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"This book has been published on the occasion of the exhibition "Byzantium's other empire: Trebizond" at Kooc University Research Center for Anatolian Civilizations, Istanbul, June 24-September 18 2016. A Turkish edition appears under the title "Bizens'n eoteki imparatorlugu: Trabzon."
Explores the exceptional roles that women played in the vibrant cultural and political life of medieval Byzantium. Drawing on a diverse range of sources, this title focuses on the importance of marriage in imperial statecraft, the tense coexistence of empresses in the imperial court, and the critical relationships of mothers and daughters.
From the New York Times–bestselling “standard-bearer for alternate history”: A spy takes on the enemies of the Byzantine Empire (USA Today). In another, very different timeline—one in which Mohammed embraced Christianity and Islam never came to be—the Byzantine Empire still flourishes in the fourteenth century, and wondrous technologies are emerging earlier than they did in our own. Having lost his family to the ravages of smallpox, Basil Argyros has decided to dedicate his life to Byzantium. A stalwart soldier and able secret agent, Basil serves his emperor courageously, going undercover to unearth Persia’s dastardly plots and disrupting the dark machinations of his beautiful archenemy, the Persian spy Mirrane, while defusing dire threats emerging from the Western realm of the Franco-Saxons. But the world Basil so staunchly defends is changing rapidly, and he must remain ever vigilant, for in this great game of empires, the player who controls the most advanced tools and weaponry—tools like gunpowder, printing, vaccines, and telescopes—must certainly emerge victorious. A collection of interlocking stories that showcase the courage, ingenuity, and breathtaking derring-do of superspy Basil Argyros, Agent of Byzantium presents the great Harry Turtledove at his alternate-world-building best. At once intricate, exciting, witty, and wildly inventive, this is a many-faceted gem from a master of the genre.
A leading historian argues that in the empire we know as Byzantium, the Greek-speaking population was actually Roman, and scholars have deliberately mislabeled their ethnicity for the past two centuries for political reasons. Was there ever such a thing as Byzantium? Certainly no emperor ever called himself “Byzantine.” And while the identities of minorities in the eastern empire are clear—contemporaries speak of Slavs, Bulgarians, Armenians, Jews, and Muslims—that of the ruling majority remains obscured behind a name made up by later generations. Historical evidence tells us unequivocally that Byzantium’s ethnic majority, no less than the ruler of Constantinople, would have identified as Roman. It was an identity so strong in the eastern empire that even the conquering Ottomans would eventually adopt it. But Western scholarship has a long tradition of denying the Romanness of Byzantium. In Romanland, Anthony Kaldellis investigates why and argues that it is time for the Romanness of these so-called Byzantines to be taken seriously. In the Middle Ages, he explains, people of the eastern empire were labeled “Greeks,” and by the nineteenth century they were shorn of their distorted Greekness and became “Byzantine.” Only when we understand that the Greek-speaking population of Byzantium was actually Roman will we fully appreciate the nature of Roman ethnic identity. We will also better understand the processes of assimilation that led to the absorption of foreign and minority groups into the dominant ethnic group, the Romans who presided over the vast multiethnic empire of the east.
With original essays by leading scholars, this book explores the social history of the medieval eastern Roman Empire and offers illuminating new insights into our knowledge of Byzantine society. Provides interconnected essays of original scholarship relating to the social history of the Byzantine empire Offers groundbreaking theoretical and empirical research in the study of Byzantine society Includes helpful glossaries of sociological/theoretical terms and Byzantine/medieval terms
The acclaimed author of Byzantium and the Crusades “offers a fresh take on this fabled but hidden civilization” across 11 centuries of history (Colin Wells, author of Sailing from Byzantium). For more than a millennium, the Byzantine Empire presided over the juncture between East and West, as well as the transition from the classical to the modern world. Rather than recounting the standard chronology of emperors and battles, leading Byzantium scholar Jonathan Harris focuses each chapter of this engaging history on a succession of archetypal figures, families, places, and events. Harris’s introduction presents a civilization rich in contrasts, combining orthodox Christianity with paganism, and classical Greek learning with Roman power. Though frequently assailed by numerous armies, Byzantium survived by dint of its unorthodox foreign policy. Over time, its sumptuous art and architecture flourished, helping to establish a deep sense of Byzantine identity in its people. Synthesizing a wealth of sources to cover all major aspects of the empire’s social, political, military, religious, cultural, and artistic history, Harris’s study illuminates the heart of Byzantine civilization and explores its remarkable and lasting influence on the modern world.
