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Unlike the earthquakes and hurricanes that have influenced Caribbean history, the region's fires have almost always been caused by humans. Geographer Bonham C. Richardson explores the effects of fire in the social and ecological history of the British Lesser Antilles, from the British Virgin Islands south to Trinidad. Focusing on the late nineteenth century, leading to the 1905 withdrawal of British military forces from the region, Richardson shows how fire-lit social upheavals served as forerunners of political independence movements. Drawing on Caribbean and London archives as well as years of fieldwork, Richardson examines how villagers used, modified, and contemplated fire in part to vent their frustrations with a savage economic depression and social and political inequities imposed from afar. He examines fire in all its forms, from protest torches to sugarcane fires that threatened the islands' economic staple. Richardson illuminates a neglected period in Caribbean history by showing how local uses of fire have been catalysts and even causes of important changes in the region.
Empires of Vision brings together pieces by some of the most influential scholars working at the intersection of visual culture studies and the history of European imperialism. The essays and excerpts focus on the paintings, maps, geographical surveys, postcards, photographs, and other media that comprise the visual milieu of colonization, struggles for decolonization, and the lingering effects of empire. Taken together, they demonstrate that an appreciation of the role of visual experience is necessary for understanding the functioning of hegemonic imperial power and the ways that the colonized subjects spoke, and looked, back at their imperial rulers. Empires of Vision also makes a vital point about the complexity of image culture in the modern world: We must comprehend how regimes of visuality emerged globally, not only in the metropole but also in relation to the putative margins of a world that increasingly came to question the very distinction between center and periphery. Contributors. Jordanna Bailkin, Roger Benjamin, Daniela Bleichmar, Zeynep Çelik, David Ciarlo, Natasha Eaton, Simon Gikandi, Serge Gruzinski, James L. Hevia, Martin Jay, Brian Larkin, Olu Oguibe, Ricardo Padrón, Christopher Pinney, Sumathi Ramaswamy, Benjamin Schmidt, Terry Smith, Robert Stam, Eric A. Stein, Nicholas Thomas, Krista A. Thompson
Images of Jamaica and the Bahamas as tropical paradises full of palm trees, white sandy beaches, and inviting warm water seem timeless. Surprisingly, the origins of those images can be traced back to the roots of the islands’ tourism industry in the 1880s. As Krista A. Thompson explains, in the late nineteenth century, tourism promoters, backed by British colonial administrators, began to market Jamaica and the Bahamas as picturesque “tropical” paradises. They hired photographers and artists to create carefully crafted representations, which then circulated internationally via postcards and illustrated guides and lectures. Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the “tropicalizing images” and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands’ black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures. Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artists—including Christopher Cozier, David Bailey, and Irénée Shaw—at the same time that they remain a staple of postcolonial governments’ vigorous efforts to attract tourists.
The title of Volume IV of the General History of the Caribbean, the Long Nineteenth Century, indicates its range, from the last years of the eighteenth to the first two decades of the twentieth. The volume begins during the hegemony of the European nations and the social and economic dominance of the slave masters. It ends with the hegemony of the United States of America and the economic dominance of American and European agricultural and mercantile corporations. The chapters provide thematic accounts of societies emerging from slavery at different times during the century and also of the circumstances that affected the extent to which these societies were autochthonous within their various territories. The book's survey of this span of 150 years begins with the Haitian Revolution and its repercussions both within the region and outside. It then examines in turn the variety of ways in which the emancipated, their ex-masters and the colonial powers related to each other in the economy, polity and society of various territories; the economy of sugar in decline; the hostility of local landed elites to the welfare of the emancipated, to the ways landless labourers adapted to survive, and to interregional migrations; the social and cultural transformations of new populations from Africa, India and China; the technical innovations in the sugar industry towards the end of the century that differentiate the interests of field owner from factory owner; the decline of white pre-eminence, yet their resistance to claims for autonomy and an end to colonial tutelage
A travel series unlike any other, Insight Guides go beyond the sights and into reality. Their incomparable photojournalistic approach captures the uniqueness of each culture they cover: their traditions, their arts, their history, their lives. The stunning photography is married to compelling text, written by local writers; the people most qualified to convey their culture's "secrets". Yes, Insight Guides will tell you which attractions to visit, but they'll also tell you a whole lot more. From the most popular resort cities to the world's most remote and exotic villages, Insight Guides will give you the insider's perspective you need to truly experience any destination you visit. Insight Guides serve many purposes. They are ideal for planning a trip. And, they're wonderful souvenirs to treasure for years after. Even the armchair traveler can be swept away by their magnificent content and experience the world from the comfort of home. Many international and domestic and domestic destinations also offer companion FlexiMaps, an innovative laminated folding map specially designed for the discriminating traveler.
Barbados, a small island in the Caribbean, has a rich and vibrant culture influenced by the almost 350 years it spent as a colony of England and by its West African roots stemming from the slave trade. Once dominated by the sugarcane industry and the white-owned plantations that supported it, today Barbados is a popular tourist destination and a hub for manufacturing. Barbadians, or Bajans as they refer to themselves, take pride in their home, even long after they move away. This book explores the sometimes murky history of this country, its fight for independence from England, how it continues to struggle against economic setbacks today, and the incredible music, food, festivals, sports, and landmarks that make Barbados unique.
In Plenty and in Time of Need uses music and performance as sites of analysis for the competing ideals and realities of Barbadian national culture. The book demonstrates complex relations between national, gendered, and sexual identities in Barbados, and how these identities are represented and interpreted on a global stage.
Offers a revised edition of Brathwaite's Mother Poem, Sun Poem, and X/Self poems which explore the author's family and childhood in Barbados and his experiences with slavery and colonialism.