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"Arts & Crafts" has come to be a name for a style of decorative arts, but just try to pin it down. It's a huge challenge, because it encompasses such a broad variety of work. Early pieces, such as some of those by William Morris, draw from more ornate Victorian artifacts. Contrast these with the simpler, medieval-inspired work of Morris, the austere elegance of chairs and built-in cabinetry by Voysey, or furniture produced by the Barnsleys--never mind the clear Art Nouveau influences in much of Mackintosh's work. It quickly becomes clear just how broad this period in design history really is. English Arts & Crafts Furniture explores the Arts & Crafts movement with a unique perspective on furniture designs inspired by English Arts & Crafts designers. Through examination of details and techniques as well as projects, you'll learn what sets English Arts & Crafts apart and gain a deeper understanding of the overall Arts & Crafts movement and its influences. In this book you'll find: • Insight into the history and culture surrounding the Arts & Crafts movement • An examination of influences that set English Arts & Crafts designers including William Morris, Charles Francis Annesley Voysey, Ernest Gimson, Ernest and Sidney Barnsley, and Charles Robert Ashbee apart from their American counterparts • 3 complete furniture projects that illustrate traits representative of English Arts & Crafts: a Voysey chair, a hayrake table designed by Ernest Gimson and a sideboard design from the Harris Lebus company, England’s largest furniture maker at the time Equal parts design survey and project book, English Arts & Crafts Furniture is a must-read for any serious fan of Arts & Crafts furniture.
This work provides an insight into the history of Welsh stick chairs and includes instructions on how to make a chair, covering methods of bending the wood for chair construction. Illustrations show each stage in the building process.
South America is the setting for this adventure from the author of 'The Thirty-nine Steps'. When Archie and Janet Roylance decide to travel to the Gran Seco to see its copper mines they find themselves caught up in dreadful danger; rebels have seized the city. Janet is taken hostage in the middle of the night and it is up to the dashing Don Luis de Marzaniga to aid her rescue.
One of the most scandalous books published in America at the time. "Reizenstein's peculiar vision of New Orleans is worth resurrecting precisely because it crossed the boundaries of acceptable taste in nineteenth-century German America and squatted firmly on the other side . . . This work makes us realize how limited our notions were of what could be conceived by a fertile American imagination in the middle of the nineteenth century."—from the Introduction by Steven Rowan A lost classic of America's neglected German-language literary tradition, The Mysteries of New Orleans by Baron Ludwig von Reizenstein first appeared as a serial in the Louisiana Staats-Zeitung, a New Orleans German-language newspaper, between 1854 and 1855. Inspired by the gothic "urban mysteries" serialized in France and Germany during this period, Reizenstein crafted a daring occult novel that stages a frontal assault on the ethos of the antebellum South. His plot imagines the coming of a bloody, retributive justice at the hands of Hiram the Freemason—a nightmarish, 200-year-old, proto-Nietzschean superman—for the sin of slavery. Heralded by the birth of a black messiah, the son of a mulatto prostitute and a decadent German aristocrat, this coming revolution is depicted in frankly apocalyptic terms. Yet, Reizenstein was equally concerned with setting and characters, from the mundane to the fantastic. The book is saturated with the atmosphere of nineteenth-century New Orleans, the amorous exploits of its main characters uncannily resembling those of New Orleans' leading citizens. Also of note is the author's progressively matter-of-fact portrait of the lesbian romance between his novel's only sympathetic characters, Claudine and Orleana. This edition marks the first time that The Mysteries of New Orleans has been translated into English and proves that 150 years later, this vast, strange, and important novel remains as compelling as ever.
"The day I returned to Templeton steeped in disgrace, the fifty-foot corpse of a monster surfaced in Lake Glimmerglass." So begins The Monsters of Templeton, a novel spanning two centuries: part a contemporary story of a girl's search for her father, part historical novel, and part ghost story. In the wake of a disastrous love affair with her older, married archaeology professor at Stanford, brilliant Wilhelmina Cooper arrives back at the doorstep of her hippie mother-turned-born-again-Christian's house in Templeton, NY, a storybook town her ancestors founded that sits on the shores of Lake Glimmerglass. Upon her arrival, a prehistoric monster surfaces in the lake bringing a feeding frenzy to the quiet town, and Willie learns she has a mystery father her mother kept secret Willie's entire life. The beautiful, broody Willie is told that the key to her biological father's identity lies somewhere in her family's history, so she buries herself in the research of her twisted family tree and finds more than she bargained for as a chorus of voices from the town's past -- some sinister, all fascinating -- rise up around her to tell their side of the story. In the end, dark secrets come to light, past and present day are blurred, and old mysteries are finally put to rest. The Monsters of Templeton is a fresh, virtuoso performance that has placed Lauren Groff among the best writers of today.