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Draws on discoveries made in the past three decades to paint a new portrait of the satirist, speculating on his parentage, love life, and relationships while claiming that the public image he projected was intentionally misleading.
This collection offers a fresh look at the nature and development of the Greek gods in the period from Homer until Late Antiquity The Greek gods are still very much present in modern consciousness. Although Apollo and Dionysos, Artemis and Aphrodite, Zeus and Hermes are household names, it is much less clear what these divinities meant and stood for in ancient Greece. In fact, they have been very much neglected in modern scholarship. Bremmer and Erskine bring together a team of international scholars with the aim of remedying this situation and generating new approaches to the nature and development of the Greek gods in the period from Homer until Late Antiquity. The Gods of Ancient Greece looks at individual gods, but also asks to what extent cult, myth and literary genre determine the nature of a divinity and presents a synchronic and diachronic view of the gods as they functioned in Greek culture until the triumph of Christianity.
This collection of Jonathan Swift’s poetry is separated in three parts, according to their subject matter. The first section are poems addressed to a woman named Stella. Based off a real-life close friend of Swift’s, Esther Johnson, the portion of poetry addressed to Stella contain beautiful tributes to this woman, with simple titles such as Stella’s Birthday March 13, 1727. Though these poems display a tender amount of intimacy shared between the two, Esther Johnson and Jonathan’s relationship is shrouded in mystery, leaving readers and historians to debate if they were just friends or something more romantic. The next section of The Poems of Jonathan Swift are dedicated to a woman called Vanessa, who was based off of one of Swift’s lovers, Esther Vanhomrigh. Their correspondence and his poems about her suggested a more romantic relationship than the one he shared with Stella. With elegant word choice and masterful form, both women and their relationships with Swift are well documented in this book of poems. The final part of The Poems of Jonathan Swift is dedicated to the love of Swift’s career—the satirization of politics. All of Swift’s poems are written in iambic tetrameter and end rhyme, creating a fun and quick reading experience. This is a large collection of poetry covers a wide variety of topics with the humor and satire that Jonathan Swift was famous for. With these attributes, readers are welcome to enjoy Jonathan Swift’s mysterious and passionate relationships as well as his humorous and intelligent criticism of politics. Now presented in an easy-to-read font and with an eye-catching cover design, this edition of The Poems of Jonathan Swift is perfect for a contemporary audience. With the decadent style of classic poetry combined with topics that are both entertaining and relatable, along with this edition’s new features, this classic collection is restored for modern readers.
A prize-winning biographer tells the story of the immortal Swift. Poet, polemicist, pamphleteer, and wit, Swift is the master of shock. His furious satirical responses to the corruption and hypocrisy he saw around him in private and public life in eighteenth-century England and Ireland have every relevance for our own times. His black imagination, and his preoccupation with the foulness that lies beneath the thin veneer of artifice and civilization, gave a new adjective-Swiftian-to the lexicon of criticism. Jonathan Swift is best known as the author of Gulliver's Travels, and like his Gulliver in the land of Lilliput, Swift is a problem in perspective and scale. Victoria Glinning has taken a literary zoom lens to illuminate this proud and intractable man. She investigates at close range the main events and relationships of Swift's life, providing a compelling and provocative portrait set in a rich tapestry of controversy and paradox. Yeats said famously that he saw Swift round every corner, that his ghost survived.