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The desire to preserve to future ages the memory of past achievements is a universal human instinct, as witness the clay tablets of old Chaldea, the hieroglyphs of the obelisks, our countless thousands of manuscripts and printed volumes, and the gossiping old story-teller of the village or the backwoods cabin. The reliability of the record depends chiefly on the truthfulness of the recorder and the adequacy of the method employed. In Asia, the cradle of civilization, authentic history goes back thousands of years; in Europe the record begins much later, while in America the aboriginal narrative, which may be considered as fairly authentic, is all comprised within a thousand years. The peculiar and elaborate systems by means of which the more cultivated ancient nations of the south recorded their histories are too well known to students to need more than a passing notice here. It was known that our own tribes had various ways of depicting their mythology, their totems, or isolated facts in the life of the individual or nation, but it is only within a few years that it was even suspected that they could have anything like continuous historical records, even in embryo. The fact is now established, however, that pictographic records covering periods of from sixty to perhaps two hundred years or more do, or did, exist among several tribes, and it is entirely probable that every leading mother tribe had such a record of its origin and wanderings, the pictured narrative being compiled by the priests and preserved with sacred care through all the shifting vicissitudes of savage life until lost or destroyed in the ruin that overwhelmed the native governments at the coming of the white man. Several such histories are now known, and as the aboriginal field is still but partially explored, others may yet come to light.
James Mooney's 'Calendar History of the Kiowa Indians' provides a comprehensive and detailed account of the calendar systems and time-keeping practices of the Kiowa people. Through meticulous research and analysis of Kiowa oral traditions, Mooney uncovers the intricate ways in which time was conceptualized and organized within the Kiowa culture. His writing style is academic and informative, making the book a valuable resource for scholars and students of Native American studies. Mooney's work is situated within the context of late 19th-century ethnographic studies on American Indian tribes, highlighting the importance of preserving and documenting indigenous knowledge. This book is a significant contribution to the understanding of Native American cosmology and the ways in which different cultures conceptualize time.
"[...] COMPARATIVE IMPORTANCE OF EVENTS RECORDED An examination of the calendars affords a good idea of the comparative importance attached by the Indian and by the white man to the same event. From the white man's point of view many of the things recorded in these aboriginal histories would seem to be of the most trivial consequence, while many events which we regard as marking eras in the history of the plains tribes are entirely omitted. Thus there is nothing recorded of the Custer campaign of 1868, which resulted in the battle of the Washita and compelled the southern tribes for the[...]".
This Is A New Release Of The Original 1898 Edition.
"Weaving together information from archival sources, community memories, and a close reading of the pictures themselves, the author frames and clarifies this uniquely Native American perspective on Southern Plains history during an era of great political, economic, and cultural pressures. A rare window on a century of Kiowa life, One Hundred Summers is also an invaluable contribution to the indigenous history of North America. The volume includes appendices featuring a wealth of unpublished primary source material on other Kiowa calendars and a glossary by a native Kiowa speaker."--BOOK JACKET.
This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. The desire to preserve to future ages the memory of past achievements is a universal human instinct, as witness the clay tablets of old Chaldea, the hieroglyphs of the obelisks, our countless thousands of manuscripts and printed volumes, and the gossiping old story-teller of the village or the backwoods cabin. The reliability of the record depends chiefly on the truthfulness of the recorder and the adequacy of the method employed. In Asia, the cradle of civilization, authentic history goes back thousands of years; in Europe the record begins much later, while in America the aboriginal narrative, which may be considered as fairly authentic, is all comprised within a thousand years. The peculiar and elaborate systems by means of which the more cultivated ancient nations of the south recorded their histories are too well known to students to need more than a passing notice here. It was known that our own tribes had various ways of depicting their mythology, their totems, or isolated facts in the life of the individual or nation, but it is only within a few years that it was even suspected that they could have anything like continuous historical records, even in embryo. The fact is now established, however, that pictographic records covering periods of from sixty to perhaps two hundred years or more do, or did, exist among several tribes, and it is entirely probable that every leading mother tribe had such a record of its origin and wanderings, the pictured narrative being compiled by the priests and preserved with sacred care through all the shifting vicissitudes of savage life until lost or destroyed in the ruin that overwhelmed the native governments at the coming of the white man. Several such histories are now known, and as the aboriginal field is still but partially explored, others may yet come to light.
