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Forty years of journal entries document the L.A. recording industry from the Rolling Stones to the Byrds, and Alvin and the Chipmunks. They include hilarious stories of being one of the most sought after session players on the west coast, by three time National Fiddle Champion, Byron Berline, a Flying Burrito Brother who founded Country Gazette, The L.A. Fiddle Band and Sundance. His avoidance and survival of the drug-filled music industry, is amazing and heart lifting. His stories of the road are hilarious and the detailed journal entries are a researchers dream. From earthquakes to scoring motion pictures and having some of Charles Manson's Family in his home, this autobiography is the account of an Oklahoma farm boy's life and career -- from entering the University of Oklahoma on a football scholarship and graduating with a javelin in one hand and a fiddle in the other. It continues through acting in movies and his time playing/recording with Bill Monroe, Mickey Mouse, Linda Ronstadt, Emmy Lou Harris, Vince Gill, Mark O'Connor, Doug Dillard, Rod Stewart, Ann Murray, Earl Scruggs, and the Eagles, to his spiraling success as a musician, husband and father. Byron Berline, A Fiddler's Diary, is a peek inside the music industry as only an "A" list insider could explicitly describe. For baby-boomers, it is a dance down memory lane, with all the music and recording artists we love. His story is abundantly entertaining with enough documentation to be considered a reference work. Byron continues to tour, run his Doublestop Fiddle Shop and produces about twenty shows a year at his Music Hall in Guthrie, Oklahoma, as well as being the founder of the annual Oklahoma International Bluegrass Festival and Guthrie's annual Western Swing Festival. Byron continues to perform, record and write, with the same intensity and enthusiasm he has always maintained. He remains... "one of the most inventive fiddle players." In February, 2013, Grammy nominated, Byron Berline, received his highest recognition to date, being inducted into the National Fiddler's Hall of Fame. In genuine humble response, he invites everyone to, "Stop by the fiddle shop and say, 'hi.'"
Reviews and rates the best recordings of country artists and groups, provides biographies of the artists, and charts the evolution of country music
A No Depression Most Memorable Music Book of 2022 Roland White’s long career has taken him from membership in Bill Monroe’s Blue Grass Boys and Lester Flatt’s Nashville Grass to success with his own Roland White Band. A master of the mandolin and acclaimed multi-instrumentalist, White has mentored a host of bluegrass musicians and inspired countless others. Bob Black draws on extensive interviews with White and his peers and friends to provide the first in-depth biography of the pioneering bluegrass figure. Born into a musical family, White found early success with the Kentucky Colonels during the 1960s folk revival. The many stops and collaborations that marked White's subsequent musical journey trace the history of modern bluegrass. But Black also delves into the seldom-told tale of White's life as a working musician, one who endured professional and music industry ups-and-downs to become a legendary artist and beloved teacher. An entertaining merger of memories and music history, Mandolin Man tells the overdue story of a bluegrass icon and his times.
Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.
TO LOVE MUSIC IS TO LOVE VINCE GILL His pure tenor voice, amazing guitar playing, and superb songwriting skills have earned Vince Gill eleven Grammies and seventeen Country Music Association Awards--making him the biggest CMA winner of all time. But it's the man behind the music who inspires so much love and devotion from his fans and his peers. Humble, wholesome, funny, and kind, Vince Gill is a superstar with heart--and his numerous volunteer activities raise millions of dollars for charity every year. From his childhood as the son of a banjo-playing judge in Oklahoma to his roots in Kentucky bluegrass music . . . from his years in Los Angeles as the lead singer for the acclaimed group Pure Prairie League to his first forays into Nashville . . . from his mastery of bluegrass, rock, pop, and country to his acclaim as the host of the annual Country Music Association Awards national telecast . . . here is the heartwarming story of an inspiring man who gives his all for the future, for the fans, and . . . FOR THE MUSIC Vince Gill has won eleven Grammy Awards and seventeen Country Music Association Awards and has sold more than fifteen million albums worldwide.
