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Salado Creek, Texas, 1918: Thirteen black soldiers stood at attention in front of gallows erected specifically for their hanging. They had been convicted of participating in one of America’s most infamous black uprisings, the Camp Logan Mutiny, otherwise known as the 1917 Houston Riots. The revolt and ensuing riots were carried out by men of the 3rd Battalion of the all-black 24th U.S. Infantry Regiment—the famed Buffalo Soldiers—after members of the Houston Police Department violently menaced them and citizens of the local black community. It all took place over one single bloody night. In the wake of the uprising, scores lay dead, including bystanders, police, and soldiers. This incident remains one of Texas’ most complicated and misrepresented historical events. It shook race relations in Houston and created conditions that sparked a nationwide surge of racial activism. In the aftermath of the carnage, what was considered the “trial of the century” ensued. Even for its time, its profundity and racial significance rivals that of the O.J. Simpson trial eight decades later. The courts-martial resulted in the hanging of over a dozen black soldiers, eliciting memories of slave rebellions. But was justice served? New evidence from declassified historical archives indicates that the courts-martial were rushed in an attempt to placate an angered white population as well as military brass. Mutiny of Rage sheds new light on a suppressed chapter in U.S. history. It also sets the legal record straight on what really happened, all while situating events in the larger context of race relations in America, from Nat Turner to George Floyd.
Driven by an almost fanatical desire for whatever is new, "modern," and likely to make money, Houston is constantly in the process of remaking itself. Few structures remain from the nineteenth century, and even much of the twentieth-century built environment has fallen before the wrecking ball of "progress." Indeed, the demolition of older buildings in Houston can be compared to the destruction of cityscapes such as Berlin, Warsaw, and Tokyo in World War II. But because this wholesale restructuring of Houston's built environment has happened in peacetime, historically minded people have only recently sounded an alarm over what is being lost and the toll this destruction is taking on Houstonians' sense of place. Houston Lost and Unbuilt presents an extensive catalogue of twentieth-century public and commercial buildings that have been lost forever, as well as an intriguing selection of buildings that never made it off the drawing board. The lost buildings (or lost interiors of buildings) span a wide range, from civic gathering places such as the Houston Municipal Auditorium and the Astrodome to commercial enterprises such as the Foley Brothers, Sears Roebuck, and Sakowitz department stores to "Theatre Row" downtown to neighborhoods such as Fourth Ward/Freedmen's Town. Steven Strom's introductions and photo captions describe each significant building's contribution to the civic life of Houston. The "unbuilt" section of the book includes numerous previously unpublished architectural renderings of proposed projects such as a multi-building city center, monorail, and people mover system, all which reflect Houston's fascination with the future and optimism that technology will solve all of the city's problems.
A concise and unique reference work central to any serious examination of the Army2s involvement in World War I. Reproduced in 5 volumes, the original volume numbering and consecutive pagination remain unchanged to assist researchers using citations to the first printing.