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The third and final book in the bestselling CALL THE MIDWIFE trilogy, now a major BBC TV series starring Miranda Hart and Jessica Raine. The hit BBC TV series CALL THE MIDWIFE is based on the memoirs of Jennifer Worth, chronicling her life as a midwife in London in the 1950s. FAREWELL TO THE EAST END is the third book in the trilogy. Following on from the bestselling CALL THE MIDWIFE and SHADOWS OF THE WORKHOUSE, Jennifer brings her story to a conclusion. Post-war life could be a struggle - the devastating effects of TB, dangerous backstreet abortions, people driven to extremes by poverty - but there was also warmth and humour. Like Megan'mave, the identical twins who share the same browbeaten husband; the eccentric Sister Monica Joan; and gauche debutante Chummy, who wants to be a missionary. FAREWELL TO THE EAST END shines a light on the lives, culture and stories of a bygone era, and is both moving and heartwarming in equal measure.
In the 1950s Jennifer Worth was a district midwife in the Docklands of East London where the aftermath of the war meant many lived in shocking conditions. She worked with the Nursing Sisters of St John the Divine, nurses and midwives whose vocation was to work amongst the poorest of the poor. Despite the official closure of the workhouses in 1930, there was nowhere else for many inmates to go so they changed their names and carried on much as before. In 'Shadows of the Workhouse', Jennifer tells the stories of the men and women she met who began their lives in the workhouse.
This omnibus edition of Call the Midwife, Shadows of the Workhouse and Farewell to the East End chronicles Jennifer Worth's career as a midwife from start to finish, from her arrival in the war-scarred Docklands as a wide-eyed trainee, to the demolition of the tenements and subsequent closure of Nonnatus House. It provides a fascinating snapshot of social history, documenting the East End in the days when there was a real sense of community, when times were tough but there was plenty of good humour and neighbourly support to help the inhabitants through the harsh econonic climate. The book also enables readers to follow Jennifer's personal story, as she discovers the amazing resilience of a population still bearing the scars of war, and the vibrant community of nuns with whom she lives and who teach her the skills of midwifery. In stories that are funny, disturbing and moving in equal measure, we meet prostitutes and abortionists, bigamists and mischievous nuns, and see Jennifer earn the confidence of people whose lives are often stranger than fiction.
The first major collection of Ambrose Bierce’s short stories, In the Midst of Life: Tales of Soldiers and Civilians went through multiple editions and titles, with Bierce adding, removing, and revising the stories each time. The version of the stories as collected here follows the final selection and revisions made by Bierce for his Collected Works, Volume 2, published in 1909, and is broken up into two sections, “Soldiers” and “Civilians.” Bierce fought for the Union in the American Civil War from the very first organized action at Philippi. He went on to fight in some of the deadliest battles of the war, at Shiloh and Chickamauga. He joined Sherman’s army on its march to Atlanta, and was grievously wounded in the head at Kennesaw Mountain. These locations serve as backdrops in his gritty and realist short stories in the “Soldiers” collection, most especially in the surreal story “Chickamauga.” While these stories are set in the war, Bierce covers a wide range of themes, from the fear of death in “Parker Adderson, Philosopher,” the requirements of duty for a soldier in “A Horseman in the Sky,” and what one might do for love in “Killed at Resaca.” Perhaps the most well-known story in “Soldiers” is “An Occurrence at Owl Creek Bridge.” Kurt Vonnegut called it “the greatest American short story,” saying “It is a flawless example of American genius, like ‘Sophisticated Lady’ by Duke Ellington or the Franklin stove.” Bierce, much like Edgar Allan Poe and H. P. Lovecraft, was an American pioneer in what he called his “tall tales”—psychological, supernatural, grotesque, and horror fiction. Many stories in “Civilians,” such as “The Man and the Snake,” “A Holy Terror,” and “The Suitable Surroundings,” foreshadow his later and darker works as studies in psychological horror. “The Eyes of the Panther” is a tragic, near-supernatural (though the reader is left guessing) tale of a woman of “feline beauty” and the man seeking her hand. Other stories found in the collection are satirical and ironic, like “The Famous Gilson Bequest” and “The Applicant.” Bierce’s writing earned him the title “Bitter Bierce” from his contemporaries, as one finds precious little hope and compassion in his stories, with death—often cruel—a recurring theme. A very rare exception can be found in “A Lady from Redhorse,” an epistolary romance. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
A fascinating slice of social history - Jennifer Worth's tales of being a midwife in 1950s London, now a major BBC TV series. Jennifer Worth came from a sheltered background when she became a midwife in the Docklands in the 1950s. The conditions in which many women gave birth just half a century ago were horrifying, not only because of their grimly impoverished surroundings, but also because of what they were expected to endure. But while Jennifer witnessed brutality and tragedy, she also met with amazing kindness and understanding, tempered by a great deal of Cockney humour. She also earned the confidences of some whose lives were truly stranger, more poignant and more terrifying than could ever be recounted in fiction. Attached to an order of nuns who had been working in the slums since the 1870s, Jennifer tells the story not only of the women she treated, but also of the community of nuns (including one who was accused of stealing jewels from Hatton Garden) and the camaraderie of the midwives with whom she trained. Funny, disturbing and incredibly moving, Jennifer's stories bring to life the colourful world of the East End in the 1950s.
