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Recounts the author's experiences in the cauldron of change that was California in 1969, including his encounters with some of the leading minds of that time. This book combines the author's accounts of his experiences with his own search for answers to fundamental questions about the human condition.
The journal seems to contain information for everyone regardless of one's interest...Each page of this almost six hundred page journal is crammed with facts and descriptions. So much of interest is contained in every entry that each re-reading will reveal many interesting incidents or observations not quite grasped on the first perusal....This book will be a valuable source to all students of California or United States history and to the casual readers as well.
In 1870, LeConte embarked on a five-week horseback trip to Yosemite Valley and the High Sierra with a party that included other University of California students and faculty. The group would soon start a campaign to establish today’s Yosemite National Park and to promote more recreational use of the Sierra. Some of this group’s members were also responsible for urging the founding of the Sierra Club in 1892, with LeConte himself serving as director of the club for several years. A prolific author on a wide array of subjects, LeConte died during a 1901 Sierra Club excursion in Yosemite.
Bloody Bay recounts the gritty history of law enforcement in San Francisco. Beginning just before the California gold rush and through the six decades leading up to the twentieth century, a culture of popular justice and grassroots community peacekeeping was fostered. This policing environment was forged in the hinterland mining camps of the 1840s, molded in the 1851 and 1856 civilian vigilante policing movements, refined in the 1877 joint police and civilian Committee of Safety, and perfected by the Chinatown Squad experiment of the late nineteenth century. From the American takeover of California in 1846 during the U.S.-Mexico War to Police Commissioner Jesse B. Cook's nationwide law enforcement advisory tour in 1912 and San Francisco's debut as the jewel of a new American Pacific world during the Panama Pacific International Exposition in 1915, San Francisco's culture of popular justice, its multiethnic environment, and the unique relationships built between informal and formal policing created a more progressive policing environment than anywhere else in the nation. Originally an isolated gold rush boomtown on the margins of a young nation, San Francisco--as illustrated in this untold story--rose to become a model for modern community policing and police professionalism.
Named one of the best books of 2018 by NPR, Real Simple, Lit Hub, The Boston Globe, San Francisco Chronicle, The New York Post, Kirkus Reviews, and The New York Public Library "A saga rich with origin myths, national and personal . . . Castillo is part of a younger generation of American writers instilling literature with a layered sense of identity." --Vogue How many lives fit in a lifetime? When Hero De Vera arrives in America--haunted by the political upheaval in the Philippines and disowned by her parents--she's already on her third. Her uncle gives her a fresh start in the Bay Area, and he doesn't ask about her past. His younger wife knows enough about the might and secrecy of the De Vera family to keep her head down. But their daughter--the first American-born daughter in the family--can't resist asking Hero about her damaged hands. An increasingly relevant story told with startling lucidity, humor, and an uncanny ear for the intimacies and shorthand of family ritual, America Is Not the Heart is a sprawling, soulful debut about three generations of women in one family struggling to balance the promise of the American dream and the unshakeable grip of history. With exuberance, grit, and sly tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave one home to grasp at another.
True crime, memoir, and ghost story, Mean is the bold and hilarious tale of Myriam Gurba’s coming of age as a queer, mixed-race Chicana. Blending radical formal fluidity and caustic humor, Gurba takes on sexual violence, small towns, and race, turning what might be tragic into piercing, revealing comedy. This is a confident, intoxicating, brassy book that takes the cost of sexual assault, racism, misogyny, and homophobia deadly seriously. We act mean to defend ourselves from boredom and from those who would cut off our breasts. We act mean to defend our clubs and institutions. We act mean because we like to laugh. Being mean to boys is fun and a second-wave feminist duty. Being mean to men who deserve it is a holy mission. Sisterhood is powerful, but being mean is more exhilarating. Being mean isn't for everybody. Being mean is best practiced by those who understand it as an art form. These virtuosos live closer to the divine than the rest of humanity. They're queers. Myriam Gurba is a queer spoken-word performer, visual artist, and writer from Santa Maria, California. She's the author of Dahlia Season (2007, Manic D) which was a finalist for the Lambda Literary Award, Wish You Were Me (2011, Future Tense Books), and Painting Their Portraits in Winter (2015, Manic D). She has toured with Sister Spit and her work has been exhibited at the Museum of Latin American Art in Long Beach. She lives in Long Beach, where she teaches social studies to eighth-graders.