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This book examines the significance of cabins and other temporary seasonal dwellings as important symbols in modern Norwegian cultural and literary history. The author uses Michel Foucault’s notion of the “heterotopia”—an actual place that also functions imaginatively as a kind of real-world utopia—to examine how cabins have signified differently during successive periods, from an Enlightenment trope of simplicity and moderation, through the rise of tourism, into a period of increasing individualism and alienation from nature. For each period discussed, the author relates a widely recognized real world cabin to a cluster of thematically related literary texts from a wide variety of genres. Cabins in Modern Norwegian Literature considers both central canonical works, such as Camilla Collett’s The District Governor’s Daughters, Bjørnstjerne Bjørnson’s Synnøve Solbakken, Henrik Ibsen’s When We Dead Awaken, and Knut Hamsun’s The Growth of the Soil, as well as less widely known literary works and texts from marginal genres such as hunting narratives and crime fiction. In addition, the book contains analyses of a few key films from the contemporary period that also activate the cabin as a motif. The central argument is that while Norwegians today tend to think of cabin culture as essentially unchanging over a long span of time, it has in fact changed dramatically over the past two hundred years, and that it is an extremely rich and complex cultural phenomenon deeply imbedded in the construction of national identity.
Nordic Literature: A comparative history is a multi-volume comparative analysis of the literature of the Nordic region. Bringing together the literature of Finland, continental Scandinavia (Sweden, Norway, Denmark, and Sápmi), and the insular region (Iceland, Greenland, and the Faroe Islands), each volume of this three-volume project adopts a new frame through which one can recognize and analyze significant clusters of literary practice. This first volume, Spatial nodes, devotes its attention to the changing literary figurations of space by Nordic writers from medieval to contemporary times. Organized around the depiction of various “scapes” and spatial practices at home and abroad, this approach to Nordic literature stretches existing notions of temporally linear, nationally centered literary history and allows questions of internal regional similarities and differences to emerge more strongly. The productive historical contingency of the “North” as a literary space becomes clear in this close analysis of its literary texts and practices.
The Fur Trader is a critical edition of Einar Odd Mortensen Sr.’s personal narrative detailing the years (1925–1928) he spent as a free trader at posts in Pine Bluff and Oxford Lake in Manitoba during the waning days of the fur trade. Mortensen’s original narrative has been translated from Norwegian to English, and supplemented with a scholarly introduction, thorough annotations, a bibliography, and a reading guide. This additional material presents the author as a product of Norwegian culture at the time, and guides the reader through a close reading of Mortensen’s interpretations of his work and travels, the people he encountered, the Indian Residential School system, and Indigenous participation in the First World War. Mortensen’s insights and experiences will be of interest to scholars, students, and enthusiasts of the fur trade and contribute to literary, Indigenous, and Scandinavian studies.
Norway has a thousand year history from the Vikings (750-1100) to modern times. Historically, a poor country on Europe’s periphery, its natural resources and hardy people have established a successful modern welfare state. Norway has exploited its natural resources of fish, water, oil, and gas to become one of Europe’s most successful small states. This second edition of I contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Norway.
The wooden holiday cabin, or hytte, is a staple of Norwegian life. Robert Ferguson, author of Scandinavians, explores the significance of a national icon in this charming, affectionate history. Turf-roofed and wooden-built, offering fresh air, breathtaking views and peaceful isolation, the wooden cabin home – or hytte – is a crucial part of Norwegian national identity. In 2016, Robert Ferguson and his wife bought a piece of land high up in the Hardangervidda, and on it they built a cabin. As the cabin takes shape, Ferguson learns how native Norwegians have married a new-found urban affluence to their past as a tight-knit rural community-nation, and confronts his own ideas about the dream-tradition of the hytte, drawing an affectionate but unsentimental portrait of Norwegian culture, society and landscape. 'Singular and captivating: the pursuit of a dream' Professor John Carey 'Illuminating' TLS 'An uncompromising journey into the dark cold north, to reveal the warmth that comes from deep community bonds' Tim Ecott
Originally published in 1966, this general survey of the 'classic' period of Norwegian literature was the first book in English devoted entirely to the period.
Many contemporary environmental risks and global environmental changes occurring today are unprecedented in the history of human life on earth. However, the images and narratives through which humans relate to these phenomena are built on existing cultural tropes and narrative models. Cultural, social, and historical contexts strongly influence how we construct images and narratives of nature and the environment. It is therefore highly important to study such narratives in works of literature, film, and other forms of cultural expression in relation to the specific circumstances from which they arise. Nordic Narratives of Nature and the Environment is the first English language anthology that presents ecocritical research on northern European literatures and cultures. The contributors examine specifically Nordic narratives of nature and the environment, with a focus on the cultures and literatures of the modern northern European countries Denmark, Finland, Norway, and Sweden, including Sápmi, which is the land traditionally inhabited by the indigenous Sami people. Covering northern European literatures and cultures over a period of more than two centuries, this anthology provides substantial insights into both old and new narratives of nature and the environment as well as intertextual relations, the variety of cultural traditions, and current discourses connected to the Nordic environmental imagination. Case studies relating to works of literature, film, and other media shed new light on the role of culture, history and society in the formation of narratives of nature and the environment, and offer a comprehensive and multi-faceted overview of the most recent ecocritical research in Scandinavian studies.
This study explores the representation of international migration on screen and how it has gained prominence and salience in European filmmaking over the past 100 years. Using Polish migration as a key example due to its long-standing cultural resonance across the continent, this book moves beyond a director-oriented approach and beyond the dominant focus on postcolonial migrant cinemas. It succeeds in being both transnational and longitudinal by including a diverse corpus of more than 150 films from some twenty different countries, of which Roman Polański’s The Tenant, Jean-Luc Godard’s Passion and Krzysztof Kieślowski’s Trois couleurs: Blanc are the best-known examples. Engaging with contemporary debates on modernisation and Europeanisation, the author proposes the notion of “close Otherness” to delineate the liminal position of fictional characters with a Polish background. Polish Migrants in European Film 1918-2017 takes the reader through a wide range of genres, from interwar musicals to Cold War defection films; from communist-era exile right up to the contemporary moment. It is suitable for scholars interested in European or Slavic studies, as well as anyone who is interested in topics such as identity construction, ethnic representation, East-West cultural exchanges and transnationalism.
The Culture of Boredom is a collection of essays by well-known specialists reflecting from philosophical, literary, and artistic perspectives, in which the reader will learn how different disciplines can throw light on such an appealing, challenging, yet still not fully understood, phenomenon. The goal is to clarify the background of boredom, and to explore its representation through forgotten cross-cutting narratives beyond the typical approaches, i.e. those of psychology or psychiatry. For the first time this experienced group of scholars gathers to promote a cross-border dialogue from a multidisciplinary perspective.