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Six brand new contemporary romance novellas with bestselling and award winning authors. In the sweet novella TOO GOOD TO BE TRUE by Heather B. Moore, Gwen uses her wedding photography business to keep her life simple and focus on something other than her own broken heart. When Jack, a guy too handsome for his own good, helps her clean up after a photoshoot, then asks her out, she doesn’t know if she can handle dating again. But Jack’s charm wins her over, and she agrees to meet him for dinner. The more she gets to know Jack, the more she likes him, but everything about him seems too good to be true. GONE FISHING, a charming novella by Kaylee Baldwin, follows Claire as she tries to convince her dad to leave his start-up company as a boat guide and come back home to Colorado. He’s the only one who can defend Claire against her domineering mother. But when she arrives at the San Diego harbor, she’s met with more than one surprise. First, that her dad is truly living his dream and has never been happier, and second, she’s unexpectedly attracted to his business partner, Miguel. In THE PIER CHANGES EVERYTHING, an enchanting novella by Annette Lyon, Alexandria has one last task to perform for her late husband, who died much too young: scatter his ashes in the Pacific Ocean. She goes to the Santa Monica Pier to do just that, but her plans get sidetracked after meeting Michael and feeling an immediate connection to him. They grab lunch, and the more time they spend together, the more they discover that they have in common—including past romantic hardships. As the day wears on, Alexandria begins learn that her heart just might be able to find love again. In Jennifer Moore’s captivating novella A HERO’S SONG, AnneMarie’s career as a romance novelist is skyrocketing and her agent books her on a late night talk show. The host gets her to admit that she was in love once, with a guitar player. Moments after her segment, Lance Holden appears on the same stage, to perform his newest song. Is it a terrible coincidence? AnneMarie hasn’t seen Lance ever since he broke her heart ten years ago, and she has refused to think about him again. Their lives are worlds apart, but as Lance tries to reconcile with AnneMarie, she finds herself taking a second chance. In STAY WITH ME, an endearing novella by Shannon Guymon, Jolie moves to L.A. to take on a nanny position for the summer, since apparently having a degree in art doesn’t translate to getting a job as a graphic designer. When Fitz, the family’s chauffeur, picks her up at the airport, she wonders if every man in LA is model-gorgeous. When Jolie meets her two charges, she finds them adorable and needy. But it’s harder to hold onto her job than she thought with a hostile Mrs. James and her spoiled brother. Fitz becomes both the silver lining of her job and the man who just might convince her to stay in L.A. In the delightful novella, A PLACE TO CALL HOME, by Sarah M. Eden, Ada is the best realtor around. The best. She prides herself in matching each client with the house that will fit all of their needs. She hasn’t failed yet. So when Craig hires her to find him the perfect condo for him and his son, Ada is up for the challenge. What she may not be prepared for is her unforeseen attraction to Craig, her immediate attachment to his nine-year-old son, and her heart telling her that it’s okay to take another chance.
California Dreamin' from Pénélope Bagieu depicts Mama Cass as you've never known her, in this poignant graphic novel about the remarkable vocalist who rocketed The Mamas & the Papas to stardom. Before she was the legendary Mama Cass of the folk group The Mamas and the Papas, Ellen Cohen was a teen girl from Baltimore with an incredible voice, incredible confidence, and incredible dreams. She dreamed of being not just a singer but a star. Not just a star—a superstar. So, at the age of nineteen, at the dawn of the sixties, Ellen left her hometown and became Cass Elliot. At her size, Cass was never going to be the kind of girl that record producers wanted on album covers. But she found an unlikely group of co-conspirators, and in their short time together this bizarre and dysfunctional band recorded some of the most memorable songs of their era. Through the whirlwind of drugs, war, love, and music, Cass struggled to keep sight of her dreams, of who she loved, and—most importantly—who she was.
California Dreaming is a multi-genre collection featuring works by Asian American artists based in California. Exploring the places of “Asian America” through the migration and circulation of the arts, this volume highlights creative processes and the flow of objects to understand the rendering of California’s imaginary. Here, “California” is interpreted as both a specific locale and an identity marker that moves, linking the state’s cultural imaginary, labor, and economy with Asia Pacific, the Americas, and the world. Together, the works in this collection shift previous models and studies of the “Golden State” as the embodiment of “frontier mentality” and the discourse of exceptionality to a translocal, regional, and archipelagic understanding of place and cultural production. The poems, visual essays, short stories, critical essays, interviews, artist statements, and performance text excerpts featured in this collection expand notions of where knowledge is produced, directing our attention to the particularity of California’s landscape and labor in the production of arts and culture. An interdisciplinary collection, California Dreaming foregrounds “sensing” and “imagining” place, vividly, as it hopes to inspire further creative responses to the notion of emplacement. In doing so, California Dreaming explores the possibilities imagined by and through Asian American arts and culture today, paving the way for what is yet to be.
