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"Before she met Jack Kennedy, Jacqueline Bouvier was a columnist at the Washington Times-Herald, the paper's 'Inquiring Camera Girl, ' who posed intelligent and amusing questions to the public on the streets of D.C. (while also snapping their photos with her unwieldy Leica camera). She then fashioned the results into a daily column, 600 of which were published in total. Carl Anthony, author and leading expert on First Ladies, uses these columns and other writings of hers from that time, as well as a trove of revealing interviews he has conducted with her friends and colleagues, to offer a fresh and modern perspective on the young woman who would later become one of the world's most beloved icons"--
The daring and passionate life of photographer Margaret Bourke-White -- the first female war photojournalist in World War II and the first female photographer for Life magazine -- is captured in this historical novel. Growing up, Margaret Bourke-White intended to become a herpetologist, but while she was still in college, her interest in nature changed to a fascination with photography. As her skill with a camera grew, her focus widened from landscapes architecture to shots of factories, trains, and bridges. Her artist's eye sharpened to see patterns and harsh beauty where others saw only chaos and ugliness. Totally dedicated to her work, and driven by her ambition to succeed, she eventually became a well-known and sought after photographer, traveling all over the United States and Europe. A comprehensive author's note provides additional information to round out readers' understanding of this fascinating and inspiring historical figure.
One of The New Yorker’s Best Books of 2023 “One of the most detailed, nuanced portraits of Jackie to date.” —The Washington Post An illuminating and “wholly refreshing” (David Maraniss, New York Times bestselling author) biography of the young Jackie Bouvier Kennedy that covers her formative adventures abroad in Paris; her life as a writer and photographer in Washington, DC; and her romance with a dashing, charismatic Massachusetts congressman who shared her intellectual passion. Camera Girl “shines with wit and intelligence” (Library Journal, starred review) as it brings to life Jackie’s years as a young, single woman trying to figure out who she wanted to become. Chafing at the expectations of her family and the societal limitations placed on women in that era, Jackie pursued her dream career as a writer. Set primarily during the years of 1949 to 1953, when Jackie was in her early twenties, the book recounts in heretofore unrevealed detail the story of her late college years and her early adulthood as a working woman. Before she met John F. Kennedy, Jacqueline Bouvier was the Washington Times-Herald’s “Inquiring Camera Girl,” posing compelling questions to members of the public on the streets of DC and snapping their photos with her unwieldy Graflex camera. She then fashioned the results into a daily column, of which six hundred were published. Carl Sferrazza Anthony, a historian and leading expert on First Ladies, draws on these columns and previously unseen archives of Jackie’s writings from this time, along with insights gleaned from interviews he conducted with her friends, colleagues, and family members. Camera Girl offers a fresh perspective on the woman later known as Jacqueline Kennedy and Jackie O, introducing us to the headstrong, self-assured young woman who went on to be one of the world’s most famous people. “For anyone of any age, the Jackie in Camera Girl offers an example of intentional living” (Hillary Rodham Clinton).
For her tenth birthday, Rebecca is invited to visit her cousin Max's movie studio! When the cameras begin to roll, she finds herself unexpectedly presented with a part to play. Rebecca doesn't have the courage to tell her family, but is it wrong to keep such a big secret? Later that summer, on a visit to the factory where her uncle and cousin work, Rebecca is horrified. Is this the life that's in store for cousin Ana? There must be a way to improve conditions at the factory, and Rebecca is determined to do her part - even if it means marching straight into danger.
A full-color chapter book based on LEGO(R) Friends--a buildable play world for girls!Best friends Mia, Olivia, Emma, Andrea, and Stephanie can't want to enter the contest to be a guest on their favorite TV show,"Girl Power"! In order to win, each girl must capture the "heart" of their hometown, Heartlake City. May the best girl win!
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
Girls being fearless. Girls being silly. Girls being wild, stubborn, and proud. Girls whose faces are smeared with dirt and lit up with joy. So simple and yet so powerful, Strong Is the New Pretty celebrates, through more than 175 memorable photographs, the strength and spirit of girls being 100% themselves. Real beauty isn’t about being a certain size, acting a certain way, wearing the right clothes, or having your hair done (or even brushed). Real beauty is about being your authentic self and owning it. Kate T. Parker is a professional photographer who finds the real beauty in girls, capturing it for all the world to see in candid and arresting images. A celebration, a catalog of spirit in words and smiles, an affirmation of the fact that it’s what’s inside you that counts, Strong Is the New Pretty conveys a powerful message for every girl, for every mother and father of a girl, for every coach and mentor and teacher, for everyone in the village that it takes to raise a strong and self-confident person.