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No detailed description available for "Bylina and fairy tale".
In the view of many folklorists the images, motifs and characters that occur in fairy tales the world over, have their origins in the earliest beliefs, customs and ways of life of the people who tell the tales. When sacred tales, laws and rites no longer have a living etiological purpose or relevance, they gradually evolve into what is known as the folk or fairy tale, told mainly to elicit wonder or delight. This book looks at the cultural background, history and mythology of the East Slavs with the aim of discovering the possible origins of certain elements in the Russian Fairy Tale, known as the Skazka. It examines the various types of hero or heroine that people it, their adventures and journeys to the Other World, and the fearsome beings such as the Baba-Yaga, the Zmei and Koshchei whom they meet either on the way to, or in the Other World. The study hopes to shed light on why Russian fairy tale personages act in certain ways, what they might be thought to represent and how they reflect some of the most ancient beliefs known to mankind, in particular, worship of the Mother Goddess, the Earth Goddess.
This translation of Likhachev’s Poetika Drevnerusskoy Literatury (The Poetics of Early Russian Literature), provides a description of the basic themes of early (tenth to seventeenth century) Russian literature. Likhachev compares literary narrative with narrative used in the representational arts. Furthermore, Likhachev stresses the genre-based character of medieval Russian literature and shows how choice of style in medieval times depended on a genre with its own specific etiquette and how innovation was discouraged. The text contrasts medieval abstraction and modern realism, as Likhachev shows how realisticness gradually breaks through in specific situations—such as those of princely crimes. Likhachev draws contrasts in three different areas: the basic stock of symbols and comparisons used in early Russian literature with those used in modern literature, artistic time in folklore and early Russian literature, and artistic space in folklore and early Russian literature. Likhachev traces the gradual development into modern artistic time through a comparison of the chronicle, the first Russian play, the seventeenth century writer Avvakum, and three modern authors, Goncharov, Dostoevsky and Saltykov-Shchedrin. Finally, the text gives a justification for studying early literatures. This book will be invaluable for students of Russian, medieval and comparative literature.
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day. The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and personal. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular brings out trans-historical features that contribute to the notion of a national literature. The volume's time range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation.
No detailed description available for "The Study of Russian Folklore".
An extensive introduction provides basic information about Russian epics, their historical background, their poetics, the history of their collection, their performance context, and their main interpretations. In addition, their is a short introduction to each song, explaining its plot, allusions, and interpretations. A glossary of common terms and a selected bibliography of studies about the Russian epic in English and Russian are also included in the volume.
This volume offers the first comprehensive guide in English to the myth and legend of the Russian Empire and other Slavic countries and peoples. There are few stories more stirring than those of ancient Russia. Russian and other Slavic beliefs weave a rich tapestry in which real-world elements coexist with those from fantasy, such as dragons, monsters, and shape-changing wolves. Though Russia adopted Christianity as the state religion in A.D. 988, paganism remained popular through the end of the 19th century and survives in isolated pockets even today. In Russian myth and legend, Christian themes are interwoven with pagan ideas: dragons fight priests, saints encounter nymphs, and witches enter the kingdom of heaven. Encyclopedia of Russian and Slavic Myth and Legend includes extensive historical, geographical, and biographical background to deepen the reader's understanding of the myth and legend. Numerous illustrations are included in this fascinating volume, which will be of great interest to students, scholars, and everyone who wishes to explore the cultural heritage of ancient Russia.
This is an annotated collection of recent studies of Russian folk religion, village organization and family life, including the rituals associated with childbirth, and paying special attention to women's roles and to the specificity of Siberia in Russian culture.
"... an imaginative and dispassionate re-examination of the significance of the Mongol Conquest and its aftermath for Russia's historical development." --Slavic Review "On all counts Russia and the Golden Horde infuses the subject with fresh insights and interpretations." --History "Combining rigorous analysis of the major scholarly findings with his own research, Halperin has produced both a much-needed synthesis and an important original work." --Library Journal "Halperin's new book combines sound scholarship and a flair for storytelling that should help publicize this all too unfamiliar tale in the West." --Virginia Quarterly Review "It is a seminal work that will be repeatedly cited in the future... " --The Historian "... ingenious and highly articulate... " --Russian Review