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From one of our most talented and original new literary voices comes the next great American supernatural novel: a work that explores the dark dimensions of the hometowns and the neighbors we thought we knew. Some places are too good to be true. Under a pink moon, there is a perfect little town not found on any map: Wink, New Mexico. In that town, there are quiet streets lined with pretty houses, houses that conceal the strangest things. After a couple years of hard traveling, ex-cop Mona Bright inherits her long-dead mother's home. And the closer Mona gets to her mother's past, the more she understands that the people of Wink are very, very different . . . "Perfect for fans of Stephen King and Neil Gaiman." -- Library Journal
In an age of standards based curriculum and assessment, what can each teacher do to maintain the passion and creativity of teaching and learning? Concise portraits demonstrate the value of passionate pedagogy in action. Stories of classroom experience from K-12 encouages students to connect principals and practices.
Based on a true story, the author provides a captivating and crystal clear window into the lives of some of the early settlers on the plains of South Dakota. In 1911, sixteen year old Grace has the same hopes and dreams as any other bride for a future built on love, commitment and family. But she also knows that a life of ranching on the magnificent prairie she loves so deeply will require years of perseverance, hard work and suffering. What she doesn't expect is how quickly she will be required to confront these threats to her heart and her soul. Despite challenges that often seem insurmountable, Grace builds two abiding friendships in a land where other women are very few and rarely seen. Daisy, a half Lakota widow befriends her and Grace also recognizes a kindred spirit in her nearest neighbor, Mae Thingvold, a young doctor, on her own. It is these women and their connections to each other that will sustain all three of them through unimaginable pain and loss and bring them joy in the sharing of small victories and celebrations of milestones along the paths of their lives. Dawn Wink introduces you to Grace and allows you to share her journey as you walk the rolling hills of her beloved prairie at her side. You will laugh and cry with her and share her deep connection to the land that is the anchor for the ship of her life on which she sails the endless sea of grass.
A boy coming of age in a part of the country that’s being left behind is at the heart of this dazzling novel—the first by an award-winning author of short stories that evoke the American West. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “August reads like early Hemingway, retooled for the present.”—William Finnegan, Pulitzer Prize–winning author of Barbarian Days Callan Wink has been compared to masters like Jim Harrison and Thomas McGuane. His short stories have been published in The New Yorker and have won numerous accolades. Now his enormous talents are showcased in a debut novel that follows a boy growing up in the middle of the country through those difficult years between childhood and adulthood. August is an average twelve-year-old. He likes dogs and fishing and doesn’t mind early-morning chores on his family’s Michigan dairy farm. But following his parents’ messy divorce, his mother decides that she and August need to start over in a new town. There, he tries to be an average teen—playing football and doing homework—but when his role in a shocking act of violence throws him off course once more, he flees to a ranch in rural Montana, where he learns that even the smallest communities have dark secrets. Covering August's adolescence, from age twelve to nineteen, this gorgeously written novel bears witness to the joys and traumas that irrevocably shape us all. Filled with unforgettable characters and stunning natural landscapes, this book is a moving and provocative look at growing up in the American heartland.
A hilarious and heartwrenching story about surviving middle school--and an unthinkable diagnosis--while embracing life's weirdness. Ross Maloy just wants to be a normal seventh grader. He doesn't want to lose his hair, or wear a weird hat, or deal with the disappearing friends who don't know what to say to "the cancer kid." But with his recent diagnosis of a rare eye cancer, blending in is off the table. Based on Rob Harrell's real life experience, and packed with comic panels and spot art, this incredibly personal and poignant novel is an unforgettable, heartbreaking, hilarious, and uplifting story of survival and finding the music, magic, and laughter in life's weirdness.
$14.95 gatefold paper * 1-58685-229-9 * March11 x 8-1/2 in, 96 pp, 40 Color Photographs, 40 Black & White Photographs,Rights: W, Regional/HistoryLaunching our new "Then & Now" series, Then & Now: San Fernando Valley showcases photographs of buildings and locales from decades past, contrasted with recent photographs of the same locations and today's inhabitants. Reminisce about the famous buildings that still stand, and visit the newer architectural and cultural contributions to California's beautiful San Fernando Valley in this visually rich documentation of memories and inevitable change.Jake Klein is a writer, photographer, editor, and creative director who has contributed to Rolling Stone, Vanity Fair, US Weekly, and British GQ. He was the West Coast contributing editor to Wallpaper Magazine, and is currently an editor with Wink Media, Wallpaper's marketing and branding arm. He lives in Los Angeles.
