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An anthology of essays that deal with Witchcraft and the figure of the Witch, as they have been presented in motion pictures, television, and popular culture, in order to understand how, why, and when the common anti-Witchcraft/ anti-Witch attitude evolved. Mainstream tales of Witchcraft, including modern movies, novels, TV series, and other examples of our popular culture, more often than not express the traditional notion of a Witch as a wild, dangerous, untamable, “nasty” woman, obsessed with a desire for power to control all around her, in most narratives such a hunger presented as a negative. In truth, The Witch is a symbol of 'threatening evil' only to those men and women who accept a conservative sensibility. For members of either gender who do not, The Witch is perceived as hero and role model. This collection begins with the Biblical figure of Lilith, followed by Morgan le Fey from Arthurian legend/ myth in literature as well as in popular culture, followed by the more contemporary depictions of the Witch that start to appear in the 1960s; for example, in the Bewitched sitcom, the Star Wars franchise, Harry Potter, and even the television show Scooby-Doo. International depictions of the Witch are discussed, including Italy's Dario Argento's films, Suspiria and Inferno. The final section of this collection focuses on the most iconic depictions of the Witch produced during the 21st century, including A Discovery of Witches, Penny Dreadful, Game of Thrones and the history of the Witch in films by the Walt Disney studio, from its origins more than a century ago to the latest releases, arguing that here, if perhaps surprisingly, we discover the most fair and balanced portraits of Witches in the history of film and TV.
Flying Camelot brings us back to the post-Vietnam era, when the US Air Force launched two new, state-of-the art fighter aircraft: the F-15 Eagle and the F-16 Fighting Falcon. It was an era when debates about aircraft superiority went public—and these were not uncontested discussions. Michael W. Hankins delves deep into the fighter pilot culture that gave rise to both designs, showing how a small but vocal group of pilots, engineers, and analysts in the Department of Defense weaponized their own culture to affect technological development and larger political change. The design and advancement of the F-15 and F-16 reflected this group's nostalgic desire to recapture the best of World War I air combat. Known as the "Fighter Mafia," and later growing into the media savvy political powerhouse "Reform Movement," it believed that American weapons systems were too complicated and expensive, and thus vulnerable. The group's leader was Colonel John Boyd, a contentious former fighter pilot heralded as a messianic figure by many in its ranks. He and his group advocated for a shift in focus from the multi-role interceptors the Air Force had designed in the early Cold War towards specialized air-to-air combat dogfighters. Their influence stretched beyond design and into larger politicized debates about US national security, debates that still resonate today. A biography of fighter pilot culture and the nostalgia that drove decision-making, Flying Camelot deftly engages both popular culture and archives to animate the movement that shook the foundations of the Pentagon and Congress.
"Isabel is a natural witch with tremendous power, chosen to be the bride of Mordred, the illegitimate son of King Arthur. As the wife of the king's only son and the apprentice of the mysterious Merlin, Isabel finds herself constantly in the middle of everything, whether she wills it or not - from the death of the Lady of the Lake, to Lancelot and Guinevere's affair and Galahad's drawing of the sword from the stone. Through it all there are only two constants: her irrational and obsessive love for the unpredictable Mordred, and her resolute desire to keep and build upon her magic power, even at the expense of her own happiness"--Back cover
From a strange, dark chapter in American political history comes the captivating story of Ted Kennedy's 1980 campaign for president against the incumbent Jimmy Carter, told in full for the first time. The Carter presidency was on life support. The Democrats, desperate to keep power and yearning to resurrect former glory, turned to Kennedy. And so, 1980 became a civil war. It was the last time an American president received a serious reelection challenge from inside his own party, the last contested convention, and the last all-out floor fight, where political combatants fought in real time to decide who would be the nominee. It was the last gasp of an outdated system, an insider's game that old Kennedy hands thought they had mastered, and the year that marked the unraveling of the Democratic Party as America had known it. Camelot's End details the incredible drama of Kennedy's challenge -- what led to it, how it unfolded, and its lasting effects -- with cinematic sweep. It is a story about what happened to the Democratic Party when the country's long string of successes, luck, and global dominance following World War II ran its course, and how, on a quest to recapture the magic of JFK, Democrats plunged themselves into an intra-party civil war. And, at its heart, Camelot's End is the tale of two extraordinary and deeply flawed men: Teddy Kennedy, one of the nation's greatest lawmakers, a man of flaws and of great character; and Jimmy Carter, a politically tenacious but frequently underestimated trailblazer. Comprehensive and nuanced, featuring new interviews with major party leaders and behind-the-scenes revelations from the time, Camelot's End presents both Kennedy and Carter in a new light, and takes readers deep inside a dark chapter in American political history.
