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Cameo Life Stories Writing Guide for Everywoman is a complete guide to writing your memoirs. It is also the basic manual of the Cameo Life Stories program, which was created by Deborah Hansen Linzer to help women recall, organize and record their precious memories. This easy-to-read, practical book: -- Outlines the eight key ingredients to successful life story writing -- Describes a system for assembling the pieces of your life puzzle -- Tells how to write well and without fear -- Explains the Cameo Life Stories support system, including Cameo Circles -- Details how to share your life story with your family, community and history archives -- Provides excerpts of women's life stories as motivating examplesAbove all, Deborah gives every woman enthusiastic encouragement in undertaking the writing of her life story as a path of personal insight and self-esteem.
Seventeen is a life changing age for Emma Wise. As her family's sole survivor in a car crash, she is left with a broken arm, and a few scrapes and bruises. But these are only outward marks; inside, her heart is broken and the pieces scattered. Whisked away to Alaska, to an aunt she's never met, Emma starts over. Secrets unveil themselves and now... she doesn't even know who or what she is.A centuries-old prophecy places Emma in the heart of danger. Creatures of horrifying and evil proportions are after her, and it will take Emma, her aunt, and six, gorgeously, captivating Guardians to keep her safe. But, if she can survive until her 18th birthday... things will change.
A poisoned paan, a non-government issue arrow and the cameo of a mysterious Englishman... Muzaffar Jang is that rare creature in Mughal Emperor Shahjahan’s Dilli – an aristocrat with friends in low places. One of whom, Faisal, stands accused of murder. When the body of Mirza Murad Begh is found stabbed in the chest, lying in a water channel in the Qila, poor Faisal is the only one around. But what of the fact that, minutes before his demise, the victim had stepped out of the haveli of Shahjahanabad’s most ravishing courtesan? Could not the sultry Mehtab Banu and her pale, delicate sister, Gulnar have something to do with the murder? Determined to save his friend, Muzaffar decides to investigate, with only a cup now and then of that new-fangled brew – ‘Allah, so bitter’ – called coffee to help him. A trail of clues leads him from Mehtab’s haveli out into the streets of seventeenth-century Dilli – rife with rumours of Dara Shukoh’s strange leanings and Prince Aurangzeb’s rebelliousness – into a conspiracy far more sinister than he had imagined...
The difference between a short story and a novel is more than one of length, Matthews argues in this influential 1901 work. The short story carries a “unity of impression,” a totality, that the novel cannot, and requires more precise language. Matthews peppers the volume with examples from Boacaccio, Poe, Hawthorne, de Maupassant, Stevenson, Henry James, and others.
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With Bani Basu`S Latest Novella On Kolkata, And M. Mukandan`S On Kalarippayattu, Katha Honours The Novella For The First Time. They Add Distinction To Six Other Outstanding Stories In This Annual Volume.