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This 16th-century work consists of vernacular dialogues that turn on the identification of the noble Pegasus (the spirit of poetry) and the humble ass (the vehicle of divine revelation). Bruno explores the nature of poetry, divine authority, secular learning and Pythagorean metempsychosis.
Giordano Bruno (1548?1600), a defrocked Dominican monk, was convicted of heresy by the Roman Catholic Inquisition and burned at the stake in Rome. He had spent fifteen years wandering throughout Europe on the run from Counter-Reformation intelligence and eight years in prison under interrogation. The author of more than sixty works on mathematics, science, ethics, philosophy, metaphysics, the art of memory and esoteric mysticism, Bruno had a profound impact on Western thought. Until now his involvement with Jewish mysticism has never been fully explored. Karen Silvia de Le¢n-Jones presents an engaging and illuminating discussion of his mystical understanding and use of Jewish and Christian Kabbalah, theology, and philosophy, including the famous Hermetica, and especially his exploration and use of magic to reveal the mysteries of the universe and the divine.
Katherine Eggert explores the crumbling state of humanistic learning in the sixteenth and seventeenth centuries and the benefits of relying on alchemy despite its recognized flaws.
Cause, principle and unity On magic A general account of bonding.
Proceedings of a colloquium held in 2008 at Central European University.
The 13th-century Arabic grimoire, al-Sakkākī's Kitāb al-Shāmil (Book of the Complete), provides numerous methods of contacting jinn. The first such jinn described, Abū Isrā'īl Būzayn ibn Sulaymān, arrives with a donkey. In the course of offering an explanation for his ritual, this Element reveals the double-sided nature of asinine symbology, and explains why this animal has served as the companion of both demons and prophets. Focusing on two nodes of donkey symbology—the phallus and the bray-it reveals a coincidentia oppositorum in a deceptively humble and comic animal form. Thus, the donkey, bearer of a demonic voice, and of a phallus symbolic of base materiality, also represents transcendence of the material and protection from the demonic. In addition to Arabic literature and occult rituals, the Element refers to evidence from the ancient Near East, Egypt, and Greece, as well as to medieval Jewish and Christian texts.
Reincarnation in America: An Esoteric History surveys the complex history of reincarnation theories across multiple fields of discourse in a pre-American context, ranging from early Greek traditions to Medieval Christian theories, Renaissance esotericism, and European Kabbalah, all of which had adherents that brought those theories to America. Rebirth theories are shown in all these groups to be highly complex and often disjunctive with mainstream religions even though members of conventional religions frequently affirm the possibility of rebirth. As a history of an idea, reincarnation theory is a current, vital belief pattern that cuts across a wide spectrum of social, cultural, and scientific domains in a long, complex history not reducible to any specific religious or theoretical explanation. This book is cross-disciplinary and multicultural, linking religious studies perspectives with science based research; it draws upon many distinct disciplines and avoids reduction of reincarnation to any specific theory. The underlying thesis is to demonstrate the complexity of reincarnation theories; what is unique is the historical overview and the gradual shift away from religious theories of rebirth to new theories that are therapeutic and trans-traditional.
Whether you call them gods, angels, ETs, or aliens, sufficient proof now exists that beings more advanced than humans have influenced our history. Evidence suggests that these outsiders shaped our religions, genes, technology, and cultures. In fact, they may have provided the impetus for modern civilization. Paul Von Ward investigates why modern science and religion refuse to address the possibility that humans interact with Advanced Beings (ABs). He reviews sacred texts, myths and legends--from the Old Testament, Hebrew texts, and the Vedas, to the Greek myths, Sumerian tablets, and other historical sources to make the link between religions, their gods, and alien intervention. He shows how this history of AB intervention has been suppressed and challenges readers to reexamine the origins of notions like “divine revelation” to find common ground among the world’s cultures and religions. Previously published as God, Genes, and Consciousness.
The reconfiguration and relinquishing of one's conviction in a world system long held to be finite required for many in the sixteenth and seventeenth centuries a compromise in one's beliefs and the biblical authority on which he or she had relied - and this did not come without serious and complex challenges. Advances in astronomy, such as the theories of Copernicus, the development of the telescope, and Galileo's discoveries and descriptions of the moon sparked intense debate in Early Modern literary discourse. The essays in this collection demonstrate that this discourse not only stimulated international discussion about lunar voyages and otherworldly habitation, but it also developed a political context in which these new discoveries and theories could correspond metaphorically to New World exploration and colonization, to socio-political unrest, and even to kingship and regicide.
Published in London in 1584, The Expulsion of the Triumphant Beast is Giordano Bruno’s first work of moral philosophy. It is dedicated with a long Explicatory Letter to Elizabeth I’s most cultured courtier, Sir Philip Sidney. It is a book about moral reform, expelling the beasts of evil, and putting virtues in their place. Its theme is presented as an allegorical drama in which ancient myths assume modern meanings questioning the ways in which moral and religious reform have been conceived in both the ancient world and the cultures of Renaissance Europe. This new Italian text, based on the original printed text of 1584 held in the British Library, presents a less modernized version than those presently available, while maintaining a modern page format. The aim is to provide a text closer to the sound of Bruno’s original mix of classical Tuscan Italian and Neapolitan dialectical forms. This edition also presents a new translation designed to render Bruno’s complex and baroque Italian into easily readable modern English. Hilary Gatti introduces The Expulsion of the Triumphant Beast, underlining Bruno’s meta-literary reflection on the nature of allegory and myth as well as the dramatic structure of his text. Drama, philosophy, and religion combine in this work to give an epic dimension to the perennial cosmic battle between evil and good.