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Describes the events and games held in the amphitheaters, cicuses, and theaters in ancient Rome.
A vivid account of “one of the most shocking episodes in organized labor’s blood-soaked history” (Steve Halvonik, Pittsburgh Post-Gazette). In the early hours of New Year’s Eve 1969, in the small soft coal mining borough of Clarksville, Pennsylvania, longtime trade union insider Joseph “Jock” Yablonski and his wife and daughter were brutally murdered in their old stone farmhouse. Behind the assassination was the corrupt president of the United Mine Workers of America (UMWA), Tony Boyle, who had long embezzled UMWA funds, silenced intra-union dissent, and served the interests of Big Coal companies—and would do anything to maintain power. The most infamous crimes in the history of American labor unions, the Yablonski murders catalyzed the first successful rank-and-file takeover of a major labor union in modern US history. Blood Runs Coal is an extraordinary portrait of one of the nation’s major unions on the brink of historical change.
From Spartacus’s slave revolt to the real Emperor Commodus who liked to play at being a gladiator, from female gladiators to the great combats involving hundreds of exotic animals, Gladiator is a colourful, accessible study of the ancient world’s famous warrior entertainers.
From the bestselling author of SPQR: A History of Ancient Rome, the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 years What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book—against a background of today’s “sculpture wars”—Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the western world have been shaped by the image of Roman emperors, especially the “Twelve Caesars,” from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns. Beginning with the importance of imperial portraits in Roman politics, this richly illustrated book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the nineteenth-century American sculptor Edmonia Lewis, as well as by generations of weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority. From Beard’s reconstruction of Titian’s extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII’s famous Caesarian tapestries, Twelve Caesars includes fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC
The book that inspired the stories of Gladiator & Gladiator II: Step into the ring with this classic, in-depth account of the ancient Romans’ obsession with the bloody and brutal games. “[The Way of the Gladiator is] this crazy, tawdry, wild book about the Coliseum. . . . It hardwired in my brain the absolute similarities between who we are and who we were.” —David Franzoni, Academy Award–nominated screenwriter of Gladiator and producer of Gladiator II Originally published under the title Those About to Die. “If you can imagine a superior American sports writer suddenly being transported back in time to cover the ancient Roman games, you will have some idea of the flavor and zest of The Way of the Gladiator,” said the Los Angeles Times about Daniel P. Mannix’s century-by-century—and nearly moment-by-moment—narrative of the Roman Empire’s national institution. Putting the games in the context of Rome’s rise and dramatic fall, Mannix captures all the history, planning, and savage pageantry that went into creating the first spectator sports. The games began in 238 BC as nearly county fair–like entertainment, with trick riding, acrobats, trained animals, chariot racing, and athletic events. The contests then evolved into slave fights thanks to wealthy patricians Marcus and Decimus Brutus, who wanted to give their father an unforgettable funeral by reviving an old tradition. What the brothers wrought, Rome devoured, demanding even greater violence to satisfy the bloodlust of the crowd. Architectural wonders in themselves, massive arenas like Circus Maximus and the Colosseum were built, able to host sea battle reenactments on actual water. Successful gladiators found fame, fortune—and freedom. But as Rome began to fall in the fifth century, so did the games, devolving into nothing more than pointless massacres. In the end, millions of humans and animals were sacrificed in barbaric displays. What were once ceremonies given in honor of gods met an inglorious fate, yet they still captivate—in book and in film—the imagination of people today.
Steven Saylor's Roma Sub Rosa series of novels, set in the late Roman Republic and featuring Gordianus the Finder, has garnered unusual acclaim from readers and reviewers alike, establishing him as one of the pre-eminent historical crime writers. In A Gladiator Dies Only Once, the second collection of his award-winning stories featuring Gordianus, Saylor more than meets his own high standards. Set during period between the events of his novels Roman Blood and Catalina's Riddle, these previously untold adventures range from twisted search for truth behind a threatening blind item in the Acta Diurna ("The Consul's Wife") and a kidnapping and murder during the revolt of Sertorius ("The White Fawn") to the story behind Cicero's discovery of Archimedes's tomb ("Archimedes Tomb") and a perplexing domestic situation in Gordianus's own home ("If a Cyclops Could Vanish in a Glimpse of an Eye.") These tales from the early career of Gordianus - when his adopted son Eco was still a mute boy and his wife Bethesda was but his slave - will delight Saylor's many fans while illuminating the details of the ancient world like no other writer can.
"With past and future hinging on a critical moment when time broke once before in the distant star cluster known as the Myriad, Admiral John Farragut returns to the space battleship 'Merrimack' in an attempt to head off the impending temporal catastrophe"--Back cover.
This eBook edition of "The Twelve Caesars" has been formatted to the highest digital standards and adjusted for readability on all devices. The Twelve Caesars is a set of twelve biographies of Julius Caesar and the first 11 emperors of the Roman Empire written by Gaius Suetonius Tranquillus. The book provides valuable information on the heritage, personal habits, physical appearance, lives, and political careers of the first Roman emperors as it mentions details which other sources do not. As with many of his contemporaries, Suetonius took omens seriously and carefully includes reports of omens portending Imperial births, accessions, and deaths. The Twelve Caesars was considered very significant in antiquity and remains a primary source on Roman history. The book discusses the significant and critical period of the Principate from the end of the Republic to the reign of Domitian.
"James A. Paluch, Jr. is serving a life sentence without the possibility of parole. In this remarkably perceptive book, he Offers the reader an account of the daily realities of prison life in its mundane essentials, from the culture of the cellblock to the etiquette of the yard and the mess hall. This book also highlights concepts of prisonization, institutionalization, and the community, as well as the nature of modern punishment."--Back cover.