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As seen in previous pandemics, girls and young women are particularly vulnerable as social issues such as homelessness, mental healthcare, access to education, and child labor are often exacerbated. The Girl in the Pandemic considers what academics, community activists, and those working in local, national, and global NGOs are learning about the lives of girls and young women during pandemics. Drawing from a range of responses during the pandemic including first person narratives, community ethnographies, and participatory action research, this collection offers a picture of how the COVID-19 pandemic played out in eight different countries.
The true story of the murderesses who became media sensations and inspired the musical Chicago Chicago, 1924. There was nothing surprising about men turning up dead in the Second City. Life was cheaper than a quart of illicit gin in the gangland capital of the world. But two murders that spring were special - worthy of celebration. So believed Maurine Watkins, a wanna-be playwright and a "girl reporter" for the Chicago Tribune, the city's "hanging paper." Newspaperwomen were supposed to write about clubs, cooking and clothes, but the intrepid Miss Watkins, a minister's daughter from a small town, zeroed in on murderers instead. Looking for subjects to turn into a play, she would make "Stylish Belva" Gaertner and "Beautiful Beulah" Annan - both of whom had brazenly shot down their lovers - the talk of the town. Love-struck men sent flowers to the jail and newly emancipated women sent impassioned letters to the newspapers. Soon more than a dozen women preened and strutted on "Murderesses' Row" as they awaited trial, desperate for the same attention that was being lavished on Maurine Watkins's favorites. In the tradition of Erik Larson's The Devil in the White City and Karen Abbott's Sin in the Second City, Douglas Perry vividly captures Jazz Age Chicago and the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal. Fueled by rich period detail and enlivened by a cast of characters who seemed destined for the stage, The Girls of Murder City is crackling social history that simultaneously presents the freewheeling spirit of the age and its sober repercussions.
This is a realistic drama set in Berlin immediately prior to the building of the Wall--a poignant story of true love intercepted by the political conflict and intrigues of the East-West power blocs.
Claire François has it all: beauty, brains, and the blood of nobility. As the daughter of a high-ranking noble, she takes her status and the according responsibilities with utmost seriousness--even as the king threatens to undermine his realm's stability with his visions of "meritocracy." Claire is nevertheless prepared to take this societal change in stride, until one of the new commoner students at her elite academy, Rae Taylor, turns her life upside down. Everything about Rae confounds Claire, from her behavior to her intellect to her bizarre fixation on Claire herself. Little does she realize just how much Rae will change her world, and how much she'll change Rae in turn.
With an introduction by award-winning novelist Colm Tóibín Opening with a crime of passion after a years-long love affair has soured, The Dead Girls soon plunges into an investigation of something even darker: Serafina Baladro and her sister run a successful brothel business in a small town, so successful that they begin to expand. But when business starts to falter, life in the brothel turns ugly, and slowly, girls start disappearing . . . Based on real events, the story of serial-killing brothel owners Delfina and María de Jésus González, whose crimes were uncovered in 1964, The Dead Girls is a deliciously satirical black comedy - a potent blend of sex and mayhem. Written in the laconic tones of a police report, it cleverly uncovers the hopeless pedantry of a broken justice system, and the dark world of prostitution.
A story set in 50's Malaya at the height of the communist guerilla activity. This is a backdrop for a story of love, passion, desire and duty as a beautiful married chinese women, Mei Kwei, falls in love with a priest who saves the woman caught with Mei's husband from public embarrassment.