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The sizzle continues in Book Two of the Primani Series… After a year of heartache, Mica finally has everything she wants. Her soul mate Sean's back from the dead. She’s finally getting a grip on her unwanted powers. Life is good until Killian shows up naked in her visions. Is she seeing the past or the future? As she struggles to find the truth, a new threat looms. Something watches in the dark. It plots. It lusts. It hungers for more than her blood. It wants everything. Killian has secrets--a lot of them. When he vows to protect Mica, he’s all in. His intention takes a dangerous turn when she becomes a pawn in the game. Desperate to keep her alive, he drags her into his shadowy world of ancient power and bloody altars with devastating consequences. Bound by blood, there’s no turning back.
The Primani Series continues with Sean and Aisling! Darkness Calling is a stand-alone title. Finally freed from a century in purgatory, Aisling just wants to raise her son and live as a normal human again--Her demon hunting days are over. But her taste of freedom is cut short when her past catches up with her. Cain is the one demon she couldn’t kill. One she couldn’t resist, didn’t resist. Now he’s back to keep her on a short leash. When he threatens to take her son, she turns to the one man who can save them both. Sean. Sean is sick and tired of his baby mama’s mood swings, and he’s seriously thinking of strangling her. But when a brutal old enemy shows up to destroy everyone Sean loves, he discovers Aisling is hiding more than her feelings for him. Joining forces to protect their son, Sean and Aisling set out on a journey that leads them from the city streets of Manhattan to the elegant hotels of Vienna to the final terrifying showdown in the bowels of Rome.
Stalked by evil… Rori Austin’s life is over. She just doesn’t know it yet. Plagued by recurring nightmares and terrifying fugues, she’s hanging on by a thread. When she blacks out and wakes up in 1969, she knows she’s out of control. Broke and alone in the city that never sleeps, she’s desperate to find someone who can hold back the darkness in her mind. When too-good-to-be-true Declan shows up out of nowhere, she’s thrilled until he starts asking questions she has no intention of answering. Haunted by guilt… Primani Declan Manning is a ruthless killer and a renowned healer. Demons fear him. Humans love him. Life is good. The last thing he needs is a human woman. After saving Rori’s life, he walks away, but can’t forget the fear in her eyes. It haunts him, dredging up memories better left buried deep. Intrigued by her secrets, he uncovers the horrifying truth. She’s been marked for Hell, and her time is up. Some scars go soul deep.
Bound by blood and time, Mica, Sean, and Killian share a destiny that no one dreamed possible. With the fate of the world in the balance, they fight to save not only humanity, but also each other. 3,000 years is a long time to wait. Killian is patient. He knows the prize is worth it. He watches, he hopes, but he never interferes. The terms are clear on that--say anything at all, the promise is broken. Everything’s going according to plan until... Sean loses his mind. Tortured by guilt, Sean walks a tightrope between two worlds. After a woman dies, he will pay the ultimate price unless someone can save him. Mica is still Sean’s anchor. Their physical connection can’t be denied, but what of their love? Desperate to save him from falling, she risks everything she has, including Killian. How far will she go to pull him back? Every step she takes moves her farther away from Killian’s plan. Two paths. Two destinies. One choice.
Budding psychic Mica is a walking miracle. After surviving a brutal attack, she vows to live each day to the fullest. Little does she know her life is no longer hers to control. When Tall, Dark, and Annoying shows up to shadow her, she’s intrigued. Powerful and ruthless, Sean’s assigned to guard more than Mica’s body. Her future is at stake, and it’s his job to keep her on the right path. There are plans for her. Plans that’ll change everything she believes if she lives long enough to learn the truth. Guarding one human shouldn’t be this complicated, but Mica makes it anything but easy. As the clock ticks, Sean pulls Mica deeper into the Primani world until there’s no way out, and she doesn’t want to leave.
