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In the summer of 1890, an army of teenage women with swords drawn and rifles at the ready marched resolutely toward the state capitol to deliver a message to Governor Francis E. Warren and the nation: women want equal rights. As Company K walked alongside women's suffrage pioneer Esther Morris, one could hear the rhythm of their feet keeping step in perfect cadence. Western history remembers murderers, outlaws, prostitutes and saloon girls but not the famous Girl Guards, whose military precision rivaled that of West Point cadets. Author Dan J. Lyon offers the definitive and evocative account of the young women warriors who defined the Equality State.
American national trade bibliography.
Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance.