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The profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists, and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challenged and new values had yet to be created. In An American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopation, so this book's protagonists—who range from Emily Dickinson to Thorstein Veblen and from Henry and William James to Charles Mingus—interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.
Continuing in the exuberant tradition of Six of One, Bingo, and Loose Lips, New York Times bestselling author Rita Mae Brown returns to her much-loved fictional hamlet of Runnymede, whose memorable citizens are welcoming both the end of the Great War and the beginning of a new era. The night a riot breaks out at the Capitol Theater movie house—during a Mary Pickford picture, no less—you can bet that the Hunsenmeir sisters, Louise and Julia, are nearby. Known locally as Wheezie and Juts, the inimitable, irrepressible, distinctly freethinking sisters and their delightful circle of friends are coming of age in a shifting world—and are determined to understand their place in it. Across town, the well-to-do Chalfonte siblings are preparing for the upcoming wedding of brother Curtis. But for youngest sister Celeste, the celebration brings about a change she never expected and a lesson about love she’ll not soon forget. Set against the backdrop of America emerging from World War I, Cakewalk is an outrageous and affecting novel about a small town where ideas of sin and virtue, love and sex, men and women, politics and religion, can be as divided as the Mason-Dixon Line that runs right through it—and where there’s no problem that can’t be cured by a good yarn and an even better scotch. With her signature Southern voice, Rita Mae Brown deftly weaves generations of family stories into a spirited patchwork quilt of not-so-simple but joyously rich life. Praise for Cakewalk “[Cakewalk] is brimming over with [Rita Mae Brown’s] distinctive Southern voice that infuses every page with merriment, which allows her vibrant characters to take over the story and touch readers’ hearts. Her depictions of the inhabitants and the era are pitch-perfect as are the many subplots. Readers will feel as if they are living in Runnymede; running around with the teenagers, eavesdropping on the matrons planning the annual cakewalk and hiding in the closet of the wealthy families. An utterly delightful story.”—RT Book Reviews “Brown has said that the Runnymede novels, starting with Six of One, are the ones she was born to write. . . . This is more loving domestic comedy of small-town life when times were simpler. Recommended for fans of Brown and beyond.”—Library Journal “A delightful romp through small-town America, with all of its gossips and laughs, passions and rivalries, and through it all the importance of the thread of family.”—Historical Novels Review “A feel-good novel told by an expert storyteller who delights in creating colorful and quirky characters.”—Shelf Awareness “Two independent and free-thinking sisters, Louise and Julia Hunsenmeir (called Wheezie and Juts), push against the old-fashioned ways of drinking, dancing, and courting. . . . Characters were inspired by Brown’s own mother and sister, adding realism and depth to this uplifting story. Fans of Amy Hill Heath and Mary Kay Andrews will eat up this multigenerational ‘slice-of-life’ novel.”—Booklist “There seems to be no end to [Rita Mae Brown’s] imagination, inventiveness, or storytelling artistry. . . . What is [Cakewalk] about? Life, love, baseball, war, peace, good whiskey, fashion, sex, religion, friendship–all in a rollicking and lively story that just keeps rolling along at a brisk pace. Ms. Brown paints such vivid scenes. . . . [Cakewalk is] entertaining, outrageous, thought-provoking, nostalgic, and great fun.”—My Merri Way
A new edition of Smith's comic short stories featuring an array of memorable southern characters
This one-stop reference for musicians and computer music obbyists includes the most complete information on the latest version of Cakewalk Sonar 2.0 and plug-ins used with it.
Love isn’t always a cakewalk . . . Gigi Hawthorne is starting from scratch. She just didn’t realize until her crappy car broke down that she was going to be doing it in a small town in Vermont. With an eye for design and some serious decorating skills, she’s managed to land a job making delectable treats for the patrons of the Busy Bean. Now she’s up to her elbows in sugar and flour, but her thoughts are never far from her gorgeous, brooding landlord. Holden St. James swears he isn’t a recluse. He goes to the local coffee shop three times a week, doesn’t he? Yeah, maybe he never actually talks to anyone, but with a backstory of loss, pain, and regret like his, he’s pretty sure he wouldn’t be very good company anyway. Yet something about his new tenant makes him wonder if maybe it’s time to let someone open the oven door and release a little heat into his closed-off world. But both are hiding secrets as dark as an espresso mocha cupcake and they’re not sure if they can trust each other. Will the truth break their delicate relationship into sad, sweet crumbs--or will it turn out to be the key ingredient in the recipe for a new life? *** Cakewalk is a stand-alone novel in the Busy Bean series of Sarina Bowen's World of True North! Stop in for coffee and romance. Java isn't the only thing brewing around here... *** For fans of: Sarina Bowen, True North, Emily Henry, Marie Force, Piper Rayne, Kendall Ryan, Amanda Siegrist, Devney Perry, Carrie Ann Ryan, Rebecca Yarros, Chelle Bliss, Sarah Mayberry, L.B. Dunbar, J.H. Croix, Rebecca Norrine, Lisa Hughey, Erin Wright, BJ Daniels, Kate Pearce, Cora Seton, Vivian Arend, JH Croix, Jennifer Ryan, Diana Palmer, Elle James, Corinne Michaels, Kelly Hunter, Amy Andrews, Lori Wild, Sinclair Jayne, Jeannie Watt, Kristen Callihan, Jane Porter. Search terms: Busy Bean, True North World, World of True North, forbidden romance, contemporary romance, Vermont romance, Sarina Bowen's World of True North, coffee shop romance.
The profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists,and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challenged and new values had yet to be created. In An American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopation, so this book's protagonists—who range from Emily Dickinson to Thorstein Veblen and from Henry and William James to Charles Mingus—interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.
Filled with detailed photos and accessible writing, this is the first book to showcase Braun's exquisite cake decorations. Includes recipes and step-by-step instructions for constructing 15 of Braun's creations. 200 illustrations.
Ragtime: An Encyclopedia, Discography, and Sheetography is the definitive reference work for this important popular form of music that flourished from the 1890s through the 1920s, and was one of the key predecessors of jazz. It collects for the first time entries on all the important composers and performers, and descriptions of their works; a complete listing of all known published ragtime compositions, even those self-published and known only in single copies; and a complete discography from the cylinder era to today. It also represents the culmination of a lifetime’s research for its author, considered to be the foremost scholar of ragtime and early twentiethh-century popular music. Rare photographs accompany most entries, taken from the original sheets, newspapers, and other archival sources.
In Le Jazz, Matthew F. Jordan deftly blends textual analysis, critical theory, and cultural history in a wide-ranging and highly readable account of how jazz progressed from a foreign cultural innovation met with resistance by French traditionalists to a naturalized component of the country's identity. Jordan draws on sources including ephemeral critical writing in the press and twentieth-century French literature to trace the country's reception of jazz, from the Cakewalk dance craze and the music's significance as a harbinger of cultural recovery after World War II to its place within French ethnography and cultural hybridity. Countering the histories of jazz's celebratory reception in France, Jordan delves in to the reluctance of many French citizens to accept jazz with the same enthusiasm as the liberal humanists and cosmopolitan crowds of the 1930s. Jordan argues that some listeners and critics perceived jazz as a threat to traditional French culture, and only as France modernized its identity did jazz become compatible with notions of Frenchness. Le Jazz speaks to the power of enlivened debate about popular culture, art, and expression as the means for constructing a vibrant cultural identity, revealing crucial keys to understanding how the French have come to see themselves in the postwar world.