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Mystery crime fiction written in the Golden Age of Murder "Rowland shows how a journalist might see what a cop doesn't see, and vice versa, in intriguing ways, as the murder spans out into a black-market petrol conspiracy worthy of Foyle's War." —Booklist STARRED review In the peaceful seaside town of Broadgate, an impossible crime occurs. The operator of the cliff railway locks the empty carriage one evening; when he returns to work next morning, a dead body is locked inside—a man who has been stabbed in the back. Jimmy London, a newspaper reporter, is first on the scene. He is quick on the trail for clues—and agrees to pool his knowledge with Inspector Shelley of Scotland Yard, who is holidaying in the area. Mistrustful of the plodding local policeman, Inspector Beech, the two men launch their own investigation into the most baffling locked-room mystery—a case that could reignite Jimmy's flagging career, but one that exposes him to great danger.
JANEY BURKE despises her life at St. Jerome's Orphanage in 1902 Sturgis, South Dakota. She harbors a messy stew of hurt, anger and confusion after having been deposited there at the age of eight by her own mother. She compensates by carrying out elaborate pranks and fiercely defending the younger children against bullies. Though these actions endear her to her peers, she is a thorn-in-the-side to the home's authority figures. Only her friendship with the shy half-Shoshone girl, EMMA TWO-SHOES makes life tolerable. Then on her fifteenth birthday a dapper stranger waltzes into St. Jerome's. Janey learns that this Englishman, SEBASTIAN KENT, has come to take her to Deadwood to be reunited with her mother. She is further shocked when he reveals her mother is the Wild West icon, CALAMITY JANE. Keywords: Historical, Teen, Coming-Of-Age, Orphans, South Dakota, Women's Issues, Bullying, Friendship, Action-Packed, Suspenseful
The papers collected in this volume span a 35-year period of active involvement in the 'reaffirmation and development of international humanitarian law'. A process under that name started in 1971 and ended in 1977 with the adoption of two Protocols Additional to the Geneva Conventions of 1949, one for international and one for internal armed conflicts. Subsequent developments brought a narrowing of this gap between international and internal armed conflicts, as well as growing recognition of the interplay between the law of armed conflict and human rights, the rediscovery of individual criminal liability for violations of international humanitarian law, the introduction of further prohibitions or restrictions on the use of specified weapons, and so on. In contrast with these positive developments, the period was negatively characterised by increasing disrespect, not only for some or other minor rule (such as what to do with cash taken from a prisoner of war at the time of his capture) but for the very principles underlying the entire body of the law of armed conflict: respect for the other as a human being and, hence, humane treatment of prisoners of war and other detainees, protection of civilians... Throughout the period, the author's activities ranged from participation in lawmaking and law interpreting exercises, through attempts at explaining the law of armed conflict in its historical context and making propaganda for its faithful implementation, to critical or even bewildered observance of actual events. The papers brought together here reflect these diverse angles.
Forms, Formats and the Circulation of Knowledge explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption.
"The History of England, Volume 1" was penned in the 18th century by renowned philosopher and historian David Hume. It provides a thorough history of England's contributions to politics, culture, and the arts. His understanding of the past changed significantly as a result of the Enlightenment. Hume's viewpoint is based on reason, historical observation, and an understanding of the effect of human nature. In "The History of England, Vol. 1," Hume covers a wide range of fascinating subjects. The author talks about a lot of historical eras, like the Anglo-Saxons, the Normans, and the Plantagenets, as well as the Roman invasion. The work by Hume is accurate and thorough in its assessment of key historical personalities, events, and governmental systems. Because it is understandable to people of all reading abilities, offers intelligent criticism, and recounts history as it actually happened, his work is well-liked.