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Queen Anne (1665-1714) was not charismatic, brilliant or beautiful, but under her rule, England rose from the chaos of regicide, civil war and revolution to the cusp of global supremacy. She fought a successful overseas war against Europe's superpower and her moderation kept the crown independent of party warfare at home. This biography reveals Anne Stuart as resolute, kind and practical--a woman who surmounted personal tragedy and poor health to become a popular and effective ruler.
Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.
What made the classical scholar Richard Bentley deserve to be so viciously skewered by two of the literary giants of his day—Jonathan Swift in the Battle of the Books and Alexander Pope in the Dunciad? The answer: he had the temerity to bring classical study out of the scholar's closet and into the drawing rooms of polite society. Kristine Haugen’s highly engaging biography of a man whom Rhodri Lewis characterized as “perhaps the most notable—and notorious—scholar ever to have English as a mother tongue” affords a fascinating portrait of Bentley and the intellectual turmoil he set in motion. Aiming at a convergence between scholarship and literary culture, the brilliant, caustic, and imperious Bentley revealed to polite readers the doings of professional scholars and induced them to pay attention to classical study. At the same time, Europe's most famous classical scholar adapted his own publications to the deficiencies of non-expert readers. Abandoning the church-oriented historical study of his peers, he worked on texts that interested a wider public, with spectacular and—in the case of his interventionist edition of Paradise Lost—sometimes lamentable results. If the union of worlds Bentley craved was not to be achieved in his lifetime, his provocations show that professional humanism left a deep imprint on the literary world of England's Enlightenment.
As the last Stuart monarch, Queen Anne (1665-1714) received the education thought proper for a princess, reading plays and poetry in English and French while learning dancing, singing, acting, drawing, and instrumental music. As an adult, she played the guitar and the harpsichord, danced regularly, and took a connoisseur's interest in all the arts. In this comprehensive interdisciplinary biography, James Winn tells the story of Anne's life in new breadth and detail, and in unprecedented cultural context. Winn shows how poets, painters, and musicians used the works they made for Anne to send overt and covert political messages to the queen, the court, the church, and Parliament. Their works also illustrate the pathos of Anne's personal life: the loss of her mother when she was six, her troubled relations with her father and her sister (James II and Mary II), and her own doomed efforts to produce an heir. Her eighteen pregnancies produced only one child who lived past infancy; his death at the age of eleven, mourned by poets, was a blow from which Anne never fully recovered. Her close friendship with Sarah, Duchess of Marlborough, a topic of scabrous ballads and fictions, ended in bitter discord; the death of her husband in 1708 left her emotionally isolated; and the wrangling among her chief ministers hastened her death. Richly illustrated with visual and musical examples, Queen Anne draws on works by a wide array of artists-among them the composer George Frideric Handel, the poet Alexander Pope, the painter Godfrey Kneller, and the architect Christopher Wren-to shed new light on Anne's life and reign. This is the definitive biography of Queen Anne.