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Early outlaws tell their own raw tales of holdups, shootouts, and desperate flights from the law. Witness the cruel confessions of California bandits during the opening days of the Gold Rush, stage robbers, and California highwaymen. These tales of harrowing and sometimes hilarious antics are accompanied by many rare photographs.
""California Badmen"" is a exploration of little-known Western frontier gunfighters. Billy Mulligan, Sam Temple, Peter Olsen, Joe Dye, Bob McFarlane and those responsible for the Rancheria killings are brought back through the pages and taking their stand in Californian history. The riotous lives of these unique collection of mean men with guns spill over the California frontier and rival the likes of ""Wild Bill"" Hickok, Billy the Kid, and the Earp Family.
The California Gold Rush is thought to exemplify the Wild West, yet miners were expert organizers. Driven by property interests, they enacted mining codes, held criminal trials, and decided claim disputes. But democracy and law did not extend to “foreigners” and Indians, and miners were hesitant to yield power to the state that formed around them.
First person accounts of the major catastrophies of 19th century California.
Charley Flinn, otherwise known as "Mortimer," was the craftiest criminal in frontier California. Upon his release from San Quentin State Prison in 1863, Mortimer quickly made up for lost time. He formed a gang of robbers in Virginia City, led a prison break in Northern California, and became the most wanted man in the Bay Area. Boldly outwitting both the police and the press, including the young investigative reporter Mark Twain, Mortimer escalated to wilder and wilder heists. But when he fell for a devious femme fatale, Mortimer's crimes took a darker turn. Matthew Bernstein paints the Old West in all its terrible glory, where desperadoes tangle with crooked detectives, bloodthirsty posses, and sultry seductresses. Throughout it all, Charley Flinn keeps up a breakneck speed, committing hundreds of crimes before his love for a treacherous woman and his own violent nature lead him to a fitting climax.
This riveting exposé reveals how a distorted belief in Anglo superiority necessitated the rewriting of American western history, replacing heroic images of Mexican and Spanish cowboys with negative stereotypes. Early Anglo settlers in the Old West crafted negative images of Latinos in part to help justify the takeover of land occupied by Mexicans and Spaniards at the time. Unfortunately, these depictions were perpetuated throughout the 20th century in art, popular culture, and media ... eventually reshaping the narrative of the American West to the exclusion of the non-Anglo people. This book contrasts dominant lore with historical reality to provide a broad overview of the history and contributions of Latinos in the Old West. Author D. H. Figueredo sets out to debunk the myths and falsehoods of the American West by chronicling the cultural perceptions that led to such historical inaccuracies. Through spellbinding accounts, chapters address such topics as the legends behind the caballeros, Mexican culture in the Old West, and the search for cities of gold in the Southwest. Arranged chronologically and thematically, the book examines how popular culture diminished the role of the Mexican vaqueros and illustrates how the image of the Anglo cowboy became the iconic symbol of the Old West.
The true stories of the Wild West heroes who guarded the iconic Wells Fargo stagecoaches and trains, battling colorful thieves, vicious highwaymen, and robbers armed with explosives. The phrase "riding shotgun" was no teenage game to the men who guarded stagecoaches and trains the Western frontier. Armed with sawed-off, double-barreled shotguns and an occasional revolver, these express messengers guarded valuable cargo through lawless terrain. They were tough, fighting men who risked their lives every time they climbed into the front boot of a Concord coach. Boessenecker introduces soon-to-be iconic personalities like "Chips" Hodgkins, an express rider known for his white mule and his ability to outrace his competitors, and Henry Johnson, the first Wells Fargo detective. Their lives weren't just one shootout after another—their encounters with desperadoes were won just as often with quick wits and memorized-by-heart knowledge of the land. The highway robbers also get their due. It wouldn't be a book about the Wild West without Black Bart, the most infamous stagecoach robber of all time, and Butch Cassidy's gang, America's most legendary train robbers. Through the Gold Rush and the early days of delivery with horses and saddlebags, to the heyday of stagecoaches and huge shipments of gold, and finally the rise of the railroad and the robbers who concocted unheard-of schemes to loot trains, Wells Fargo always had courageous men to protect its treasure. Their unforgettable bravery and ingenuity make this book a thrilling read.
Wyatt Earp is one of the most legendary figures of the nineteenth-century American West, notable for his role in the gunfight at the O.K. Corral in Tombstone, Arizona. Some see him as a hero lawman of the Wild West, whereas others see him as yet another outlaw, a pimp, and failed lawman. Roy B. Young, Gary L. Roberts, and Casey Tefertiller, all notable experts on Earp and the Wild West, present in A Wyatt Earp Anthology an authoritative account of his life, successes, and failures. The editors have curated an anthology of the very best work on Earp—more than sixty articles and excerpts from books—from a wide array of authors, selecting only the best written and factually documented pieces and omitting those full of suppositions or false material. Earp’s life is presented in chronological fashion, from his early years to Dodge City, Kansas; triumph and tragedy in Tombstone; and his later years throughout the West. Important figures in Earp’s life, such as Bat Masterson, the Clantons, the McLaurys, Doc Holliday, and John Ringo, are also covered. Wyatt Earp’s image in film and the myths surrounding his life, as well as controversies over interpretations and presentations of his life by various writers, also receive their due. Finally, an extensive epilogue by Gary L. Roberts explores Earp and frontier violence.