Born to rule Although born to rule, Aidan lives as a scribe in a remote Irish monastery on the far, wild edge of Christendom. Secure in work, contemplation, and dreams of the wider world, a miracle bursts into Aidan's quiet life. He is chosen to accompany a small band of monks on a quest to the farthest eastern reaches of the known world, to the fabled city of Byzantium, where they are to present a beautiful and costly hand-illuminated manuscript, the Book of Kells, to the Emperor of all Christendom. Thus begins an expedition by sea and over land, as Aidan becomes, by turns, a warrior and a sailor, a slave and a spy, a Viking and a Saracen, and finally, a man. He sees more of the world than most men of his time, becoming an ambassador to kings and an intimate of Byzantium's fabled Golden Court. And finally this valiant Irish monk faces the greatest trial that can confront any man in any age: commanding his own Destiny.
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries of the "Empire of the Romans" and its enduring heritage. Conceived as the third of a trio of exhibitions dedicated to a fuller understanding of the art of the Byzantine Empire, whose influence spanned more than a millennium, "Byzantium: Faith and Power (1261–1557)" follows the 1997 landmark presentation of "The Glory of Byzantium," which focused on the art and culture of the Middle Byzantine era—the Second Golden Age of the Byzantine Empire (843–1261). In the late 1970s, "The Age of Spirituality" explored the early centuries of Byzantium's history. The present concluding segment explores the exceptional artistic accomplishments of an era too often considered in terms of political decline. Magnificent works—from splendid frescoes, textiles, gilded metalwork, and mosaics to elaborately decorated manuscripts and liturgical objects—testify to the artistic and intellectual vigor of the Late and Post-Byzantine era. In addition, forty magnificent icons from the Holy Monastery of Saint Catherine, Sinai, Egypt, join others from leading international institutions in a splendid gathering of these powerful religious images. While the political strength of the empire weakened, the creativity and learning of Byzantium spread father than ever before. The exceptional works of secular and religious art produced by Late Byzantine artists were emulated and transformed by other Eastern Christian centers of power, among them Russia, Serbia, Bulgaria, and Cilician Armenia. The Islamic world adapted motifs drawn from Byzantium's imperial past, as Christian minorities in the Muslin East continued Byzantine customs. From Italy to the Lowlands, Byzantium's artistic and intellectual practices deeply influenced the development of the Renaissance, while, in turn, Byzantium's own traditions reflected the empire's connections with the Latin West. Fine examples of these interrelationships are illustrated by important panel paintings, ceramics, and illuminated manuscripts, among other objects. In 1557 the "Empire of the Romans," as its citizens knew it, which had fallen to the Ottoman Turks in 1453, was renamed Byzantium by the German scholar Hieronymus Wolf. The cultural and historical interaction and mutual influence of these major cultures—the Latin West and the Christian and Islamic East—during this fascinating period are investigated in this publication by a renowned group of international scholars in seventeen major essays and catalogue discussions of more than 350 exhibited objects.
A gripping intellectual adventure story, Sailing from Byzantium sweeps you from the deserts of Arabia to the dark forests of northern Russia, from the colorful towns of Renaissance Italy to the final moments of a millennial city under siege…. Byzantium: the successor of Greece and Rome, this magnificent empire bridged the ancient and modern worlds for more than a thousand years. Without Byzantium, the works of Homer and Herodotus, Plato and Aristotle, Sophocles and Aeschylus, would never have survived. Yet very few of us have any idea of the enormous debt we owe them. The story of Byzantium is a real-life adventure of electrifying ideas, high drama, colorful characters, and inspiring feats of daring. In Sailing from Byzantium, Colin Wells tells of the missionaries, mystics, philosophers, and artists who against great odds and often at peril of their own lives spread Greek ideas to the Italians, the Arabs, and the Slavs. Their heroic efforts inspired the Renaissance, the golden age of Islamic learning, and Russian Orthodox Christianity, which came complete with a new alphabet, architecture, and one of the world’s greatest artistic traditions. The story’s central reference point is an arcane squabble called the Hesychast controversy that pitted humanist scholars led by the brilliant, acerbic intellectual Barlaam against the powerful monks of Mount Athos led by the stern Gregory Palamas, who denounced “pagan” rationalism in favor of Christian mysticism. Within a few decades, the light of Byzantium would be extinguished forever by the invading Turks, but not before the humanists found a safe haven for Greek literature. The controversy of rationalism versus faith would continue to be argued by some of history’s greatest minds. Fast-paced, compulsively readable, and filled with fascinating insights, Sailing from Byzantium is one of the great historical dramas–the gripping story of how the flame of civilization was saved and passed on.