Spanning over 1,000 separate performances, The Music of Bill Monroe presents a complete chronological list of all of Bill Monroe’s commercially released sound and visual recordings. Each chapter begins with a narrative describing Monroe’s life and career at that point, bringing in producers, sidemen, and others as they become part of the story. The narratives read like a “who’s who” of bluegrass, connecting Monroe to the music’s larger history and containing many fascinating stories. The second part of each chapter presents the discography. Information here includes the session’s place, date, time, and producer; master/matrix numbers, song/tune titles, composer credits, personnel, instruments, and vocals; and catalog/release numbers and reissue data. The only complete bio-discography of this American musical icon, The Music of Bill Monroe is the starting point for any study of Monroe’s contributions as a composer, interpreter, and performer.
The twentieth anniversary paperback edition, updated with a new preface Winner of the International Bluegrass Music Association Distinguished Achievement Award and of the Country Music People Critics' Choice Award for Favorite Country Book of the Year Beginning with the musical cultures of the American South in the 1920s and 1930s, Bluegrass: A History traces the genre through its pivotal developments during the era of Bill Monroe and his Blue Grass Boys in the forties. It describes early bluegrass's role in postwar country music, its trials following the appearance of rock and roll, its embracing by the folk music revival, and the invention of bluegrass festivals in the mid_sixties. Neil V. Rosenberg details the transformation of this genre into a self-sustaining musical industry in the seventies and eighties is detailed and, in a supplementary preface written especially for this new edition, he surveys developments in the bluegrass world during the last twenty years. Featuring an amazingly extensive bibliography, discography, notes, and index, this book is one of the most complete and thoroughly researched books on bluegrass ever written.
Includes a wealth of fiddling lore and illustrations; a guide to buying a fiddle and bow; tips on learning and playing the fiddle; over 800 listings of books, records, fiddling and bluegrass organizations, fiddling schools and camps, violin making supplies, films, etc.; information about fiddle contests.
The first full history to describe the development of country rock.
“A terrific biography of a rock innovator that hums with juicy detail and wincing truth. . . . Page after page groans with the folly of the ’60s drug culture, the tragedy of talent toasted before its time, the curse of wealth and the madness of wasted opportunity.”—The Atlanta Journal-Constitution NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE LOS ANGELES TIMES • NAMED ONE OF THE FIVE BEST ROCK BOOKS OF THE YEAR BY ROLLING STONE As a singer and songwriter, Gram Parsons stood at the nexus of countless musical crossroads, and he sold his soul to the devil at every one. His intimates and collaborators included Keith Richards, William Burroughs, Marianne Faithfull, Peter Fonda, Roger McGuinn, and Clarence White. Parsons led the Byrds to create the seminal country rock masterpiece Sweetheart of the Rodeo, helped to guide the Rolling Stones beyond the blues in their appreciation of American roots music, and found his musical soul mate in Emmylou Harris. Parsons’ solo albums, GP and Grievous Angel, are now recognized as visionary masterpieces of the transcendental jambalaya of rock, soul, country, gospel, and blues Parsons named “Cosmic American Music.” Parsons had everything—looks, charisma, money, style, the best drugs, the most heartbreaking voice—and threw it all away with both hands, dying of a drug and alcohol overdose at age twenty-six. In this beautifully written, raucous, meticulously researched biography, David N. Meyer gives Parsons’ mythic life its due. From interviews with hundreds of the famous and obscure who knew and worked closely with Parsons–many who have never spoken publicly about him before–Meyer conjures a dazzling panorama of the artist and his era. Praise for Twenty Thousand Roads “Far and away the most thorough biography of Parsons . . . skewers any number of myths surrounding this endlessly mythologized performer.”—Los Angeles Times “The definitive account of Gram Parsons’ life–and early death. From the country-rock pioneer’s wealthy, wildly dysfunctional family through his symbiotic friendship with Keith Richards, Meyer deftly illuminates one of rock’s most elusive figures.”—Rolling Stone “Meticulously researched . . . Though Meyer answers a lot of long-burning questions, he preserves Parsons’ legend as a man of mystery.”—Entertainment Weekly “Meyer gives Parsons a thorough, Peter Guralnick-like treatment.”—New York Post