“Honest and moving . . . Her painful tale is engrossing.”—Washington Post Book World For most of us, it was just another horrible headline. But for Deborah Spungen, the mother of Nancy, who was stabbed to death at the Chelsea Hotel, it was both a relief and a tragedy. Here is the incredible story of an infant who never stopped screaming, a toddler who attacked people, a teenager addicted to drugs, violence, and easy sex, a daughter completely out of control—who almost destroyed her parents’ marriage and the happiness of the rest of her family.
Letters to the Midwife is a wonderful collection of correspondence received by Jennifer Worth, offering a fascinating glimpse into a long-lost world. Along with readers' responses and personal histories, it is filled with all sorts of heart-warming gems. There are stories from other midwives, lorry drivers, even a seamstress, all with tales to tell. Containing previously unpublished material describing her time spent in Paris and some journal entries, this is also a portrait of Jennifer herself, complete with a moving introduction by her family about the woman they knew and loved.
In a small village in medieval England, a young homeless girl acquires a home and a new career when she becomes the apprentice to a sharp-tempered midwife.
A remarkable young woman blazes her own trail, from the backwoods of Russia to the court of Moscow, in the exhilarating sequel to Katherine Arden’s bestselling debut novel, The Bear and the Nightingale. Katherine Arden’s enchanting first novel introduced readers to an irresistible heroine. Vasilisa has grown up at the edge of a Russian wilderness, where snowdrifts reach the eaves of her family’s wooden house and there is truth in the fairy tales told around the fire. Vasilisa’s gift for seeing what others do not won her the attention of Morozko—Frost, the winter demon from the stories—and together they saved her people from destruction. But Frost’s aid comes at a cost, and her people have condemned her as a witch. Now Vasilisa faces an impossible choice. Driven from her home by frightened villagers, the only options left for her are marriage or the convent. She cannot bring herself to accept either fate and instead chooses adventure, dressing herself as a boy and setting off astride her magnificent stallion Solovey. But after Vasilisa prevails in a skirmish with bandits, everything changes. The Grand Prince of Moscow anoints her a hero for her exploits, and she is reunited with her beloved sister and brother, who are now part of the Grand Prince’s inner circle. She dares not reveal to the court that she is a girl, for if her deception were discovered it would have terrible consequences for herself and her family. Before she can untangle herself from Moscow’s intrigues—and as Frost provides counsel that may or may not be trustworthy—she will also confront an even graver threat lying in wait for all of Moscow itself. Praise for The Girl in the Tower “[A] magical story set in an alluring Russia.”—Paste “Arden’s lush, lyrical writing cultivates an intoxicating, visceral atmosphere, and her marvelous sense of pacing carries the novel along at a propulsive clip. A masterfully told story of folklore, history, and magic with a spellbinding heroine at the heart of it all.”—Booklist (starred review) “[A] sensual, beautifully written, and emotionally stirring fantasy . . . Fairy tales don’t get better than this.”—Publishers Weekly (starred review) “[Katherine] Arden once again delivers an engaging fantasy that mixes Russian folklore and history with delightful worldbuilding and lively characters.”—Library Journal
A philosopher and poet here describes the visions which a study of the history of mankind has called up before his inner eye'