Michelle Phillips evokes the heady atmosphere of creativity and meteoric success, and the destructive, drug-filled lifestyle that characterized the West Coast music scene in the sixties
The California Dream made Route 66 the most famous road in the world. Flappers dreamed of stardom under the bright lights of Hollywood. A wave of families fleeing the Dust Bowl transformed the state during the Great Depression. During World War II, another wave followed Route 66 seeking opportunity in the massive wartime industrial plants. Thousands of soldiers trained in the Mojave Desert and then returned amid the postwar prosperity to blossoming housing developments that replaced the vast orange groves. While Nat King Cole sang "(Get Your Kicks on) Route 66," the newly prosperous middle class hit the road headed for the dream land constructed by Walt Disney. Inspired by the Beat poets, the hippies, and the adventures of Buz and Tod on the CBS television show Route 66, a new generation took to the open road. Those who savor the journey as much as the destination still seek it out on Route 66 today.
Everyone thinks Dean Collins is too old for Fallon Blackwood. Her parents, her friends, even Dean himself. In fact, he wants her to date guys her own age. But Fallon doesn't care about that. All she cares about is that she can't take her eyes off Dean, her neighbor, her best friend, the guy who taught her to ride a bike and to climb trees. And sometimes Dean can't take his eyes off her, either. And sometimes he looks at her like he wants to kiss her. So it doesn't matter that he's thirty-two and she's eighteen. All that matters is that they belong with each other, and she needs to convince him of that. Good thing they're taking a cross-country road trip together, right? California to New York; three thousand miles and a love story in the making... NOTE: A STANDALONE set in the world of Heartstone.
2020 Miriam Matthews Ethnic History Award from the Los Angeles City Historical Society Alison Rose Jefferson examines how African Americans pioneered America’s “frontier of leisure” by creating communities and business projects in conjunction with their growing population in Southern California during the nation’s Jim Crow era.
The citrus industry of Palestine has often been associated with the myths and ideals of the Labor Movement and its Zionist-Socialist ideology. The Jaffa orange, like the young pioneer and the collective kibbutz, was emblematic of a colonizing meta-narrative that marginalized or even denounced the private entrepreneurs—both Arabs and Jews—who were the true founders and proponents of the flourishing citrus industry in Palestine. California Dreaming reveals that these private entrepreneurs regarded the California citrus industry as their primary model of emulation. Utilizing an innovative multidisciplinary approach, Nahum Karlinsky vividly reconstructs the social fabric, economic structure, and ideological tenets of the Jewish citrus industry of Palestine in the early twentieth century. Also accentuated is the role of Palestinian-Arab citrus growers, whose industry predated that of their Jewish counterparts, and the complex relationship between the two national sectors that operated side by side.
An illustrated mid-career monograph exploring the 30-year creative journey of the 8-time Academy Award–nominated writer and director Paul Thomas Anderson has been described as "one of American film's modern masters" and "the foremost filmmaking talent of his generation." Anderson's ï¬?lms have received 25 Academy Award nominations, and he has worked closely with many of the most accomplished actors of our time, including Lesley Ann Manville, Julianne Moore, Daniel Day-Lewis, Joaquin Phoenix, and Philip Seymour Hoffman. In Paul Thomas Anderson: Masterworks, Anderson’s entire career—from Hard Eight (1996), Boogie Nights (1997), Magnolia (1999), Punch Drunk Love (2002), There Will Be Blood (2007), The Master (2012), Inherent Vice (2014), and Phantom Thread (2017) to his music videos for Radiohead to his early short ï¬?lms—is examined in illustrated detail for the ï¬?rst time. Anderson’s influences, his style, and the recurring themes of alienation, reinvention, ambition, and destiny that course through his movies are analyzed and supplemented by ï¬?rsthand interviews with Anderson’s closest collaborators—including producer JoAnne Sellar, actor Vicky Krieps, and composer Jonny Greenwood—and illuminated by ï¬?lm stills, archival photos, original illustrations, and an appropriately psychedelic design aesthetic. Masterworks is a tribute to the dreamers, drifters, and evil dentists who populate his world.
Uncovers the very active tradition of pictorial photography practiced in California during the first half of the twentieth century