the Waterloo campaign that it might be thought there is nothing left to say about it, and from the military viewpoint, this is very much the case. But one critical aspect of the story has gone all but untold – the French home front. Little has been written about the topic in English, and few works on Napoleon or Revolutionary and Napoleonic France pay it much attention. It is this conspicuous gap in the literature that Charles Esdaile explores in this erudite and absorbing study. Drawing on the vivid, revealing material that is available in the French archives, in the writings of soldiers who fought in France in 1814 and 1815 and in the memoirs of civilians who witnessed the fall of Napoleon or the Hundred Days, he gives us a fascinating new insight into the military and domestic context of the Waterloo campaign, the Napoleonic legend and the wider situation across Europe.
The Peninsular War was one of the most successful campaigns ever fought by the British Army. Between 1808, when British troops landed in Portugal, and 1814, when Wellington's Army advanced into the south of France, British soldiers were involved in countless battles and sieges against Napoleon's vaunted French veterans. Drawing on rare letters, diaries and memoirs, Ian Fletcher presents a superb insight into the daily lives of British soldiers in this momentous period and evokes such key battles and sieges as Vimiero, Talavera, Badajoz, Salamanca, Vittoria and San Sebastian. Ian Fletcher's skillful compilation of accounts, placed in context by important background detail, make this the story of the Peninsular War in the words of the men who marched, fought and triumphed with Wellington. Although there have been many accounts of soldiering in Wellington's army, Voices from the Peninsula throws new light on the experience of Napoleonic warfare and brings to life what Wellington called 'the finest military machine in existence'.