When Kayla Dunn, photographer for the Dulany Paranormal Team, discovers a murdered girl in Carroll Creek, no one believes that there is any connection between the victim and the teams challenging assignment from the Frederick County Landmarks Foundation. As paranormal activities continue to increase in Fredericks heritage homes and buildings, it becomes apparent that the spirits have a message, which arrives in the form of a trompe loeil, a three-dimensional painting meaning to deceive the eye. Nick Nucci, the detective assigned to the murder case begins to work with the team after Kaylas photos reveal a live person lurking among the shadows belonging to the spirits. He is able to uncover a web of transgressions that point to secret business dealings reflecting misdeeds of long past. Because of the mixed history of slavery and abolition and the strategic location of Frederick, Maryland, during the Civil War, many residents fought and perished, carrying both guilt and passion into the afterlife. Now spirits of the past have returned to haunt the present, revealing a shocking secret worth killing for and to summon a reckoning in Frederick.
Danger is everywhere she turns, because the path to Camelot never runs smooth . . . When war threatens the kingdom of Camliard, sisters Lynet and Laurel find themselves in the heart of the darkening crisis, with only one way to restore peace. While her older sister remains as a hostage, Lynet must bring back the last heir of Camliard's ancient royal house—the High Queen Guinevere. But Lynet's quest is not so easily achieved. Once in Camelot, she must deal with the politics of court as well as country. One ally is Gareth, youngest brother of the brilliant Sir Gawain, who aches to achieve knighthood and fame by his own hand. But Gareth soon finds this quest is no game, and that Lynet is no maid to be toyed with. With the machinations of the sorceress Morgaine threatening their future, only Lynet and Gareth's strength and love together can save the queen’s hereditary kingdom from a tangled web of magic, treachery and war. And that strength is failing . . .
This volume boldly proposes that the core of the Arthurian and Holy Grail traditions derived not from Celtic mythology, but rather from the folklore of the peoples of ancient Scythia (what are now the South Russian and Ukrainian steppes). Also includes 19 maps.
From the wilds of Moreland to the court of Camelot, a woman searches for her true powers... Fleeing from the knowledge that her father had promised her to an evil sorcerer, Risa of the Morelands refused to be a sacrifice. Armed with her bow and her confidence, she swore to evade the wicked Euberacon's claim. And when she stumbled upon Sir Gawain, returning to Camelot to warn of a plot against the kingdom, she thought she'd discovered the perfect place to hide. Surely the sorcerer Euberacon would not approach her at court? Now ensnared with court and political intrigue, Risa is out of her element. And Euberacon has forced a strong transformation spell upon her. There might be one chance left to save kingdom and soul—but it would take all the strength and power she had...
Brash TV reporter Kat Kowicki receives an ominous email that throws her into the high stakes conspiracy of John F. Kennedy's assassination. She turns for help to Federal Special Agents Eva Montanna and Griff Topping, who uncover a chilling shadow government threatening to tear down the very foundations of the American justice system.
James Piereson examines the bizarre aftermath of John F. Kennedy's assassination: Why in the years after the assassination did the American Left become preoccupied with conspiratorial thinking? How and why was Kennedy transformed in death into a liberal icon and a martyr for civil rights? In what way was the assassination linked to the collapse of mid-century liberalism, a doctrine which until 1963 was the reigning philosophy of the nation?