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A collection of Ioannis Spatharkis' influential papers, some published here for the first time, on illuminated manuscripts from the era of Iconoclasm and the Macedonian Renaissance in the 8th and 9th centuries through to the Palaeogian period in the 14th and 15th centuries. Other papers examine iconographical themes and the wall paintings of Crete.
The art of the Eastern Roman Empire and of its capital, Byzantium (Constantinople), found expression throughout the ancient world, particularly in Italian architecture. This superb archive of Byzantine ornament contains a wealth of decorative architectural elements derived from sixth- and seventh-century Italian buildings in Ravenna and in the Venetian church of St. Mark's. Depicted in more than 250 delicate line drawings are splendid perforated marble panels, intricately fashioned stone grilles and cornices, lavish candle brackets, elaborate stone mosaics for floors and ceilings, bronze window guards, as well as an abundance of decorative wreaths, rosettes, mouldings, and medallions. A multipurpose reference for students, artists, and designers, this archive of sumptuous, royalty-free designs will also serve as a rich source of inspiration for anyone working in the fine or applied arts.
The Excerpta project instigated by the Byzantine emperor Constantine VII turned the enormously rich experience offered by Greek historiography into a body of excerpts distributed across fifty-three distinct thematic collections. In this, the first sustained analysis, András Németh moves from viewing the Excerpta only as a collection of textual fragments to focusing on its dependence from and impact on the surrounding Byzantine culture in the tenth century. He introduces the concept of appropriation and also uses it to study some other key texts created under the Excerpta's influence (De thematibus, De administrando imperio and De ceremoniis). Unlike world chronicles, the Excerpta ignored the chronological dimension of history and fostered the biographical turn in Byzantine historiography. By exploring theoretical questions such as classification and retrieval of historical information and the relationship between knowledge and political power, this book provides powerful new ways for exploring the Excerpta in Byzantine studies and beyond.
Written over nearly three decades, the fifteen essays involve the three a's of the title, art, agency, and appreciation. The first refers to the general subject matter of the book, Byzantine art, chiefly painting, of the twelfth through the fourteenth centuries, the second to its often human-like agency, and the last to its historical reception. Responding to different issues and perspectives that have animated art history and Byzantine studies in recent decades, the essays have wide theoretical range from art historical formalism, iconography, archaeology and its manuscript equivalent codicology, to statistics, patronage, narratology, and the histories of science and collecting. The series begins with art works themselves and with the imagery and iconography of church decoration and manuscript illumination, shifts to the ways that objects act in the world and affect their beholders, and concludes with more general appreciations of Byzantine art in case studies from the thirteenth century to the present.