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For anyone who has ever wondered how cameras work, this book is a pleasant way to learn. It is generously endowed with enough fundamentals to satisfy the technical specialist, without intimidating the casual but curious amateur photographer. The author has repaired, modified, and designed and analyzed cameras for the past forty five years. With this background, he goes beyond describing camera functions based on advertised data, instead the book explains how various cameras really work. The book peels off the cover panels and lets you look into the dark side of the lens. The dozen or so formulas use simple math and the drawings alone are worth the price of admission. Describes how cameras work and how well they overcome the difficulties in making a technically perfect photo Covers causes of image faults Presents unique methods for testing cameras Covers integration of optics, electronics, and mechanics in contemporary cameras
The lens is generally the most expensive and least understood part of any camera. In this book, Rudolf Kingslake traces the historical development of the various types of lenses from Daguerre's invention of photography in 1839 through lenses commonly used today.From an early lens still being manufactured for use in low-cost cameras to designs made possible through such innovations as lens coating, rare-earth glasses, and computer aided lens design and testing, the author details each major advance in design and fabrication. The book explains how and why each new lens type was developed, and why most of them have since been abandoned. This authoritative history of lens technology also includes brief biographies of several outstanding lens designers and manufacturers of the past.
Photography of art has served as a basis for the reconstruction of works of art and as a vehicle for the dissemination and reinterpretation of art. This book provides the first definitive treatment of the subject, with essays from noted authorities in the fields of art history, architecture, and photography. The essays explore the many meanings of photography as documentation for the art historian, inspiration for the artist, and as a means of critical interpretation of works of art. Art History Through the Camera's Lens will be important reading for students, historians, librarians, and curators of the visual arts.
Jay Maisel has been hailed as one of the most brilliant and gifted photographers of all time. But he is also much more than that–he is a mentor, teacher, and trailblazer to many photographers, and a hero to those who feel Jay’s teaching has changed the way they see and create their own photography. He is a living legend whose work is studied around the world, and whose teaching style and presentation garner standing ovations and critical acclaim every time he takes the stage. In his first educational book, Light, Gesture, and Color, Jay put his amazing insights and learning moments from a lifetime behind the lens into a book that communicated the three most important aspects of street photography: light, gesture, and color. Here, in It’s Not About the F-Stop, Jay builds on that success to take you beyond the buttons and dials on your camera to continue to teach you how to “see” like a photographer, and how to capture the world around you in a way that delights, intrigues, and challenges the viewer. Each page unveils something new and inspires you to rethink everything you know about the bigger picture of photography. This isn’t a book about f-stops or ISOs. It’s about seeing. And nobody communicates this, visually or through the written word, like Jay Maisel.
Optical System Design covers the basic knowledge of optics and the flow of light through an optical system. This book is organized into 16 chapters that deal with various components of an optical system, from light and images to spectroscopic apparatus. The book first discusses the simple components of an optical system, including its light, lens, oblique beams, and photochemical aspects. It then deals with the system's projection, plane mirrors, prisms, magnifying instruments, and telescope. Other components considered are the surveying instruments, mirror imaging systems, photographic optics, and spectroscopic apparatus. This book is of value to undergraduate students with courses in geometrical optics and system design.
This book is an exploration and appreciation of cameras and their optics, covering all major lens types from the earliest to the most recent - including those roving the surface of Mars. A recurrent theme of this book is that lens types invented in the 19th century are just as useful in the 21st century. Another continuing theme is the impact of the digital revolution and the use of imaging in radically new circumstances. This book should be of interest to any who are curious and want to know more about the glass on the front of their cameras.
Selected by the American Library Association's 'Choice' magazine as "best technical book", the first edition of this book soon established itself as the standard reference work on all aspects of photographic lenses and associated optical systems. This is unsurprising, as Sidney Ray provides a complete, comprehensive reference source for anyone wanting information on photographic lenses, from the student to the practitioner or specialist working with visual and digital media worldwide. This third edition has been fully revised and expanded to include the rapid progress in the last decade in optical technology and advances in relevant electronic and digital forms of imaging. Every chapter has been revised and expanded using new figures and photographs as appropriate, as well as extended bibliographies. New chapters include details of filters, measurements from images and the optical systems of digital cameras. Details of electronic and digital imaging have been integrated throughout. More information is given on topics such as aspherics, diffractive optics, ED glasses, image stabilization, optical technology, video projection and new types of lenses. A selection of the contents includes chapters on: optical theory, aberrations, auto focus, lens testing, depth of field, development of photographic lenses, general properties of lenses, wide-angle lenses, telephoto lenses, video lenses, viewfinder systems, camera movements, projection systems and 3-D systems.
In Peter Read Miller on Sports Photography, the 30-year Sports Illustrated veteran photographer takes you into the action of many of his most iconic shots, relating the stories behind the photos of some of the world’s greatest athletic events, including the Olympics and the Super Bowl. Discussing the circumstances surrounding particular shots, Peter shares observations of the athletes themselves, and provides tips and techniques for sports photographers of all levels looking to capture great photos of football, track and field, gymnastics, and swimming, as well as dynamic portraits of athletes. Unlike photo collections by other greats of sports photography, this book seamlessly interweaves the images and the fascinating stories behind them with photographic instruction, while giving you an inside look at what it’s like to work at the nation’s leading sports publication. Beautifully illustrated with images from the Olympics, football, and portrait sessions with professional athletes, this book offers a rich and inspiring experience for sports photographers, sports fans, and Sports Illustrated readers.