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The dramatic stories of outlaws from around the world who led a life of crime and violence. Book jacket.
Fed up with an outlaw existence, Calico Jack Rackam swears off the pirate life, until he meets Anne Bonny, a woman who would as soon stab a man as give him a good tumble—that is, unless he's a pirate. Soon Jack finds himself out on the high seas, with Anne by his side and his men spoiling for action.
“Piracy’s tried-and-true hallmarks—treasure, treachery, intermittent romance and high-seas mutiny” from the Scottish author of the Flashman Papers series (The Wall Street Journal). George MacDonald Fraser was famed for his legendary series, featuring the incorrigible knave Harry Flashman. In the colorful standalone novel Captain in Calico, a never-before-published literary find, Fraser introduces another real-life anti-hero: Captain John Rackham, called “Calico Jack,” an illustrious eighteenth-century pirate who marauded the Caribbean seas. On a tranquil evening in the Bahamas, Calico Jack, long wanted on counts of piracy, makes a surprise appearance at the Governor’s residence and asks for a pardon. A deal is brokered after Jack reveals the motive for turning himself in: love. When he last set sail from the Bahamas two years ago, Jack left behind a beautiful fiancée, and he hopes to win her back. But while Jack was off pirating, his beloved has become betrothed to a new man—the governor himself. It doesn’t take long for this truth to come to light, and after embarking on a new romance with famous Irish pirate Anne Bonney, Jack is quickly transformed back into a thieving captain in calico. With his trademark picaresque style, Fraser draws readers into the wild west of the British empire, where black sails prowl the waters and redemption can be found in the most unexpected places. “[An] energetic tale of piracy and peril . . . Suspenseful.” —Publishers Weekly
Popular Culture, Piracy, and Outlaw Pedagogy explores the relationship between power and resistance by critiquing the popular cultural image of the pirate represented in Pirates of the Caribbean. Of particular interest is the reliance on modernism’s binary good/evil, Sparrow/Jones, how the films’ distinguish the two concepts/characters via corruption, and what we may learn from this structure which I argue supports neoliberal ideologies of indifference towards the piratical Other. What became evident in my research is how the erasure of corruption via imperial and colonial codifications within seventeenth century systems of culture, class hierarchies, and language succeeded in its re-presentation of the pirate and members of a colonized India as corrupt individuals with empire emerging from the struggle as exempt from that corruption. This erasure is evidenced in Western portrayals of Somali pirates as corrupt Beings without any acknowledgement of transnational corporations’ role in provoking pirate resurgence in that region. This forces one to re-examine who the pirate is in this situation. Erasure is also evidenced in current interpretations of both Bush’s No Child Left Behind and Obama’s Race to the Top initiative. While NCLB created conditions through which corruption occurred, I demonstrate how Race to the Top erases that corruption from the institution of education by placing it solely into the hands of teachers, thus providing the institution a “free pass” to engage in any behavior it deems fit. What pirates teach us, then, are potential ways to thwart the erasure process by engaging a pedagogy of passion, purpose, radical love and loyalty to the people involved in the educational process.
A collection of fifty astonishing stories featuring hero-villains ranging from Robin Hood to Buffalo Bill, and from Calamity Jane to Bonnie and Clyde.Whether a pirate, a gunslinger, a gangster, or a desert fiend, you aren't born an outlaw-you become one. These rebels rose up against injustice; they yearned for great open spaces. From the monopoly of the maritime powers to the advent of industrialism, they defied everything, and in doing so they signed their own death warrants.From train robbers Jesse James and Bruce Reynolds, to Lawrence of Arabia and IRA-activist Bobby Sands, to duos like Wyatt Earp and Doc Holliday or Butch Cassidy and the Sundance Kid-their armed exploits are well known, but their true cause has often gone unheard. Unable to tolerate arbitrary justice, brazen profiteering, or the oppression of the poor, these exceptional men and women rebelled and became feared outlaws. First seen as nothing but dreaded bandits, today they provoke the rapt fascination of all who secretly harbor a thirst for rebellion and wild adventure.
Introduces twelve different pirates, criminals, and bloodthirsty leaders from history, including Blackbeard and Eric the Red, Vlad the Impaler and Attila the Hun, and Robin Hood and William Tell, and discusses who the victor would be in battle.
Edward Teach, otherwise known as the pirate Blackbeard, was a terror of the seas in the 1700s. Merchant ships had little choice but to surrender to his 40-cannon Queen Anne’s Revenge. At one point, Teach accepted a pardon but couldn’t retire from piracy for good. This adventurous volume takes readers into the background of the famous figure, explains the origins of his striking monikor, and describes the bloody skirmish that ended his life. Sidebars and fact boxes offer more information about both pirates and privateers and the perils of each chosen path. Beautiful illustrations and photographs further enhance this high-interest book.
A fascinating survey of the entire history of tall tales, folklore, and mythology in the United States from earliest times to the present, including stories and myths from the modern era that have become an essential part of contemporary popular culture. Folklore has been a part of American culture for as long as humans have inhabited North America, and increasingly formed an intrinsic part of American culture as diverse peoples from Europe, Africa, Asia, and Oceania arrived. In modern times, folklore and tall tales experienced a rejuvenation with the emergence of urban legends and the growing popularity of science fiction and conspiracy theories, with mass media such as comic books, television, and films contributing to the retelling of old myths. This multi-volume encyclopedia will teach readers the central myths and legends that have formed American culture since its earliest years of settlement. Its entries provide a fascinating glimpse into the collective American imagination over the past 400 years through the stories that have shaped it. Organized alphabetically, the coverage includes Native American creation myths, "tall tales" like George Washington chopping down his father's cherry tree and the adventures of "King of the Wild Frontier" Davy Crockett, through to today's "urban myths." Each entry explains the myth or legend and its importance and provides detailed information about the people and events involved. Each entry also includes a short bibliography that will direct students or interested general readers toward other sources for further investigation. Special attention is paid to African American folklore, Asian American folklore, and the folklore of other traditions that are often overlooked or marginalized in other studies of the topic.