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In 1830, with France's colonial empire in ruins, Charles X ordered his army to invade Ottoman Algiers. Victory did not salvage his regime from revolution, but it began the French conquest of Algeria, which was continued and consolidated by the succeeding July Monarchy. In By Sword and Plow, Jennifer E. Sessions explains why France chose first to conquer Algeria and then to transform it into its only large-scale settler colony. Deftly reconstructing the political culture of mid-nineteenth-century France, she also sheds light on policies whose long-term consequences remain a source of social, cultural, and political tensions in France and its former colony. In Sessions's view, French expansion in North Africa was rooted in contests over sovereignty and male citizenship in the wake of the Atlantic revolutions of the eighteenth century. The French monarchy embraced warfare as a means to legitimize new forms of rule, incorporating the Algerian army into royal iconography and public festivals. Colorful broadsides, songs, and plays depicted the men of the Armée d'Afrique as citizen soldiers. Social reformers and colonial theorists formulated plans to settle Algeria with European emigrants. The propaganda used to recruit settlers featured imagery celebrating Algeria's agricultural potential, but the male emigrants who responded were primarily poor, urban laborers who saw the colony as a place to exercise what they saw as their right to work. Generously illustrated with examples of this imperialist iconography, Sessions's work connects a wide-ranging culture of empire to specific policies of colonization during a pivotal period in the genesis of modern France.
Elucidates and argues for the author's concept of human history from the past to the present.
Introduction: Knowledge in Exile -- The League Is the Thing: International Society's Super-University -- Plowshares into Swords: Knowledge, Weaponized -- Internationalist Dunkirk: International Society in Exile -- The Rover Boys of Reconstruction: International Society in the American World -- Coda: Great Leaps Forward.
This volume focuses on the literary connotations of the 'Channel Packet' and sets forth lively dialogues between French and British culture at a key period of artistic innovation and exchange between 'high' and popular art forms.
This is the story of an unlikely heroa gay man in the most masculine of worlds who triumphed over prejudice and adversity as he achieved what no American had ever accomplished, teaching even Hemingway lessons in grace, machismo, and respect.
What are we to make of Isaiah's image of Mount Zion as the highest of the mountains, or Zechariah's picture of the Mount of Olives split in two, or Daniel's "beast rising out of the sea" or Revelation's "great red dragon, with seven heads and ten horns"? How can Peter claim that on the day of Pentecost the prophecy of Joel was being fulfilled, with signs in heaven and wonders on earth, the sun turned to darkness and the moon to blood? The language and imagery of biblical prophecy has been the source of puzzlement for many Christians and a point of dispute for some. How ironic that is! For the prophets and seers were the wordsmiths of their time. They took pains to speak God's word clearly and effectively to their contemporaries. How should we, as citizens of the twenty-first century, understand the imagery of this ancient biblical literature? Are there any clues in the texts themselves, any principles we can apply as we read these important but puzzling biblical texts? D. Brent Sandy carefully considers the language and imagery of prophecy and apocalyptic, how it is used, how it is fulfilled within Scripture, and how we should read it against the horizon of our future. Clearly and engagingly written, Plowshares and Pruning Hooks is the kind of book that gives its readers a new vantage point from which to view the landscape of prophetic and apocalyptic language and imagery.
★ Publishers Weekly starred review Parkland. Las Vegas. Dallas. Orlando. San Bernardino. Paris. Charleston. Sutherland Springs. Newtown. These cities are now known for the people who were shot and killed in them. More Americans have died from guns in the US in the last fifty years than in all the wars in American history. With less than 5% of the world's population, the people of the US own nearly half the world's guns. America also has the most annual gun deaths--homicide, suicide, and accidental gun deaths--at 105 per day, or more than 38,000 per year. Some people say it's a heart problem. Others say it's a gun problem. The authors of Beating Guns believe it's both. This book is for people who believe the world doesn't have to be this way. Inspired by the prophetic image of beating swords into plows, Beating Guns provides a provocative look at gun violence in America and offers a clarion call to change our hearts regarding one of the most significant moral issues of our time. Bestselling author, speaker, and activist Shane Claiborne and Michael Martin show why Christians should be concerned about gun violence and how they can be part of the solution. The authors transcend stale rhetoric and old debates about gun control to offer a creative and productive response. Full-color images show how guns are being turned into tools and musical instruments across the nation. Charts, tables, and facts convey the mind-boggling realities of gun violence in America, but as the authors make clear, there is a story behind every statistic. Beating Guns allows victims and perpetrators of gun violence to tell their own compelling stories, offering hope for change and helping us reimagine the world as one that turns from death to life, where swords become plows and guns are turned into garden tools.
The surprising story of the wine industry’s role in the rise of French Algeria and the fall of empire. “We owe to wine a blessing far more precious than gold: the peopling of Algeria with Frenchmen,” stated agriculturist Pierre Berthault in the early 1930s. In the last decades of the nineteenth century, Europeans had displaced Algerians from the colony’s best agricultural land and planted grapevines. Soon enough, wine was the primary export of a region whose mostly Muslim inhabitants didn’t drink alcohol. Settlers made fortunes while drawing large numbers of Algerians into salaried work for the first time. But the success of Algerian wine resulted in friction with French producers, challenging the traditional view that imperial possessions should complement, not compete with, the metropole. By the middle of the twentieth century, amid the fight for independence, Algerians had come to see the rows of vines as an especially hated symbol of French domination. After the war, Algerians had to decide how far they would go to undo the transformations the colonists had wrought—including the world’s fourth-biggest wine industry. Owen White examines Algeria’s experiment with nationalized wine production in worker-run vineyards, the pressures that resulted in the failure of that experiment, and the eventual uprooting of most of the country’s vines. With a special focus on individual experiences of empire, from the wealthiest Europeans to the poorest laborers in the fields, The Blood of the Colony shows the central role of wine in the economic life of French Algeria and in its settler culture. White makes clear that the industry left a long-term mark on the development of the nation.
"Ancient sword of my people, bring me a hero, to save from tyranny the sons and daughters of this land. Let a Matheson lay hands on you and become that hero." So speaks the faerie Sianann as she musters what is left of her powers in a desperate attempt to save her beloved homeland. In 1713, Scotland's Jacobite rebels face their darkest hour. They need new blood, a new leader to help them fight English oppression. And they are about to get one... Dylan Matheson is an ordinary guy with ordinary problems: family, girlfriend-the usual. But he likes his life, living above the dojo where he teaches martial arts and swordfighting. Then one day at a Medieval Faire, he sees a magnificent broadsword. He takes it in hand-and is transported to a time and place he's only read about. Now Dylan Matheson, ordinary guy, is about to embark upon an extraordinary adventure. And it will take all of his skills-plus a bit of magic-just to survive.
Hannoum examines the advent of political modernity in Algeria and shows how colonial modernity was not only a project imposed by violence but also a violent project in and of itself, involving massive destruction and significant transformation of the population of Algeria.