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In 1939 the lives of five women are about to collide in the sleepy little village of Crowmarsh Priors.Evangeline has eloped from New Orleans with a naval captain, Alice is resigned to life as the parish spinster, Elsie is evacuated from the East End to be a maid for Lady Marchmont, Tanni has fled from Vienna with her newborn son, and high-spirited Frances is to see out the war with her godmother. Together these five women face hardship, passion and danger, and form a bond that sees them through their darkest hours, and lasts for the rest of their lives.
The true story behind David Ebershoff's bestseller "The 19th Wife"! At the age of 24, Ann Eliza Webb was forced into marriage with Brigham Young, her spiritual leader and the 67-year-old president of the Church of Jesus Christ of Latter-day Saints. By her own count, she was his 19th wife. Less than five years later, she filed for divorce on the grounds of neglect, cruel treatment, and desertion - and shocked the tight-knit Mormon community by winning the case. Excommunicated from the church, she traveled the country, speaking out against polygamy and Mormonism, and becoming an early advocate for women's rights in 19th century America. In this autobiography, dedicated to the Mormon Wives of Utah, she published a devastating expose of the privation, cruelty and violence that were a constant part of their lives. Her story was an immediate bestseller, and remains a gripping read to this day. This ebook edition includes an active table of contents, reflowable text, and 150 illustrations of the people, places and events in Ann Eliza Young's life.
Traces the cultural process through which American women become married as reflected by the experiences of patrons at a family-owned bridal shop in Michigan, offering insight into how the rite of passage reflects national views on marriage.
Between 1939 and 1945, the British public was spellbound by the martial endeavours and dashing style of the young men of the RAF, especially those with silvery fabric wings sewn above the breast pocket of their glamorous slate-blue uniform. Martin Francis provides the first scholarly study of the place of 'the flyer' in British culture during the Second World War. Examining the lives of RAF personnel, and their popular representation in literary and cinematic texts, he illuminates broader issues of gender, social class, national and racial identities, emotional life, and the creation of a national myth in twentieth-century Britain. In particular, Francis argues that the flyer's relationship to fear, aggression, loss of his comrades, bodily dismemberment, and psychological breakdown reveals broader ambiguities surrounding the dominant understandings of masculinity in the middle decades of the century. Despite his star appeal, cultural representations of the flyer encompassed both the gentle, chivalrous warrior and the uncompromising agent of destruction. Paying particular attention to the romantic universe of wartime aircrew, Francis reveals the extraordinary contrasts of their daily lives: dicing with death in the sky one moment, before sitting down to lunch with wives and children in the next. Male and female experiences during the war were not polarized and antithetical, but were complementary and interrelated, a conclusion which has implications for the history of gender in modern Britain that reach well beyond either the specialized military culture of the wartime RAF or the chronological parameters of the Second World War.
First published in 1982, William Rothman’s Hitchcock is a classic work of film criticism. Written in an engaging style that is philosophically sophisticated yet free of jargon, and using over nine hundred images from the films to illustrate and back up its critical claims, the book follows six different Hitchcock films as they unfold, moment by moment, from first shot to last.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.