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This anthology contains 155 poems by forty-nine poets, all of whom have connections with Cambridge University. The poems have been selected to represent a comprehensive range of responses: patriotic, protest, satirical, realistic, elegiac, pastoral, and homoerotic. The introduction provides analytical notes on all the poems. Three appendixes discuss Charles Sorley's comments on Rupert Brooke, Siegfried Sassoon's statement of protest, and A.E. Tomlinson's scathing attack on Brooke.
This Companion offers a major re-examination of the poetry of the First World War at the start of the war's centennial commemoration.
Connects American poetry to the emergence of the United States as the leading global economic and political power.
The Great War of 1914–1918 marks a turning point in modern history and culture. This Companion offers critical overviews of the major literary genres and social contexts that define the study of the literatures produced by the First World War. The volume comprises original essays by distinguished scholars of international reputation, who examine the impact of the war on various national literatures, principally Great Britain, Germany, France and the United States, before addressing the way the war affected Modernism, the European avant-garde, film, women's writing, memoirs, and of course the war poets. It concludes by addressing the legacy of the war for twentieth-century literature. The Companion offers readers a chronology of key events and publication dates covering the years leading up to and including the war, and ends with a current bibliography of further reading organised by chapter topics.
Explores the ways poets address the difficult question of how to remember, and commemorate, those killed in the First World War and beyond.
In this moving anthology, the Poet Laureate Andrew Motion guides us through the horror and the pity of the Great War, from the trenches of the Western Front to reflections from our own age. With a generous selection of our best-loved war poets, First World War Poems also returns lesser known pieces to the light, and extends the selection right through to the present day - so that poems produced by the war give way historically to poems about the war. This mesmerizing book reminds us how the poetry of that time has, more than any art form, come to stand testament to the grief and outrage occasioned by World War I.
In the years of and around the First World War, American poets, fiction writers, and dramatists came to the forefront of the international movement we call Modernism. At the same time a vast amount of non- and anti-Modernist culture was produced, mostly supporting, but also critical of, the US war effort. A History of American Literature and Culture of the First World War explores this fraught cultural moment, teasing out the multiple and intricate relationships between an insurgent Modernism, a still-powerful traditional culture, and a variety of cultural and social forces that interacted with and influenced them. Including genre studies, focused analyses of important wartime movements and groups, and broad historical assessments of the significance of the war as prosecuted by the United States on the world stage, this book presents original essays defining the state of scholarship on the American culture of the First World War.
The horrors of the First World War released a great outburst of emotional poetry from the soldiers who fought in it as well as many other giants of world literature. Wilfred Owen, Rupert Brooke and W B Yeats are just some of the poets whose work is featured in this anthology. The raw emotion unleashed in these poems still has the power to move readers today. As well as poems detailing the miseries of war there are poems on themes of bravery, friendship and loyalty, and this collection shows how even in the depths of despair the human spirit can still triumph.
Critical introductions to a range of literary topics and genres. The Great War of 1914-18 continues to fascinate readers and writers. This book aims to explore the different ways in which this war has featured both as a genre and as a theme in British literature of the past century; it asks what actually is the literature of the Great War, and looks at different ways in which people have read this literature, reacted to it and used it.