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“More fun to read than the movie was to watch... a scene-stealing book.” — The Washington Post An Entertainment Weekly "Must List" selection Caddyshack is one of the most beloved comedies of all time, a classic snobs vs. slobs story of working class kids and the white collar buffoons that make them haul their golf bags in the hot summer sun. It has sex, drugs and one very memorable candy bar, but the movie we all know and love didn’t start out that way, and everyone who made it certainly didn’t have the word “classic” in mind as the cameras were rolling. In Caddyshack:The Making of a Hollywood Cinderella Story film critic for Entertainment Weekly Chris Nashawaty goes behind the scenes of the iconic film, chronicling the rise of comedy’s greatest deranged minds as they form The National Lampoon, turn the entertainment industry on its head, and ultimately blow up both a golf course and popular culture as we know it. Caddyshack is at once an eye-opening narrative about one of the most interesting, surreal, and dramatic film productions there’s ever been, and a rich portrait of the biggest, and most revolutionary names in Hollywood. So, it’s got that going for it...which is nice.
A look behind the scenes of the iconic film, chronicling the rise of comedy's greatest deranged minds as they turn the entertainment industry on its head and ultimately blow up both a golf course and popular culture as we know it.
The ultimate biography of "National Lampoon" and its cofounder Doug Kenney, this book offers the first complete history of the immensely popular magazine and its brilliant and eccentric characters.
One of the funniest, most beloved, and most often quoted entertainers in the world tells his tale of Life and Golf--and of somehow surviving both. With his brilliant creation, groundskeeper Carl Spackler, and the outrageous success of the film Caddyshack firmly etched into the American consciousness, Bill Murray and golf have become synonymous. Filled with Murray's trademark deadpan and dead-on humor, Cinderella Story chronicles his love affair with golf from the life lessons he learned as a caddy--"how to smoke, curse, play cards. But more important, when to"--to his escapades on the Pro-Am golf circuit at the Augusta National and as a fan at the Masters, the U.S. Open, and the Western Open. An up-by-the-bootstraps tale of a man, his muse, and our society's fascination with a little white ball, Cinderella Story is one pilgrim's bemused path through the doglegs.
For decades, scholars have wrestled with the normative paradigms and socio-looper implications of the movie Caddyshack. Not anymore. Be the Ball, a turf-busting Faber College Doctoral Thesis, explodes the heretofore unknown myths surrounding the top-notch players at Bushwood Country Club. Employing Critical Golf Theory and in many ways out-finessing itself, this Dissertation holistically handicaps Danny Noonan, Ty Webb, Al Czervick, Judge Elihu Smails and Carl Spackler, revealing their Titleistic Role in the most profound - and most quotable - movie in the history of American cinema. Just like Animal House. Be the Ball is not just a signature celebration of pro jocks but a striking talisman of late 20th Century Existentialism, a Smailius-Czervickiam assimilation of the Bushwood Totality into symbolic Individualism. The Whole, as it is, in One. Written by a young, academic Cinderella, this Thesis elevates Caddyshack to the preeminence it should enjoy in the Clubhouse Library of American Masterworks. Which is nice.
The funniest and most popular sportswriter in America abandons his desk to caddy for some of the world’s most famous golfers—and some celebrity duffers—with hilarious results in this New York Times bestseller. Who knows a golfer best? Who’s with them every minute of every round, hears their muttering, knows whether they cheat? Their caddies, of course. So sportswriter Rick Reilly figured that he could learn a lot about the players and their game by caddying, even though he had absolutely no idea how to do it. Amazingly, some of the best golfers in the world—including Jack Nicklaus, David Duval, Tom Lehman, John Daly, Jill McGill of the LPGA tour, and Casey Martin—agreed to let Reilly carry their bags at actual PGA and LPGA Tour events. To round out his portrait of the golfing life, Reilly also persuaded Deepak Chopra and Donald Trump to take him on as a caddy, accompanied the four highest-rolling golf hustlers in Las Vegas around the course, and carried the bag for a blind golfer. Between his hilarious descriptions of his own ineptitude as a caddy and his insight into what makes the greats of golf so great, Reilly’s wicked wit and an expert’s eye provide readers with the next best thing to a great round of golf.
