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At the death of emperor Manuel I Comnenus in 1180, the Byzantine Empire appeared to be a solidly constructed state; in 1204, barely a quarter century later, Constantinople fell to the forces of the Fourth Crusade. Brand analyzes the internal and external pressures which beset Byzantium: the tyranny of Andronicus I comnenus, the incapable Angeli emperors, the pressure of Turks and Bulgarians, and especially the onslaught of the vigorous West. Attacks and threats from Normans, Frederick Barbarossa, and his son Henry VI, and eventually the Fourth Crusaders were reinforced by commercial pressure from Venice, Genoa and Pisa.
This book explores the complex history of contact and exchange between Byzantium and the Latin West over a formative period of more than three hundred years, with a focus on the political, ecclesiastical and cultural spheres.
The interaction between Byzantium and the Latin West was intimately connected to practically all the major events and developments which shaped the medieval world in the High and Late Middle Ages – for example, the rise of the ‘papal monarchy’, the launch of the Crusades, the expansion of international and longdistance commerce, or the flowering of the Renaissance. This volume explores not only the actual avenues of interaction between the two sides (trade, political and diplomatic contacts, ecclesiastical dialogue, intellectual exchange, armed conflict), but also the image each side had of the other and the way perceptions evolved over this long period in the context of their manifold contact. Twenty-one stimulating papers offer new insights and original research on numerous aspects of this relationship, pooling the expertise of an international group of scholars working on both sides of the Byzantine-Western ‘divide’, on topics as diverse as identity formation, ideology, court ritual, literary history, military technology and the economy, among others. The particular contribution of the research presented here is the exploration of how cross-cultural relations were shaped by the interplay of the thought-world of the various historical agents and the material circumstances which circumscribed their actions. The volume is primarily aimed at scholars and students interested in the history of Byzantium, the Mediterranean world, and, more widely, intercultural contacts in the Middle Ages.
Hellenism is the living culture of the Greek-speaking peoples and has a continuing history of more than 3,500 years. The Encyclopedia of Greece and the Hellenic Tradition contains approximately 900 entries devoted to people, places, periods, events, and themes, examining every aspect of that culture from the Bronze Age to the present day. The focus throughout is on the Greeks themselves, and the continuities within their own cultural tradition. Language and religion are perhaps the most obvious vehicles of continuity; but there have been many others--law, taxation, gardens, music, magic, education, shipping, and countless other elements have all played their part in maintaining this unique culture. Today, Greek arts have blossomed again; Greece has taken its place in the European Union; Greeks control a substantial proportion of the world's merchant marine; and Greek communities in the United States, Australia, and South Africa have carried the Hellenic tradition throughout the world. This is the first reference work to embrace all aspects of that tradition in every period of its existence.
Written over nearly three decades, the fifteen essays involve the three a's of the title, art, agency, and appreciation. The first refers to the general subject matter of the book, Byzantine art, chiefly painting, of the twelfth through the fourteenth centuries, the second to its often human-like agency, and the last to its historical reception. Responding to different issues and perspectives that have animated art history and Byzantine studies in recent decades, the essays have wide theoretical range from art historical formalism, iconography, archaeology and its manuscript equivalent codicology, to statistics, patronage, narratology, and the histories of science and collecting. The series begins with art works themselves and with the imagery and iconography of church decoration and manuscript illumination, shifts to the ways that objects act in the world and affect their beholders, and concludes with more general appreciations of Byzantine art in case studies from the thirteenth century to the present.
In La Diplomatie byzantine, de l’Empire romain aux confins de l’Europe (Ve-XVe s.), twelve studies explore from novel angles the complex history of Byzantine diplomacy. After an Introduction, the volume turns to the period of late antiquity and the new challenges the Eastern Roman Empire had to contend with. It then examines middle-Byzantine diplomacy through chapters looking at relations with Arabs, Rus’ and Bulgarians, before focusing on various aspects of the official contacts with Western Europe at the end of the Middle Ages. A thematic section investigates the changes to and continuities of diplomacy throughout the period, in particular by considering Byzantine alertness to external political developments, strategic use of dynastic marriages, and the role of women as diplomatic actors. Contributors are are Jean-Pierre Arrignon, Audrey Becker, Mickaël Bourbeau, Nicolas Drocourt, Christian Gastgeber, Nike Koutrakou, Élisabeth Malamut, Ekaterina Nechaeva, Brendan Osswald, Nebojša Porčić, Jonathan Shepard, and Jakub Sypiański.
The Crusades were a startling and spectacular phenomenon that exerted a powerful influence on European development over a period of many centuries. Much recent writing has been devoted to explaining how the crusades began and what they achieved. This volume is intended as an introductory guide and analysis of how different aspects of crusading studies have developed. Rather than giving an account of events, each chapter offers an interpretative and historiographical study. It is aimed both at postgraduates and at professional academics.