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Odell Deefus may be a little dumb, but when he discovers a freshly dug grave at the back of Dean Lowry's house, he understands that it's intended for him. When he finds an old lady's corpse in the freezer, he knows that she has been murdered. And when the bomb in his car explodes, levelling every building in the vicinity, and Odell must suddenly hide the body of a terrorist, even he recognises that things are getting seriously weird. This blackly funny novel of our times follows what happens when Odell Deefus takes one wrong turn on the journey of his life and crashes into a world of oddballs, misfits, drug-dealers, religious fanatics and crooked cops, hypocrisy, torture and bloody murder.In Callisto, Odell Deefus discovers a vast web of corruption and deceit leading to the dark heart of America. Imagine the Coen Brothers directing a movie about what happens when Forrest Gump is mistaken for Osama Bin Laden, and you end up with Callisto, a full-throttle satire of contemporary America, a novel of imaginative exuberance and darkly funny audacity
Jonathan Dark, an airplane pilot transporting medical supplies in Southeast Asia, is forced down in the jungles of Cambodia, where he slides into a well and teleports to another world.
Kathleen Wall traces the myth through fifteen works of English, American, and Canadian literature, providing a fresh, feminist reading of these narratives. Among the works analysed are selections by Margaret Atwood, Charlotte Bronte, Thomas Hardy, and George Elliot. The resulting text reveals many facets of the realities of women's experience from the Middle Ages to the twentieth century. And ultimately, Wall shows rape to be an expression of dominance rather than lust, giving increased support to the definition suggested by feminists. Wall demonstrates that the Callisto myth is a powerful archetype which illustrates both the victimization of women and their search for independence and autonomy, an archetype that should not be ignored by modern women.
Where do words come from?—Teaching kids ages 9 to 12 vocabulary through word origins The English language is made up of words from different places, events, and periods of time. Each of those words has an exciting story to tell us about where, when, how, and why they came about. Once Upon a Word is packed with easy-to-understand definitions and awesome word origin stories. With this dictionary for kids, you can understand the history and meaning of English words, improve your vocabulary and spelling, and learn to play with language. Explore how weird words like gnome, fun words like zombie, and common words like caterpillar came to exist. Discover why some words sound funnier than others (like cackle, sizzle, and twang) and why some groups of words start with the same few letters (like hydrate, hydrogen, and fire hydrant). In this dictionary for kids, there's a whole world of English words to uncover! This unique dictionary for kids includes: Roots & branches—Learn about the building blocks that make up words, called roots, prefixes, and suffixes. Kid-friendly definitions—Look up definitions designed for your reading level in this dictionary for kids. Word tidbits—Find out where your favorite food words got their start, from bacon to marshmallow, spaghetti, yogurt, and beyond. See how the English language evolved with this colorful dictionary for kids.
Far from his adopted home, the Golden City of Shondakor, Koja, self-exiled insectoid of the Yathoon Horde, has blundered into the savage land he had renounced, accompanied only by little Taran, ward of Prince Jandar. Lost in the treacherous scarlet plains, the two are hurled to separate, unnamable fates - Taran forsaken in shackles, along with the lovely Princess Xara, while the renegade Koja is locked on a perilous course of vengeance for the evils done to his clan. All destinies collide at the Great Yathoon Games in the hidden valley of Sargol - the impenetrable citadel girdled by a seething mote of flames.
Mythical creatures that come from the land, sea, air, and beyond your wildest imagination ... -- p.[4] of cover.
Opera developed during a time when the position of women—their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality—was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts—by Ovid, Virgil, Tacitus, and Diodorus Siculus—form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).
Jonathan Dark, or Jandar, is mysteriously transported from Earth to the Jovian moon of Callisto (or Thanator), and has succeeded in freeing the city of Shondakar from the occupying Black Legion and the opportunistic Zandaharian Sky Pirates. The only problem is that Shondakar's rightful ruler, the princess Darloona, has been abducted by the fleeing Prince Thuton of Zandahar. To free her, Jandar takes one of the Sky Pirates' captured airships to raid the enemy city.
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