Wild and Crazy Guys is the larger-than-life story of the much-loved Hollywood comedy stars that ruled the 1980s. As well as delving behind the scenes of classic movies such as Ghostbusters, Beverly Hills Cop, The Blues Brothers, Trading Places and dozens more, it chronicles the off-screen, larger-than-life antics of Bill Murray, Eddie Murphy, Chevy Chase, Steve Martin, John Candy et al. It’s got drugs, sex, punch-ups, webbed toes and Bill Murray being pushed into a swimming pool by Hunter S Thompson, while tied to a lawn chair. It’s akin to Peter Biskind’s Easy Riders, Raging Bulls, following the key players through their highs and lows, and their often turbulent relationships with each other. Nick de Semlyen has already interviewed pretty much all the big names for Empire, as well as directors such as Walter Hill, John Landis and Carl Reiner, and is sitting on lots of unseen material. Taking you on a trip through the tumultous ’80s, Wild And Crazy Guys explores the friendships, feuds, triumphs and disasters experienced by these iconic funnymen. Based on candid interviews from the stars themselves, as well as those who entered their orbit, it reveals the hidden history behind the most fertile period ever for screen comedy.
Written by one of the world's greatest authorities on Martin Luther, this is the definitive biography of the central figure of the Protestant Reformation. “A brilliant account of Luther’s evolution as a man, a thinker, and a Christian. . . . Every person interested in Christianity should put this on his or her reading list.”—Lawrence Cunningham, Commonweal “This is the biography of Luther for our time by the world’s foremost authority.”—Steven Ozment, Harvard University “If the world is to gain from Luther it must turn to the real Luther—furious, violent, foul-mouthed, passionately concerned. Him it will find in Oberman’s book, a labour of love.”—G. R. Elton, Journal of Ecclesiastical History
In 1976 the creators of National Lampoon, America's most popular humor magazine, decided to make a movie. It would be set on a college campus in the 1960s, loosely based on the experiences of Lampoon writers Chris Miller and Harold Ramis and Lampoon editor Doug Kenney. They named it Animal House, in honor of Miller's fraternity at Dartmouth, where the members had been nicknamed after animals. Miller, Ramis, and Kenney wrote a film treatment that was rejected and ridiculed by Hollywood studios—until at last Universal Pictures agreed to produce the film, with a budget of $3 million. A cast was assembled, made up almost completely of unknowns. Stephen Furst, who played Flounder, had been delivering pizzas. Kevin Bacon was a waiter in Manhattan when he was hired to play Chip. Chevy Chase was considered for the role of Otter, but it wound up going to the lesser-known Tim Matheson. John Belushi, for his unforgettable role as Bluto, made $40,000 (the movie's highest-paid actor). For four weeks in the fall of 1977, the actors and crew invaded the college town of Eugene, Oregon, forming their own sort of fraternity in the process. The hilarious, unforgettable movie they made wound up earning more than $600 million and became one of America's most beloved comedy classics. It launched countless careers and paved the way for today's comedies from directors such as Judd Apatow and Todd Phillips. Bestselling author Matty Simmons was the founder of National Lampoon and the producer of Animal House. In Fat, Drunk, and Stupid, he draws from exclusive interviews with actors including Karen Allen, Kevin Bacon, Peter Riegert, and Mark Metcalf, director John Landis, fellow producer Ivan Reitman, and other key players—as well as behind-the-scenes photos—to tell the movie's outrageous story, from its birth in the New York offices of the National Lampoon to writing a script, assembling the perfect cast, the wild weeks of filming, and, ultimately, to the film's release and megasuccess. This is a hilarious romp through one of the biggest grossing, most memorable, most frequently quoted, and most celebrated comedies of all time.
New York Times bestseller! This fun-loving celebration of Bill Murray offers a behind-the-scenes peek into the actor’s life and career—from films like Groundhog Day to his serial “photobombing”—with over 75 photos. Part biography, part critical appreciation, part love letter—and all fun—this enormous full-color volume, packed with color film stills and behind-the-scenes photography, chronicles every Murray performance in loving detail, recounting all the milestones, legendary “Murray stories,” and controversies in the life of this enigmatic performer. He’s played a deranged groundskeeper, a bellowing lounge singer, a paranormal exterminator, and a grouchy weatherman. He is William James “Bill” Murray, America’s greatest national treasure. From his childhood lugging golf bags at a country club to his first taste of success on Saturday Night Live, from his starring roles in Hollywood blockbusters to his reinvention as a hipster icon for the twenty-first century, The Big Bad Book of Bill Murray chronicles every aspect of his extraordinary life and career. He’s the sort of actor who can do Hamlet and Charlie’s Angels in the same year. He shuns managers and agents, and he once agreed to voice the lead in Garfield because he mistakenly believed it was a Coen Brothers film. He’s famous for crashing house parties all over New York City—and if he keeps photobombing random strangers, he might just break the Internet.