Author toured Ireland, Scotland, England, France, Italy, Switzerland, Germany, Denmark, Norway, Sweden, Russia, and Egypt in 1874-1876.
There is no neon to match Nevada’s. The combination of Wild West mythology and the remaining untamed pitch-black nighttime landscape, replete with real cowboys and real gambling, makes the Silver State a unique and appropriate canvas for neon art. Modern Nevada began with a nonstop desire for riches. It continues for many as a state of dreams often vividly expressed through exploding neon. Neon Nevada brings all this alive. Cameras in hand, authors Sheila Swan and Peter Laufer embarked on their first Nevada neon trek in the 1970s. They followed this up with a second nocturnal treasure hunt in the early 1990s—and a third in 2010, in the course of which they discovered that neon is fading fast; most notably on the Las Vegas Strip. Most of all, though, they realized that their passion for the art and craft of neon had not waned. A compelling blend of full-color photographs and absorbing prose, Neon Nevada takes us on a literal and figurative journey not only down the Las Vegas strip but also down quiet two-lane roads punctuated occasionally with neon signs, those glittering beacons of civilization against the desert night sky. The authors talk with sign owners, with those who created and maintained the neon, and those who collect it.
In the tradition of Richard Ford, Annie Proulx, and Kent Haruf comes a dazzling debut story collection by a young writer from the American West who has been published in The New Yorker, Granta, and The Best American Short Stories. SHORTLISTED FOR THE DYLAN THOMAS PRIZE • 2017 PEN/HEMINGWAY AWARD HONORABLE MENTION A construction worker on the run from the shady local businessman whose dog he has stolen; a Custer’s Last Stand reenactor engaged in a long-running affair with the Native American woman who slays him on the battlefield every year; a middle-aged high school janitor caught in a scary dispute over land and cattle with her former stepson: Callan Wink’s characters are often confronted with predicaments few of us can imagine. But thanks to the humor and remarkable empathy of this supremely gifted writer, the nine stories gathered in Dog Run Moon are universally transporting and resonant. Set mostly in Montana and Wyoming, near the borders of Yellowstone National Park, this revelatory collection combines unforgettable insight into the fierce beauty of the West with a powerful understanding of human beings. Tender, frequently hilarious, and always electrifying, Dog Run Moon announces the arrival of a bold new talent writing deep in the American grain. Praise for Dog Run Moon “[An] excellent first book of stories . . . One of the great things about Dog Run Moon is how resilient and funny [the characters] are. They’re at the end of their ropes, but they can still howl about the joy and pain each day brings, as if the young Levon Helm were singing their stories. . . . This is Thomas McGuane territory, and also that of writers like Joy Williams and Jim Harrison.”—The New York Times “Wink is definitely not a writer of half measures; each of these stories demonstrates his ability to lay life bare. A significant collection highly deserving of the spotlight.”—Library Journal (starred review) “Myth and history color these highly satisfying fictions about the way men and women struggle to shape their lives.”—Kirkus Reviews (starred review) “The perils of work and the weight of bequeathal fuel these stories, and each one holds a lasting, unshakable image. Sometimes grace is bestowed upon the characters in a sidewindering, not altogether fabulous fashion; sometimes it’s not bestowed at all. Callan Wink seems to know well the stratagems and delusions of men’s hearts. He also seems born and bred to short-story mastery.”—Joy Williams, author of The Visiting Privilege “Callan Wink’s debut is impressive indeed. Fine, old-fashioned, rich and juicy fiction. Weeks later I’m still living with the characters.”—Jim Harrison, author of Legends of the Fall “Callan Wink’s fresh, urgent stories have an energy and propulsion that set them well apart from the cerebral finger painting of so much literary fiction. Here is a writer with a great big horizon.”—Thomas McGuane, author of Crow Fair “Callan Wink’s stories remind me of expertly tied trout flies—beautifully crafted, true to reality, and barbed. What a fine young writer.”—Ron Rash, author of Above the Waterfall “As in all the best collections, each and every story in Dog Run Moon sings in the essential registers of love and death, work and nature. Callan Wink has the wisdom to write only of the things that matter, and the talent to make these stories as fresh as the literary headwaters from which they come.”—Smith Henderson, author of Fourth of July Creek