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This book offers approaches to the study of Byzantine dress of elites and non-elites, in sacred and secular modes, from the beginning of the Empire in the fourth century until the fifteenth century. Byzantine dress is considered from within and outside of the Empire, and examines both artefactual remains as well as emphasizing studies that elucidate Byzantine dress when few or no artifacts exist. Byzantine Dress: A Guide tackles current conceptual frameworks in the first three chapters and considers identity and sartorial signaling among Byzantines as well as foreigners in images as well as actual items of dress. A second section addresses material considerations, reflecting on construction and its effect on value. The interpretation of archaeological material is analyzed, along with reconstruction and context. Dress as part of rituals - at court, church, and in various ceremonies - is the focus of a third section. The final two chapters bring Byzantine dress into conversation with dress studies more broadly. A discursive chapter argues for a fashion system within the Byzantine Empire, which has been largely seen as pre-dating the notion of fashion. The final chapter concerns display, interpretation and conservation of fragmentary material in a museum context. This book aims toward a general audience new to the subject of Byzantine dress. Specialists in Byzantine studies and dress studies more generally will find the attention to current scholarship and archaeological interpretation invaluable for research, and the book will also appeal to an audience new to the subject of Byzantine dress.
In Byzantium there were two overlapping systems of dress: a semiotic one whereby dress was a code for rank and wealth, and a fashion system where dress was based on the desire to look a certain way. This book explains secular dress from the eighth to the twelfth centuries through an examination of painted representations.
In Byzantium there were two overlapping systems of dress: a semiotic one whereby dress was a code for rank and wealth, and a fashion system where dress was based on the desire to look a certain way. This book explains secular dress from the eighth to the twelfth centuries through an examination of painted representations.
2 handsome dolls and 16 authentic costumes: elaborately decorated tunics, brocaded silk stoles, shirts enhanced with patterned applique, pantaloons of rich silk, elaborate headdresses, and more.
315 renderings of Doric and Ionic styles of dress for women, gracefully arranged Roman togas, vestments of the Eastern Orthodox Church, hairdressing, jewelry, and other decorative elements. Includes instructions and flat patterns.
As a veteran campaigner, the Byzantine emperor Maurice (582-602) compiled a unique and influential handbook intended for the field commander. In this first complete English translation, the Strategikon is an invaluable source not only for early Byzantine history but for the general history of the art of war. Describing in detail weaponry and armor, daily life on the march or in camp, clothing, food, medical care, military law, and titles of the Byzantine army of the seventh century, the Strategikon offers insights into the Byzantine military ethos. In language contemporary, down-to-earth, and practical, the text also provides important data for the historian, and even the ethnologist, including eyewitness accounts of the Persians, Slavs, Lombards, and Avars at the frontier of the Empire.
Fairchild's Survey of Historic Costume Study Guide is designed to guide students through each chapter of Survey of Historic Costume 5th edition (ISBN: 9781563678066) and help them identify and synthesize core information. With its emphasis on the text and flexibility to be adapted to different course structures and methods, this resource is a valuable tool for instructors as well as students. For every chapter, the Study Guide includes concise Historical Snapshots to situate students in time; At a Glance; tables summarizing of key information about dress from the time period covered by each chapter; space to take notes about major content and themes; questions to help students identify this information in the text; activities in which students must sketch or describe key styles; and further review questions. The Study Guide also provides students with a complete glossary of key terms used throughout the text.
"This handbook offers a wide-ranging introduction to the richness and diversity of the arts in the Byzantine world. It includes thirty-eight essays by international authors, from prominent researchers to emerging scholars, on various issues and media. Discussions consider art created for religious purposes, to enhance and beautify the Orthodox liturgy and worship space, as well as art made to serve in royal and domestic contexts. While Byzantium is defined as the years 330-1453 CE, some chapters treat the aftermath and influence of Byzantine art on later periods. Arts covered include buildings and objects from the Eastern Mediterranean region, including the Balkans, Russia, North Africa, and the Near East. The volume brings together object-based considerations of themes and monuments which form the backbone of art history, with considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, among others-all in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a rich field of study, offering a window into the world of this distinct and fascinating period of art"--