The Roman History of Ammianus Marcellinus; Translated by C. D. Yonge. Ammianus Marcellinus (325/330-after 391) was a fourth-century Roman soldier and historian. History during the Reigns of the Emperors Constantius, Julian, Jovianus, Valentinian, and Valens. Of Ammianus Marcellinus, the writer of the following History, we know very little more than what can be collected from that portion of it which remains to us. From that source we learn that he was a native of Antioch, and a soldier; being one of the prefectores domestici-the body-guard of the emperor, into which none but men of noble birth were admitted. He was on the staff of Ursicinus, whom he attended in several of his expeditions; and he bore a share in the campaigns which Julian made against the Persians. After that time he never mentions himself, and we are ignorant when he quitted the service and retired to Rome, in which city he composed his History. We know not when he was born, or when he died, except that from one or two incidental passages in his work it is plain that he lived nearly to the end of the fourth century: and it is even uncertain whether he was a Christian or a Pagan; though the general belief is, that he adhered to the religion of the ancient Romans, without, however, permitting it to lead him even to speak disrespectfully of Christians or Christianity. His History, which he divided into thirty-one books (of which the first thirteen are lost, while the text of those which remain is in some places imperfect), began with the accession of Nerva, A.D. 96, where Tacitus and Suetonius end, and was continued to the death of Valens, A.D. 378, a period of 282 years.
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Provides general instructions for fitting, constructing, tailoring, and finishing women's, men's, and children's clothing and for making curtains and bedcoverings.
Don’t miss Tess Sharpe’s new novel, 6 Times We Almost Kissed (and One Time We Did). The truth won't let her go. Sophie Winters nearly died. Twice. The first time, she's fourteen, and escapes a near-fatal car accident with scars, a bum leg, and an addiction to Oxy that'll take years to kick. The second time, she's seventeen, and it's no accident. Sophie and her best friend Mina are confronted by a masked man in the woods. Sophie survives, but Mina is not so lucky. When the cops deem Mina's murder a drug deal gone wrong, casting partial blame on Sophie, no one will believe the truth: Sophie has been clean for months, and it was Mina who led her into the woods that night for a meeting shrouded in mystery. After a forced stint in rehab, Sophie returns home to a chilly new reality. Mina's brother won't speak to her, her parents fear she'll relapse, old friends have become enemies, and Sophie has to learn how to live without her other half. To make matters worse, no one is looking in the right places and Sophie must search for Mina's murderer on her own. But with every step, Sophie comes closer to revealing all: about herself, about Mina---and about the secret they shared.
Mani Ratnam’s Nayakan is among Time’s ‘100 Best Movies Ever’; and Roja launched A.R. Rahman. This book, unique to Indian cinema, illuminates the genius of the man behind these and eighteen other masterly films. For the first time ever, Mani Ratnam opens up here, to Baradwaj Rangan, about his art, as well as his life before films. In these freewheeling conversations—candid, witty, pensive, and sometimes combative—many aspects of his films are explored. Ratnam elaborates in a personal vein on his choice of themes, from the knottiness in urban relationships (Agni Natchatiram) to the rents in the national fabric (Bombay); his directing of children (Anjali); his artful use of songs; his innovative use of lighting; as also his making of films in Hindi and other languages. There are fond recollections of collaborations with stalwarts like Balu Mahendra, P.C. Sreeram, Thotta Tharrani and Gulzar, among many others. And delectable behind-the-scenes stories—from the contrasting working styles of the legendary composer Ilaiyaraaja and Rahman to the unexpected dimensions Kamal Haasan brought to the filming of Nayakan to what Raavan was like when originally conceived. In short, like Mani Ratnam’s films, Conversations surprises, entertains and stimulates. With Rangan’s personal and impassioned introduction setting the Tamil and national context of the films, and with posters, script pages and numerous stills, this book is a sumptuous treat for serious lovers of cinema as well as the casual moviegoer looking for a peek behind the process.