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Originally published: London: Allen Lane/Penguin Books, 2014.
In addition to being exceptionally lovely, this volume contains a useful and substantial text on Jones's career, theory, and contribution to the fields of architecture and architectural and decorative ornament. Flores (architecture and planning, Ball State U.), a specialist on Jones, describes Jones's buildings, designs, and publications as part of
"Coursebook on law and neuroscience, including the bearing of neuroscience on criminal law, criminal procedure, and evidence"--
In modern Britain, the working class has become an object of fear and ridicule. From Little Britain’s Vicky Pollard to the demonization of Jade Goody, media and politicians alike dismiss as feckless, criminalized and ignorant a vast, underprivileged swathe of society whose members have become stereotyped by one, hate-filled word: chavs. In this acclaimed investigation, Owen Jones explores how the working class has gone from “salt of the earth” to “scum of the earth.” Exposing the ignorance and prejudice at the heart of the chav caricature, he portrays a far more complex reality. The chav stereotype, he argues, is used by governments as a convenient figleaf to avoid genuine engagement with social and economic problems and to justify widening inequality. Based on a wealth of original research, Chavs is a damning indictment of the media and political establishment and an illuminating, disturbing portrait of inequality and class hatred in modern Britain. This updated edition includes a new chapter exploring the causes and consequences of the UK riots in the summer of 2011.
Added title page in colors, with ornamental border.
One of the decorative arts' most beautiful and influential books, Owen Jones' 1867 publication has remained one of the finest sources of Chinese ornamentation and design. This sumptuous selection features over 170 stunning full-color designs. Derived from authentic artworks, these meticulously rendered patterns include superb examples of porcelain and cloisonné.
On 12th December 2019, the Left died. That at least was the view of much of Britain's media and political establishment, who saw the electoral defeat of Jeremy Corbyn's Labour Party as the damning repudiation of everything it stood for. Yet, just over four years previously, the election of Corbyn as Labour leader seemed like a sea-change in politics- reanimating not just a party in apparently terminal decline but a country adrift, with a transformative vision based on a more just, more equal society and economy. In this revelatory new book, Owen Jones explores how these ideas took hold, how they promised to change the nature of British politics - and how everything then went profoundly, catastrophically wrong. Why did the Left fail so badly? Where, in this most critical of times, does that failure leave its values and ideas? Where does it leave Britain itself?
While the Edwardian castles of Conwy, Beaumaris, Harlech and Caernarfon are rightly hailed as outstanding examples of castle architecture, the castles of the native Welsh princes are far more enigmatic. Where some dominate their surroundings as completely as any castle of Edward I, others are concealed in the depths of forests, or tucked away in the corners of valleys, their relationship with the landscape of which they are a part far more difficult to discern than their English counterparts. This ground-breaking book seeks to analyse the castle-building activities of the native princes of Wales in the thirteenth century. Whereas early castles were built to delimit territory and as an expression of Llywelyn I ab Iorwerth's will to power following his violent assumption of the throne of Gwynedd in the 1190s, by the time of his grandson Llywelyn II ap Gruffudd's later reign in the 1260s and 1270s, the castles' prestige value had been superseded in importance by an understanding of the need to make the polity he created - the Principality of Wales - defensible. Employing a probing analysis of the topographical settings and defensive dispositions of almost a dozen native Welsh masonry castles, Craig Owen Jones interrogates the long-held theory that the native princes' approach to castle-building in medieval Wales was characterised by ignorance of basic architectural principles, disregard for the castle's relationship to the landscape, and whimsy, in order to arrive at a new understanding of the castles' significance in Welsh society. Previous interpretations argue that the native Welsh castles were created as part of a single defensive policy, but close inspection of the documentary and architectural evidence reveals that this policy varied considerably from prince to prince, and even within a prince's reign. Taking advantage of recent ground-breaking archaeological investigations at several important castle sites, Jones offers a timely corrective to perceptions of these castles as poorly sited and weakly defended: theories of construction and siting appropriate to Anglo-Norman castles are not applicable to the native Welsh example without some major revisions.Princely Ambition also advances a timeline that synthesises various strands of evidence to arrive at a chronology of native Welsh castle-building. This exciting new account fills a crucial gap in scholarship on Wales' built heritage prior to the Edwardian conquest and establishes a nuanced understanding of important military sites in the context of native Welsh politics.
'Decorative Ornament' is an authoritative and encyclopaedic survey of great decorative design.