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In Bryon's Shadow draws on a wide range of sources to create a model for literary history that synthesizes literary investigation and cultural studies to develop a fuller understanding of the historical forces influencing the Anglo-American conception of modern Greece."--Jacket.
A collection bringing together in a single volume a number of the best twentieth-century essays on Byron’s dramas, together with comprehensive bibliographies on each of them.
If we inquire dreams with The Work of Byron Katie, we can apply "The Work" to what our subconscious mind provides us as an important theme. And thanks to the questions of "The Work" we learn to understand the language of our dreams. In this book you will find the report of eight sessions that Monique Dankers has facilitated.
Why are twentieth-century novelists from former British colonies in the Americas preoccupied with British Romantic poetry? In Romantic Revisions, Lauren Rule Maxwell examines five novels—Kincaid's Lucy, Atwood's The Handmaid's Tale, McCarthy's Blood Meridian, Fitzgerald's The Great Gatsby, and Harris's Palace of the Peacock—that contain crucial scenes engaging British Romantic poetry. Each work adapts figures from British Romantic poetry and translates them into an American context. Kincaid relies on the repeated image of the daffodil, Atwood displaces Lucy, McCarthy upends the American arcadia, Fitzgerald heaps Keatsian images of excess, and Harris transforms the albatross. In her close readings, Maxwell suggests that the novels reframe Romantic poetry to allegorically confront empire, revealing how subjectivity is shaped by considerations of place and power. Returning to British Romantic poetry allows the novels to extend the Romantic poetics of landscape that traditionally considered the British subject's relation to place. By recasting Romantic poetics in the Americas, these novels show how negotiations of identity and power are defined by the legacies of British imperialism, illustrating that these nations, their peoples, and their works of art are truly postcolonial. While many postcolonial scholars and critics have dismissed the idea that Romantic poetry can be used to critique colonialism, Maxwell suggests that, on the contrary, it has provided contemporary writers across the Americas with a means of charting the literary and cultural legacies of British imperialism in the New World. The poems of the British Romantics offer postcolonial writers particularly rich material, Maxwell argues, because they characterize British influence at the height of the British empire. In explaining how the novels adapt figures from British Romantic poetry, Romantic Revisions provides scholars and students working in postcolonial studies, Romanticism, and English-language literature with a new look at politics of location in the Americas.
Excerpt from Lord Byron's Dream Book Artemidorus not' only bought up every book that he could hear of concerning the explication of dreams, but spent much time in traveling in order to make the acquaintance of soothsayers and others, and he carried on an extensive correspondence with persons of that kind in Egypt, Greece, and Italy, carefully collecting all reports of dreams, and of the events which are said to have fol lowed them. The subject of dreams and auguries received a vast deal of at tention in the Roman Empire at the beginning of the Christian era. In the reign of the Emperor Augustus, a law was passed obliging all who had dreamt anything respecting the State to make it public at once, either by means of a placard or by the mouth of the public crier. The Emperor himself, in consequence of a Vision, used on one day of the year in the streets. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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