Plains Indian History and Culture, an engaging collection of articles and essays, reflects John C. Ewers multifaceted approach to Indian history, an approach that combines his far-reaching interest in American history generally, his professional training in anthropology, and his many decades of experience as a field-worker and museum curator. The author has drawn on interviews collected during a quarter-century of fieldwork with Indian elders, who in recalling their own experiences during the buffalo days, revealed unique insights into Plains Indian life. Ewers use his expertise in examining Indian-made artifacts and drawings as well as photographs taken by non-Indian artists who had firsthand contact with Indians. He throws new light on important changes in Plains Indian culture, on the history of intertribal relations, and on Indian relation with whites—traders, missionaries, soldiers, settlers, and the U.S. Government.
?Once in a blue moon (which means a fairly long cycle in my case) one who deals professionally with new books comes upon something that seems to him truly noteworthy and memorable-a reading experience which he will cherish for the rest of his life. And when this book is original and, indeed, unique-when it achieves something that has never been done before-one's impulse is to rent a billboard, to hire a hall, in some way to underline and emphasize the excitement and enthusiasm of his discovery, so that other readers may share his pleasure. "This has been my experience with The Ten Grandmothers, by Alice Marriott. It was the custom of certain tribes of Indians of the Great Plains to keep a 'winter count,' or calendar, of important events. Each year an officially designated scribe or historian of the tribe inscribed on a specially selected and prepared buffalo hide (which was a sacred tribal possession) a colored pictograph commemorating the most noteworthy event of the year-the happening or circumstance for which the year would be remembered in the oral literature and traditions of the tribe. "Miss Marriott's book is based upon such a tribal history of the Kiowas, an important and tenacious nation of the southern Great Plains, for more than a hundred years. She has taken representative incidents from this story and built each into a unified narrative of personal experience, concrete and dramatic. The thirty-three narratives fall into four groups reflecting the major phases of Kiowa history in the last century; they are called, since Kiowa .economy was based on the buffalo, The Time When There Were Plenty of Buffalo; The Time When Buffalo Were Going; The Time When Buffalo Were Gone; and Modern Times. Since the same characters appear recurringly, the book has the effect of a loosely constructed novel. "Miss Marriott is an ethnologist. Her book is based on eight years of work with the Kiowas?work that certainly consisted of much more than superficial interviews with aged Indians. There is evidence everywhere, not only of accurate scientific knowledge of the material to be presented, but of profound human insight and understanding. "Miss Marriott is also a creative artist of extraordinary powers. Her book has abundant humor, drama and melodrama, beauty and sordidness, pathos and tragedy: all presented sharply, objectively, with economy, restraint, and dignity. The narrative of the long journey of Wooden Lance, to see for himself and for his tribe whether the leader of the Ghost Dance movement (that inspired the last desperate, irrational struggle of the plains Indians against the whites) had 'true power is unforgettable in its simplicity and reality. The story of the Kiowa girl Leah's return from her years at a boarding school in the East to her family on the reservation is as true and socially significant as it is poignant and dramatic. "The great achievement of Miss Marriott's book is that it makes accessible to the reader of today the essence of a culture, a way of life and thought, now almost vanished from the earth. "We have an uneasy feeling that some special meaning and value for Americans of today and tomorrow must lie in the older cultures of our continent which our own has so largely displaced. American writers from Longfellow on have tried with varying degrees of success to capture that meaning for us. "Miss Marriott's book shows that our feeling was justified. No discerning reader will fail to find in the men and women who are so vivid in its pages-Sitting Bear and Eagle Plume, old Quanah and Spear Woman, and the Kiowa boys riding in their jeep to enlist for the present World War-in their vision and knowledge of life and their essential experience, abundant meaning for today."