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In Camera Clues , Joe Nickell shares his methods of identifying and dating old photos and demonstrates how to distinguish originals from copies and fakes. Particularly intriguing are his discussions of camera tricks, darkroom manipulations, retouching techniques, and uses of computer technology to deceive the eye. Camera Clues concludes with a look at allegedly "paranormal" photography, from nineteenth-century "spirit photographs" to UFO snapshots.
In Camera Clues, Joe Nickell shares his methods of identifying and dating old photos and demonstrates how to distinguish originals from copies and fakes. Particularly intriguing are his discussions of camera tricks, darkroom manipulations, retouching techniques, and uses of computer technology to deceive the eye. Camera Clues concludes with a look at allegedly "paranormal" photography, from nineteenth-century "spirit photographs" to UFO snapshots.
Shaggy uses his camera to capture clues when the gang is asked to try to discover who is sabotaging a talent show.
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
The fourth volume in a history of photography, this is a bibliography of books on the subject.
Pinney identifies three key moments In Indian portraiture: the use of photography as a quantifiable instrument of measurement under British rule, the role of portraiture in moral instruction, and the current visual style of popular culture and its effects on modes of picturing. Photographic culture thus becomes a mutable realm in which capturing likeness is only part of the project. Today, Indian images are characterized by a distinctive postcolonial photographic practice, which involves sophisticated inventiveness and techniques such as overpainting, collage, composite printing and doubling. Contemporary portraits that showcase these techniques rely as well on elaborate backdrops and props such as motorbikes to construct an endless variety of identities, challenging the prior use of photography as documentation and description.
Cam Jansen and her friends are volunteering at a talent show at the local senior center. They're having fun entertaining the guests and enjoying treats donated by Ken's Bakeshop. But during the show someone steals the wedding cake from Ken's truck out front. Can Cam use her photographic memory to solve the mystery before the wedding? The 30th mystery in this series has Cam volunteering in her community and tracking down a thief with a sweet tooth!
We live in a world filled with fascinating plants and animals, each adapted to environments that range from freezing arctic tundras to humid tropical forests. Our world is also home to more than seven billion people, a number added to every day. Each of us puts pressure on the environment and the space left for wildlife. At its most extreme, every aspect of the environment has been influenced by people's choices, and nowhere more so than the urban areas where most people live. Urban areas are full of people playing and working. They are also full of animals and plants, often living secret lives that go unnoticed. Our interactions with wildlife are often determined by our desire to get close to nature, or sometimes our fear of it. When people think of urban areas they mostly imagine big cities, but these areas extend into more ‘suburban’ environments made up of houses, gardens, roads and parks. These landscapes are often filled with wildlife that represent a combination of local plants and animals with species from other places that are planted or escaped, creating a unique habitat linked directly with the people who live there. There are many challenges for the species found here, but many opportunities too. People can individually affect the environment, for example, by owning pet cats who are like mini tigers preying on the local birds; or by leaving out trash and drawing in herds of peccaries or families of raccoons. But it is in combination that we have the greatest impact. For example, houses and street lamps generate lots of light noise which can distract moths from their usual habits, and the roads and streets we build divide up the habitat making it harder for wildlife to move around and find resources. We in turn are also affected by the environment; living in nature-filled areas can positively affect our health and our well-being, yet interactions with certain species (like tics or mosquitoes) can bring disease or discomfort. Scientists and ‘citizen scientists’ (expert members of the public) around the world are exploring our interactions with wildlife and nature in urban areas, and here we explore some of this research. This collection of articles aims to highlight some of the amazing wildlife that live alongside us and we explore how we can positively and negatively affect these species.