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CALIFORNIA, The First 100 Years. 1769 - 1869. Spain wanted a military presence in California to keep out the English, French and Russians all of whom were beginning to pose threats to Spain's expansion to uncivilized California. Four Spanish Exhibitions, left New Spain (today's Mexico) in 1769, two by land and two by sea bound for San Diego. More than one third participating lost their lives on these expeditions due to scurvy and starvation. The survivors were expected to meet in San Diego to create Missions (education centers) and Presidios (Forts) to civilize the Indians at both San Diego and Monterey. Travel to California For The next 100 years by land or by sea was a high risk, dangerous trip for anyone. Indians attacked the settlers who crossed the plains with covered wagons. Weather And The severe elements took many more lives in the hot deserts and freezing High Sierras. California's First 100 Civilized Years were governed by Spain, then Mexico and finally the United States climaxing with Statehood as our Nations 31st State, The Gold Rush And The Golden Spike. Click here to return to www.JPRoach.org
This edition is graced by a new foreword by Lewis Lapham.
This award-winning amply illustrated volume of informative essays and vibrant prints by the current members of the California Society of Printmakers was published to commemorate its 2013 centennial year. Readers interested in knowing more about how a small group of prominent artist-etchers in Northern California formulated an aspirational society near the turn of the 20th century and transformed itself over the course of one hundred years—welcoming artists, working in all printmaking media, into its company from around the United States and abroad—will find the ideal source in this lush book.
After watching pioneer filmmaker Thomas Ince film one of his famous Westerns on Ballona Creek, city founder Harry Culver saw the economic base for his city. Culver announced plans for the city in 1913 and attracted three major movie studios to Culver City, along with smaller production companies. "The Heart of Screenland" is fittingly etched across the Culver City seal. These vintage images are a tour through the storied past of this company town on the legendary movie lots bearing the names of Thomas Ince, Hal Roach, Goldwyn, Metro-Goldwyn-Mayer, Lorimar, MGM-UA, Columbia, Sony Pictures, DeMille, RKO-Pathe, Selznick, Desilu, Culver City Studios, Laird International, the Culver Studios, and such nearly forgotten mini-factories as the Willat Studios. On these premises, Gone With the Wind, The Wizard of Oz, Citizen Kane, E.T: The Extra-Terrestrial, and other classics were filmed, along with tens of thousands of television shows and commercials featuring Elvis Presley, the Beatles, Michael Jackson, and many others.
This opulent and expansive volume, published in conjunction with the Los Angeles County Museum of Art's monumental exhibition Made in California: Art, Image, and Identity,1900-2000, charts the dynamic relationship between the arts and popular conceptions of California. Displaying a dazzling array of fine art and material culture, Made in California challenges us to reexamine the ways in which the state has been portrayed and imagined. Unusually inclusive, visually intriguing, and beautifully produced, this volume is a delight throughout--both in image and in text--and will appeal to anyone who has lived in, visited, or imagined California.
The California youth corrections system is undergoing the most sweeping transformation in its 154-year history. The extraordinary nature of this change is revealed by the striking decline in the state’s youth incarceration rate. In 1996, with 10,000 youth confined in 11 state-run correctional facilities, California boasted the nation’s third highest youth incarceration rate. Now, with only 800 youth remaining in a system comprised of just three institutions, California has one of the nation’s lowest youth incarceration rate. How did such unprecedented changes occur and what were the crucial conditions that produced them? Daniel E. Macallair answers these questions through an examination of the California youth corrections system’s origins and evolution, and the patterns and practices that ultimately led to its demise. Beginning in the 19th century, California followed national juvenile justice trends by consigning abused, neglected, and delinquent youth to congregate care institutions known as reform schools. These institutions were characterized by their emphasis on regimentation, rigid structure, and harsh discipline. Behind the walls of these institutions, children and youth, who ranged in age from eight to 21, were subjected to unspeakable cruelties. Despite frequent public outcry, life in California reform schools changed little from the opening of the San Francisco Industrial School in 1859 to the dissolution of the California Youth Authority (CYA) in 2005. By embracing popular national trends at various times, California encapsulates much of the history of youth corrections in the United States. The California story is exceptional since the state often assumed a leadership role in adopting innovative policies intended to improve institutional treatment. The California juvenile justice system stands at the threshold of a new era as it transitions from a 19th century state-centered institutional model to a decentralized structure built around localized services delivered at the county level. After the Doors Were Locked is the first to chronicle the unique history of youth corrections and institutional care in California and analyze the origins of today’s reform efforts. This book offers valuable information and guidance to current and future generations of policy makers, administrators, judges, advocates, students and scholars.
When L. Frank and Marina Drummer went on the road in 2002, they set out to visit as many people from different California tribes as possible. Crisscrossing the state, they taped hundreds of hours of interviews and collected copies of nearly fifteen hundred family photos. The documentary project, funded by the California State Library and LEF Foundation, paints an unprecedented portrait of California's indigenous people using their own words and photographs from their own family albums. In turns moody, beautiful, warm, and humorous, First Families is a one-of-a-kind book that combines extremely personal images with text that gives readers a broader, deeper view of Indian history and many complex living cultures.
This collection of essays written by a stellar cast of art historians and scholars looks closely at the forces that shaped fine art and material culture in California. Illustrations.
A book of fine-art photography featuring the visual history of California. A Country Called California traces the development of the Golden State from the nineteenth century on, through to its emergence as the fifth largest economy in the world—all as seen through the eyes of photographers whose names are synonymous with fine art photography: Carleton E. Watkins, Dorothea Lange, Eadward Muybridge, Will Connell, Edward Weston, Max Yavno, A.C. Vroman, Mabel Watson, and many more. Author Stephen White, a longtime photography gallerist and collector, has curated the book to perfection, capturing the California that is its own country, the light that has captivated every photographer's eye.
Published in 1845, this guidebook for pioneers is a reproduction of one of the most collectible books about California and the Western movement. It was the guidebook used by the Donner Party on their fateful journey. In addition, because Hastings' shortcut route through the Rockies produced such tragedy, the War Department commissioned The Prairie Traveler.