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Bye bye white guy is a diary of news events that have taken place over the period of a year in South Africa, and how I,an average,middle class, middle aged white man interpret them and depict the implications I feel they have in store for the future of the country to the extent that I have taken the difficult desicion to emigrate. I use what I have written to justify to my family and friends that the course of action that I have taken is the correct one. We as a society have become so accustomed to increasing crime and decreasing basic services, murder is no longer front page news, only a small percentage of stories making page three. In my veiw the government has three policies; corruption,nepotism and non-accountability, the solid foundation of any proven, longstanding, destructive dictatorship. All of the information has been gathered via news reports, and this is but the tip of the iceberg. This book is not the ramblings of a bitter white man in post apartheid South Africa, it is the ramblings of an angry white man who does not want a front row seat on the real life drama'How to destroy a beautiful country and it's proud people-the African blueprint', an ongoing production that has slowly made it's way down through Africa,same plot,different players.
Bye bye white guy is a diary of news events that have taken place over the period of a year in South Africa, and how I, an average, middle class, middle aged white man interpret them and depict the implications I feel they have in store for the future of the country to the extent that I have taken the difficult desicion to emigrate. I use what I have written to justify to my family and friends that the course of action that I have taken is the correct one. We as a society have become so accustomed to increasing crime and decreasing basic services, murder is no longer front page news, only a small percentage of stories making page three. In my veiw the government has three policies; corruption, nepotism and non-accountability, the solid foundation of any proven, longstanding, destructive dictatorship. All of the information has been gathered via news reports, and this is but the tip of the iceberg. This book is not the ramblings of a bitter white man in post apartheid South Africa, it is the ramblings of an angry white man who does not want a front row seat on the real life drama'How to destroy a beautiful country and it's proud people-the African blueprint', an ongoing production that has slowly made it's way down through Africa, same plot, different players.
Boston PI Spenser takes on a new case in this installment in Robert B. Parker's iconic New York Times bestselling series. Carolina Garcia-Ramirez is a rising star in national politics, taking on the establishment with her progressive agenda. Tough, outspoken, and driven, the young congresswoman has ignited a new conversation in Boston about race, poverty, health care, and the environment. Now facing her second campaign, she finds herself not only fighting a tight primary with an old guard challenger but also contending with numerous death threats coming from hundreds of suspects. When her chief of staff reaches out to Spenser for security and help finding the culprits of what he believes to be the most credible threats, Garcia-Ramirez is less than thrilled. Since her first grassroots run, she’s used to the antipathy and intimidation women of color often face when seeking power. To her, it’s all noise. But it turns out an FBI agent disagrees, warning Spenser that Garcia-Ramirez might be in real danger this time. It doesn’t take long for Spenser to cross paths with an extremist group called The Minutemen, led by a wealthy Harvard grad named Bishop Graves. Although Graves is a social media sensation, pushing an agenda of white supremacy and toxic masculinity, he denies he’s behind the attacks. As the primary nears and threats become a deadly plot, it’s up to Spenser, Hawk, and a surprise trusted ally to ensure the congresswoman is safe. This is Spenser doing what he does best, living by a personal code and moral compass that can’t ever be broken.
Recovering Lost Footprints, Volume 2 is an in-depth analysis of the sociohistorical conflict impacting Indigenous communities in Latin America. Continuing the project he began in volume 1, Arturo Arias analyzes contemporary Peninsular and Chiapanecan Maya narratives. He examines the works of Yucatecan writers Jorge Cocom Pech, Javier Gómez Navarrete, Isaac Carrillo Can, and Marisol Ceh Moo. For Chiapas, Arias looks at the works of Tseltal novelist Diego Méndez Guzmán, Tsotsil short-story writer Nicolás Huet Bautista, and Tseltal narrative writer Josías López Gómez. Arias problematizes the nature of Western modernity and the crisis of Western models of development in the present. By way of his analysis, he suggests that we are facing a historical impasse because we have neglected native knowledges that offer alternative codes of ethics and beingness that emerge from Indigenous cosmovisions. The text skillfully contributes to and strengthens debates between US-centered and Latin American cultural studies theorists, as well as the hemispheric expansion of Native American and Indigenous Studies. Recovering Lost Footprints, Volume 2 is inspired more by the past as it impinges upon a continuing, constantly expanding present. Arias's reading of Maya literatures forces us to reconsider the space-time structure of Western thinking. Indeed, this book is intriguing precisely because it views literature from an Indigenous perspective, evidencing how that social space is full of multiple contrasting experiences and historical processes.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
It's 1962, and Twentieth Century Fox is threatening to fire Marilyn Monroe. The blond goddess hires Nate Heller, private eye to the stars, to tap her phone so she will have a record of their calls in case they take her to court. When Heller starts listening, he uncovers far more than nasty conversations.