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In his family life Angus Stonefield had been gentle and loving, in business a man of probity, and in his relationship with his twin brother, Caleb, a virtual saint. Now Angus is missing, and it appears more than possible that Caleb—a creature long since abandoned to depravity—has murdered him. Hired to solve the mystery, William Monk puts himself in Angus’s shoes, searching for clues to the missing man’s fate and his vicious brother’s whereabouts. Slowly Monk inches toward the truth—and also, unwittingly, toward the destruction of his good name and livelihood.
Bonds between brothers and sisters are among the longest lasting and most emotionally significant of human relationships. But while 45 percent of adults struggle with serious sibling strife, few discuss it openly. Even fewer resolve it to their satisfaction.In Cain's Legacy, psychotherapist Jeanne Safer, a recognized authority on sibling psychology (and an estranged sister herself) illuminates this pervasive but hidden phenomenon. She explores the roots of inter-sibling woes, from siblicide in the book of Genesis to tensions in Frederique's family history. Drawing on sixty in-depth interviews with adult siblings struggling with conflicts over money, family businesses, aging parents, contentious wills, unhealed childhood wounds, and blocked communication, Safer provides compassionate guidance to brothers and sisters whose relationship is broken. She helps siblings overcome their paralysis and pain, revealing how they can come to terms with the one peer relationship they can never sever -- even if they never see each other again.A heartfelt look at a too-often avoided topic, Cain's Legacy is a sympathetic and clear-eyed guide to navigating the darkness separating us from our brothers and sisters.
Expelled from school, advised to leave university, and forced to resign from the army, Captain Jacinth Crewe has few options. He joins a sinister British Government security organisation. He trains in Rome and there is one final mission - to kill an American diplomat and his wife. The choice has to be made. And there is no turning back.
Appearing together in English for the first time, two masterpieces that take on the jazz age, the Nuremburg trials, postwar commercialism, and the feat of writing a book, presented in one brilliant volume The Death of My Brother Abel and its delirious sequel, Cain, constitute the magnum opus of Gregor von Rezzori’s prodigious career, the most ambitious, extravagant, outrageous, and deeply considered achievement of this wildly original and never less than provocative master of the novel. In Abel and Cain, the original book, long out of print, is reissued in a fully revised translation; Cain appears for the first time in English. The Death of My Brother Abel zigzags across the middle of the twentieth century, from the 1918 to 1968, taking in the Jazz Age, the Anschluss, the Nuremberg trials, and postwar commercialism. At the center of the book is the unnamed narrator, holed up in a Paris hotel and writing a kind of novel, a collage of sardonic and passionate set pieces about love and work, sex and writing, families and nations, and human treachery and cruelty. In Cain, that narrator is revealed as Aristide Subics, or so at least it appears, since Subics’ identity is as unstable as the fictional apparatus that contains him and the times he lived through. Questions abound: How can a man who lived in a time of lies know himself? And is it even possible to tell the story of an era of lies truthfully? Primarily set in the bombed-out, rubble- strewn Hamburg of the years just after the war, the dark confusion and deadly confrontation and of Cain and Abel, inseparable brothers, goes on.
How could he murder a brother, his sister-in-law, his young niece and nephew as they slept in their beds? Jerry Mark was a Peace Corps volunteer, lawyer, 4-H leader, vice-president of his Cedar Falls H.S. senior class when he graduated in 1960.
When Countess Zorah Rostova asks London barrister Sir Oliver Rathbone to defend her against a charge of slander, he is astonished to find himself accepting. For without a shred of evidence, the countess has publicly insisted that the onetime ruler of her small German principality was murdered by his wife, the woman who was responsible for the prince’s exile to Venice twenty years before. Private investigator William Monk and his friend Hester Latterly journey to the City of Water in an attempt verify the countess’s claims, and though the two manage to establish that the prince was indeed murdered, as events unfold the likeliest suspect seems to be Countess Zorah herself.
William Monk faces his most bizarre case to date... In the foggy streets of Victorian London, Investigator Monk continues to solve the city's crimes and murders, with Cain His Brother being the sixth instalment of Anne Perry's mystery series featuring the popular detective. Perfect for fans of C. J. Sansom and Sarah Perry. 'Just when you think you have it figured out, think again! No one can capture and bring to life the drama, excitement, and feel of Victorian England like Perry' - Mostly Murder Genvieve Stonefield's husband Angus is missing when she seeks William Monk's help to find him. She is convinced that he has been murdered by his twin brother Caleb, a shadowy figure who lives in the slums bordering the Thames and has always hated his respectable businessman brother. Although worried about Hester Latterly's health as she nurses victims of a typhoid outbreak in Limehouse, and threatened by a personal scandal, Monk is determined to bring one of the most bizarre cases he has ever encountered to its conclusion. What readers are saying about Cain His Brother: 'This is the best one in the Monk series... this novel has a most baffling conclusion and left me reeling in surprise' 'Lots of twists to the tale, it'll have you hooked' 'Five stars'
The story of Cain and Abel narrates the primeval events associated with the beginnings of the world and humanity. But the presence of linguistic and grammatical ambiguities coupled with narrative gaps provided translators and interpreters with a number of points of departure for expanding the story. The result is a number of well established and interpretive traditions shared between Jewish and Christian literature. This book focuses on how the interpretive traditions derived from Genesis 4 exerted significant influence on Jewish and Christian authors who knew rewritten versions of the story. The goal is to help readers appreciate these traditions within the broader interpretive context rather than within the narrow confines of the canon.