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A lyrical tour of life as a young working-class man born into the first days of the 20th century, Caliban Shrieks is a lost masterpiece of 1930s British literature. WITH NEW INTRODUCTIONS BY ANDREW McMILLAN AND JACK CHADWICK Caliban Shrieks’ narrator went from a childhood of poverty, yet joy and freedom, to the punishing grind of factory life and the idiocy of being sent blindly into war. He was turned out of the army a vagrant - seeing England from city to city, county to county - before being thrust back into an uncertain cycle of working life as it unfolded in the post-war years. A story of men and women lost, wandering – and angrily dreaming of a better, fairer England, Hilton’s autobiographical novel is a bold modernist retelling of the myth of how we find ourselves disenfranchised from the world and sold into a slavery of our making. Lost to time, only to be rediscovered again in the Salford's Working Class Movement Library in 2022, Caliban Shrieks is a working-class masterpiece of British literature, and continues to speak as brash and impassioned as it did on its first rave publication in 1935. 'Witty and unusual' George Orwell 'Magnificent' W H Auden
The Rise of the Memoir traces the growth and extraordinarily wide appeal of the memoir. Its territory is private rather than public life, shame, guilt, and embarrassment, not the achievements celebrated in the public record. What accounts for the sharp need writers like Rousseau, Woolf, Orwell, Nabokov, Primo Levi, and Maxine Hong Kingston felt to write (and to publish) such works, when they might more easily have chosen to remain silent? Alex Zwerdling explores why each of these writers felt compelled to write them as that story can be reconstructed from personal materials available in archival collections; what internal conflicts they encountered while trying; and how each of them resisted the private and public pressures to stop themselves rather than pursuing this confessional route, against their own doubts, without a reasonable expectation that such works would be welcome in print, and eventually find an empathetic audience. Reconstructing this process in which a dubious project eventually becomes a compelling product-a "memoir" that will last-illuminates both what was at stake, and why this serially invented open form has reshaped the expectations of readers who welcomed a vital alternative to "the official story."
In twentieth-century Britain the literary landscape underwent a fundamental change. Aspiring authors--traditionally drawn from privileged social backgrounds--now included factory workers writing amid chaotic home lives and married women joining writers' clubs in search of creative outlets. In this brilliantly conceived book, Christopher Hilliard reveals the extraordinary history of "ordinary" voices. In capturing the creative lives of ordinary people--would-be fiction-writers and poets who until now have left scarcely a mark on written history--Hilliard sensitively reconstructs the literary culture of a democratic age.
This landmark book traces the rise and decline of the British autodidact from the pre-industrial era to the twentieth century. Using innovative research techniques and a vast range of unexpected sources such as workers' memoris, social surveys and library registers, Rose shows which books people read, how and why they educated themselves, and what they knew. In the process he shines a bold new light on working class politics, ideology, popular culture and the life of the mind. This book has won the Longman-History Today Book of the Year Award 2001, the SHARP History Book Prize, the Jacques Barzun Prize in Cultural History 2001 and the New Jersey Council for the Humanities Book Award. Book jacket.
This work assesses George Orwell's political writing, examining how his democratic socialism developed and changed in the 1930s and 40s. The book aims to determine whether Orwells' preoccupations form a common thread of coherent political philosophy.
Stephen Ingle is Professor at the Politics Department, University of Stirling. His main academic interests are in the relationship between politics and literature and in adversarial (two party) politics, especially in the UK.
Reference book comprising a bibliography aiming to bring together secondary source interdisciplinary material on labour relations in the UK between the years 1880 and 1970 - covers employees attitudes, trade unions and employees associations, employers organizations, the labour market and working conditions, etc.
What can the study of narratives bring to our understanding of political ideas that other forms of analysis cannot? In Narratives of British Socialism , Stephen Ingle shows how imaginative literature can be used to give definition to political thought. The origins, development and eventual decline of British socialism are analyzed in the writings of Morris, Shaw, Wells, Huxley, Koestler, Orwell and others. Ingle concludes that narratives can give us an experiential understanding of political ideas.
In his 46 years, Orwell managed to publish ten books and two collections of essays. This volume, one in a set of four, brings together a selection of his non-fiction work - letters, essays, reviews and journalism. His work is broad in scope, moving from English cooking to totalitarianism.